It’s been a while since the last Remington Roundup, but that doesn’t mean there’s been little to share. Here are links gathered over the last few months for readers and writers.
Roundup For #Readers
Fiction in Solstice Magazine: Middle-Aged Woman Rethinks Her Sexual Orientation While Breakfasting at a Cafe by Mia Caruso
You don’t have a sexual orientation, you realize. You were just swept along, without ever having a chance to know. Awkward is your sexual orientation.
Nonfiction in Carbon Culture: Unanswered Questions by Julia Poole
Time was limited. People like Ralph, the men, and women who had lived during WWII, would soon be gone. I didn’t want their stories to die with them. Sites of remembrance, including concentration camps, are part of their stories, part of history not to be ignored or forgotten. Such places act as persuasive and effective teachers. Are people still willing to learn?
Must-Read Books by Indigenous Authors (post by Kaitlin Curtice)
I’m constantly asked for resources on how people can move forward learning about Indigenous culture, and I’m often repeating the same thing: read books. . . . Indigenous peoples cannot do the work for you. You must dig in and learn yourself, and the best way to do that is lean into our cultures. Learn about us. Do your research, and then we can have a conversation that isn’t a one-sided history or cultural lesson.
Roundup For #Writers
On Publisher’s Weekly, Writing Tips from Barbara Kingsolver
Writers work successfully in so many different ways, I never assume that what works for me is best for someone else. But if a common denominator exists among us, it might be attitude: the enterprise of writing a book has to feel like walking into a cathedral. It demands humility. The body of all written words already in print is vaulted and vast. You think you have something new to add to that? If so, it can only come from a position of respect: for the form, the process, and eventually for a reader’s valuable attention.
An In-Person Workshop: Diving Into the Details
Details play a significant role in our writing, whether we write poems, essays or novels. Details build story, deepen story, and provide more ways for readers to connect with story.
Meets Saturday, November 10th, 9:30am-noon. Come read examples of authors who master details and practice technique with several writing prompts. Register through Red Oak Writing.
Or an Online Meet-Up at Study Hall: #AmWriting
…with space, an invitation, and a gentle push from another writer facing similar challenges, we are more likely to show up at the table and set pen to paper. We are more likely to encourage the writer across from us and–together–create more art.
Our next Study Hall meets Sunday, November 11th, 3:30-5pm CST. Register by Friday, November 9th!
An Updated List for Flash Nonfiction Submissions curated by Erika Dreifus
…a guide to journals and magazines that publish flash nonfiction/micro-essays.
Because after all that writing you’re doing, you’ll be ready to submit!
It’s my favorite time of year, when every store–drug store, grocery store, and (cue the angels singing) the office supply store–is stocked with back to school supplies. 
Sunday Study Hall exceeded my expectations. Christi facilitates and provides the structure. The visual and audio elements enhance the experience. Readings, prompts, and the company of kindred spirits spiral out across time zones. I always leave the session enriched by the conversation. ~ Kathy Collins
“Christi Craig’s on-line class, Principles & Prompts, is an ideal environment to open your mind up to not only learn, but also do and the six-week course provides a perfect escape during an otherwise busy time of year. Christi has the uncanny ability of incorporating works, both written and film, that nudge the muse to tackle the writing prompt that follows. Although there is no pressure for perfection or finished pages, I have to say, the synergy of the group compelled me to do more than slap my thoughts together.” ~ Elin Stebbins Waldal
Hey now, come on, Mary. Writing may not be romantic (though when I type with fingerless gloves I feel very “Jane Austen”), but drab is a little strong. Let’s say painful, gut-wrenching, #ThisPenHatesMe, sure. “
Saturday, Jan. 21, 2017, 9:30am-noon at the 
This 4-week course runs from February 5-March 4, 2017. We will tap into books, videos, podcasts, and samples of great flash nonfiction. We’ll learn about techniques that make this powerful genre work, then put these techniques into practice through writing exercises and peer critique. At the end of the course, you’ll leave with a better understanding of flash nonfiction as a whole, a list of resources for further study and submission ideas, and several new pieces of work under your belt. $90. 