Poetry: In the thick of it.

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2014 Design: Chipp Kidd

Right now, we are in the thick of National Poetry MonthWhile I’m not much of a poet, I do love a good poem. And, I’ve come across some great reads in the last week that got me all fired up.

In Your Neighborhood.

Look around. There’s probably a poet near you doing an amazing project for National Poetry Month. Lisa Rivero has been on my radar; she writes how poetry “forces us to pay attention.”

Taking entries from her great-aunt Hattie’s diaries, she has been turning every-day details from life on the Great Plains in the 40’s and 50’s into beautiful poems and pairing them with images of the actual pages. I absolutely love this project.

Read two of my favorites:

In Your Inbox.

If you subscribe to The Writer’s Almanac, you can experience National Poetry Month every single day. I’d been on their list for a while then somehow stopped getting emails. I’m glad I signed up again, because this poem from April 13th did exactly what Lisa talks about: made me slow down and focus on the details.

Prairie Spring, by Willa Cather

Evening and the flat land,
Rich and sombre and always silent;
The miles of fresh-plowed soil,
Heavy and black, full of strength and harshness;
The growing wheat, the growing weeds,
The toiling horses, the tired men;
. . . .

Read it from beginning to end here. 

Your turn: favorite poem, this month or ever.

 

Taking the stage.

imageLast Sunday afternoon, I drove the short distance from my home to the second rehearsal for the Listen to Your Mother Milwaukee Show. And then, I sat in the car for a good five minutes.

I re-read my essay out loud. Watched folks coming and going through the parking garage. Hoped everyone thought I was talking into my blue tooth on some very important phone call instead of mumbling to myself.

I took a deep breath.
I said a prayer.
I opened the car door and went inside.

I am nervous. I’ve read my work in front of friends and family before. Even this particular story isn’t entirely new. Still, there’s something different in the idea of taking the stage. Under the lights. In front of a microphone. But sitting around the table with the other women (who are likely as nervous as me), I heard exactly what I needed.

Alexandra Rosas, one of the co-producers of the show, opened the rehearsal with a pep talk of why Listen to Your Mother is so important. This show is about regular people–your friend, your neighbor, that woman at the grocery store whom you’ve never met in person but you see every Saturday afternoon–sharing stories about what it takes to be a mother, love a mother, honor a mother. And, as Alexandra so aptly said, it’s about people learning how much more they are capable of.

It’s about courage.

Courage to recognize your story.
To write it down.
To share it with someone new in a way that may be entirely unfamiliar but connects us just the same.

On April 27th at 3pm, we take the stage. You should come. If not to the show in Milwaukee then to the show in your area. It’s almost guaranteed you’ll hear something that strikes a chord, and you might even be inspired to write a story of your own.

The cast of Listen to Your Mother Milwaukee 2014.
The cast of Listen to Your Mother Milwaukee 2014.

You can buy your tickets HERE.

10% of the proceeds go to IMPACT, an organization offering services that “restore the health and productivity of individuals, organizations and workplaces leading to an improved quality of life for our entire community.”

Writers at the Table: Meet Richard Borchers

IMG_0562Once a month, I meet with writers at the Harwood Place retirement living center, and every so often I get to share one of their storiesToday, I’m excited to introduce Richard Borchers. 

Richard is a long-time member of the group and a committed writer. He always brings great stories to the table, including this one inspired by a prompt from Patricia McNair’s daily prompt list. 

. . . .

He was never good with the camera.

Graduation from high school was the occasion for getting his very own camera. Congratulatory gifts afforded him a moderately priced “Argus.” Somehow, he just knew it could produce very good slides and prints.

The first roll of film he purchased was returned to the drug store and exchanged for one proper for the camera. With help from a few more experienced “shutter bugs,” he mastered the trick of opening the lid and getting the precious capsule into the little box. He found “f-stop” but wondered, Where is the “f-go?”

The strange, new technology seemed almost beyond comprehension. He thought, If this little machine is going to be my friend, I guess I’d better read the manual.

After several months of shooting pictures, it still was no surprise when a roll of twenty frames would come back from the developer with three or four undeveloped. Did he leave the lens cover on? Was it a double exposure? Why were so many blank? It must be the drug store’s fault!

Sometimes, his camera was left sitting on the shelf, not really forgotten but more like just neglected. But when he was traveling or on vacation, the Argus was always with him. He found joy and satisfaction just to have a few pictures to share when he got home and memories to store away in albums. After some time, his photography skills improved a little bit. Still there were plenty of heads cut off, or legs, or arms, or that favorite uncle who had come a thousand miles just to have his picture taken. Too bad he was at the end of the row instead of in the middle.

However, he has this one incredible shot when everything came together just right.

The occasion was on the trip back from Seattle on the Amtrak. Attempts at taking scenery pictures from a moving train are not likely to be very good, he thought. But there was the camera, lying on the chair next to the bunk where he was sitting. It was primed with the toggle set for taking a panorama. It was beginning to get dark, and the train was speeding through Glacier National Park away from the sunset. Looking out the window over his shoulder, he grabbed the Argus and clicked the shuttle.

Putting it away for the night, he wished he were good with the camera.

. . . .

Over the shoulder and out the window: Glacier National Park
Photo by Richard Borchers

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“Happy accidents are real gifts….” ~ David Lynch