Quotables: Safety in Numbers

Safety in numbers: photo of four meerkats standing under light source.

“So much of writing is like walking down a dark hallway with your arms out in front of you. You bump into a lot of things.” ~ Kate DiCamillo


#FindYourTribe | #SafetyInNumbers

Join a Writer’s Group (or start your own). Here are a few ideas from Writer’s Digest on tips, lessons learned, & formats to follow.

Sign up for a workshop or class. In-person critique groups for summer (near MKE), ONLINE Here, or try Sackett Street Writers’ 6-week Writing Sprints course with Amy Shearn (scroll down for the summer section that begins Jul. 8th).

Attend a book festival. Where, you ask? The American Writers Museum has a page full of locations with links to websites. This calls for a little artwork….

Safety in numbers: CHEERS! Drawing of woman jumping up and waving pom-poms.

(If you go, let me know. Maybe I can meet you there!)

I’ve got all day to write…. Um, now what?

IMG_0099This is a magical time of year. I’m done with my day job for the summer, the kids are still in school for the next few weeks, and my calendar is more white space than blocks of color. Ah, free time. I should be a writing fool.

But last fall when I cleared my calendar for a month to finish the novel, I discovered that more time on my hands didn’t translate into more chapters on my hard drive. What happens to me when the calendar sits open for too long is that I fill it with coffee dates, that appointment with the dentist. I clean for the first time in, well…you don’t want to know. I spin, spin, spin until the clock winds down.

More time to write can be just as daunting as no time to write.

So, what to do this time when I’m gifted several days in a row with few, if any, of life’s obligations? Learn from experience and follow the advice of other writers who’ve also learned from experience.

IMG_0645Start with Steve Holt’s article in the most recent issue of Writers Digest. In “Take Your Writing Away,” Holt talks about physically getting away by planning your own writing retreat, which I have done before. But, his tips on making the most of your sacred writing time out of town work just as well when I need to stay close to home. Every inch of his article is worth reading, underlining, and quoting. Today, though, I’ll hit on three of his points that stand out to me most.

“Choose the location carefully.”

“…with as few distractions as possible,” he says. For me, that means leaving the house. I’ve talked before about my challenges with writing at home. While I can tackle some projects in tiny increments in between sideways glances at the dust building up in the corner of the dining room or the laundry growing cold on the couch, I am much more productive with one hour off-site at a busy coffee shop. Give me two hours and I can crank out a significant paragraph or two on the novel (I measure my progress in inches down the page) and do some revisions on a short essay. So, figure out where you write best, block out your calendar, and stake your claim at a table there for as often as you can during the days you have free.

“Be healthful.”

You know what else happens to me when I find time to write? I eat. At that happy, little coffee shop, I feel I must buy a big fat muffin or that huge chocolate chip cookie. It’s like a reflex. In taking up space, I think I should fill up my coffee cup at least twice. Even with creamer–wait, especially with creamer–I’m riding the low end of the “healthy” continuum. Be healthful. I’m still working on this, so if you see me standing at the counter about to place my order, push me in the direction of the fresh fruit or that cup of herbal tea.

“Reflect on your routine.”

Here Holt talks about writing after the fact on “how your schedule is flowing, how the accommodations are working out, notes about each writing session….” For me, this kind of writing happens before I open a draft: what day it is, where I am, how much time I have in front of me. These reflections are more like a release. I not only scratch out any frustrations I just walked away from but also any anxieties I have about delving into chapter 9 or 10 or that 400 word essay I really want to re-submit. But, I think Holt’s point and how I look at it are the same: clear your mind. Examine what works, what doesn’t, and what gets in the way of this writing session or the next.

If Holt’s article were online, I’d say bookmark it. As it is, you will need to get a copy of this month’s Writers Digest to read the article in full–worth every penny, as he also shares a daily schedule that balances writing with other activities, keeping the mind creatively engaged but not overwhelmed.

How do you schedule your free time?

Blogging & Social Media: Twitter, Facebook, & Pinterest. Oh my!

IMG_0432Saturday’s workshop on Blogging & Social Media for Writers went well with only a few Power Point hiccups that can be blamed mostly on user error. Technology keeps us on our toes, doesn’t it? (I’m talking to you, computer gremlins, who took over my slide show and clicked NEXT when I said STAY).

Aaaanyway…. Success of a workshop greatly depends on the audience. The writers who came to the table on Saturday showed up with various levels of experience, asked great questions, and offered excellent discussion. I think everyone left with a strong understanding as to what’s out there and a drive to investigate those options more. Because when I said last week that articles about blogging and social media just keep coming, I wasn’t kidding.

I finally had a chance to read my February issue of Writer’s Digest (I know, I’m so behind…!), and blogging and social media is addressed there as well in Chuck Wendig’s “Best of Both Worlds.”

In his article, Wendig specifically focuses on the prospect of becoming a “hybrid” author, one who pursues both the traditional and self-published routes, but he touches on points we discussed in the workshop on Saturday.

1. Diversity is crucial.

Diversity means survival. That’s true in agriculture. it’s true in our stock portfolios. It’s true on our dinner plates.

And, it’s true in publishing. Survival as a writer means embracing diversity from the beginning. And that means thinking of yourself as a ‘hybrid’ author.

Again, he’s mainly talking about using both traditional and self-publishing to your advantage (and he’s persuasive in his argument as well as helpful, listing pros and cons and offering tips on how to and heeding warnings on what to avoid). But diversity is just as important when considering social media.

This doesn’t mean authors must set up and manage every single profile known in the networking world. But, it benefits an author to consider the options and decide on a select few that might help them grow a wider and more versatile audience–an audience of readers and other writers.

2. Visibility is a priority.

[You must] increase the visibility of your work. This often starts with a strong social media presence–not one devoted to marketing, but one devoted to you being the best version of yourself and engaging authentically with your potential audience.

For hybrid authors, it’s vital that all of your…platform-related efforts lead to a central online space (a professional author website or blog) that showcases your other work.

I can’t emphasize this enough. I call that central space a “home base” or an online P.O. Box per se. People will look for you online with the sole purpose of finding out more about you and your work. Make it easier for them to find you (the author) in one solid place.

This month’s issue of Writer’s Digest is available in print of course, but you can download a digital version easy. Go read “Best of Both Worlds”, and then check out Chuck Wendig’s companion piece, “Case Study: Becoming a Hybrid Author,” at Writer’s Digest online HERE.

There’s so much to learn whether you’re a new or seasoned writer. One of the greatest gifts we have is access to information and community–online and in person.

Red-Oak-Writing-Logo-1000x1000With that said, and if you’re close to Milwaukee, take a look at the next few workshops on the docket at Red Oak Writing:

  • From Blank Page to Written Words. March 22nd, 9:30-noon. Laurel Landis will help you “free your mind and focus quickly” and write, write, write.
  • Publishing Your First (or next) Collection. April 26th, 9:30-noon. Learn from Robert Vaughan who will share his experience getting “his first three projects (Microtones, Diptychs + Triptychs, and Addicts & Basements) from his office desk into the hands of publishers who all agreed to bring his work to life.”
  • Writing for Radio. May 17th, 9:30-noon. “Most writers are used to writing for the reader. [Mel Misikimen] will teach you the skills you’ll need to hone your piece for the ear….”

How do you diversify online? Better yet, how do you man-handle your Power Point into behaving?