Memories, Stories, & Poetry: Threads that Bind Us

“I was taking it all in, / filming the heart”
~ from “Take Two, They’re Small” by Cristina Norcross

In the last few months, the senior citizens in my creative writing class at Harwood Place have become very interested in poetry.

author photo1 medium 2013I know a lot less about poetry than I do other genres, so I invited Cristina Norcross, poet and editor, to lead the group this month. I told her the numbers tend to run small with three or four people in attendance. But after word got out that I had invited a published poet to meet with them, eleven (!) eager faces gathered around the table, some core members and some new to writing in general–a room full of enthusiasm!

Cristina is a gentle soul and an all around creative spirit. She came with paper, pencils, and prompts and stirred up memories that translated into 6-word memoirs and vivid descriptions. And, as so often happens in this group, writing fosters relations. One woman, who had never attended the class but recognized a few faces, told me later that she heard things she hadn’t known about the people sitting next to her. That is the thing I enjoy most about this group, witnessing the discoveries that lead to connections. That, and so  much more.

Memories, stories, and poetry. An hour well spent on a Saturday morning.

Just for fun, here’s the beginnings of a poem I wrote after Cristina led us through a guided imagery exercise.

Sipping Turkish Coffee

Cardamom and grit
and a small, porcelain cup.
The drink is bitter
But the day sweet.
He sits across from me
Pachouli, a page-boy haircut,
A nervous grin.
The windows that frame him
Pull at the sunshine,
Light up the floor,
the table,
the faces
of his mother
on my left
his father
on my right.
Glowing.
Excited.
They must have known.

~

Are you a poet? You could be. Try one of Cristina’s prompts: What did you give away that you miss now? A favorite toy or jacket? A pair of shoes that no longer fit, but you still love them? A CD that you gave to your cousin?

5574872-5fa61a87b3c20a918ac7f7e198ae8542-fp-1395665841Cristina M. R. Norcross is the author of Land & Sea: Poetry Inspired by Art (2007), The Red Drum (2008, 2013), Unsung Love Songs (2010), The Lava Storyteller (2013) and Living Nature’s Moments: A Conversation Between Poetry and Photography, with Patricia Bashford (2014).  

Her works appear in North American/international journals and anthologies.  She was the co-editor for the project One Vision: A Fusion of Art & Poetry in Lake Country (2009-11) and is currently one of the co-organizers of Random Acts of Poetry & Art Day. Cristina is also the founding editor of the online poetry journal, Blue Heron Review (www.blueheronreview.com).  

Her new book, Living Nature’s Moments: a conversation between poetry and photography(Vox Novus Press, 2014) by Cristina M. R. Norcross and Patricia Bashford, is available online from Blurb.  Signed copies are available on Etsy. Find out more about this author at:www.FirkinFiction.com

* TO SUBSCRIBE to future posts, click HERE.

 

Writing about Place

hotel

It’s not just about showing the reader a particular exterior landscape. It’s about giving them a particular interior landscape. ~ Cathy Day, “Teaching Tuesday: Setting”

If you’ve taken a writing course or workshop, you may have been given the prompt, “Where I’m from.” The first time I wrote with those three words in mind, I went back to a place and time in my youth when I was just beginning to notice family dynamics, beginning to identify but not quite understand:

Where I’m from is a two-lane road that winds into a cul-de-sac where the house on Hix still stands. As the front door opens, a long, low creak breaks the silence and makes you wonder, for a second, why we never bothered to grease the hinges.

The house is full of light and seems peaceful. And, it is most days. But down the cold, tile steps of the entryway and off to the left is the kitchen. There, bathed in the morning sunshine, I sit with my mother and her mother and the Sunday paper and watch them cut out coupons.

No one speaks, yet there is heavy presence. Not angry, but resigned. Weathered. Cognizant of something fragile, I eat my cereal with care.

Without my grandmother asking, my mother gets up and refills their cups of coffee.

“Can I get you some breakfast, Mama?” she says.

“No, baby, I’m fine.” Then quiet again, except for the sound of scissors tearing into paper.

It’s funny to see what details come to mind when writing about place (whether you’re interest is fiction or non). There’s so much I could have described: the two-story house with floor-to-ceiling windows, the pasture out back, and the creek beyond. But, it makes sense after I read Cathy Day’s quote above why I might consider more intimate details. I appreciate those kind of details even more, after studying this article by Dorothy Allison on place (published online at Tin House). Allison breaks it down with clarity and power:

[Place] is who you are and what is all around you, what you use, or don’t use, what you need, or fear, or want.

. . .

Place is not just what your feet are crossing to get to somewhere…it is something the writer puts on the page–articulates with deliberate purpose. If you keep giving me these eyes that note all the details–if you tell me the lawn is manicured but you don’t tell me that it makes your character both deeply happy and slightly anxious–then I’m a little bit frustrated with you.

. . . . Place is emotion. . . .

Place is people.

I’m thinking a lot about place these days; I’m writing historical fiction, where the landscape is integral to the story. As I struggle to bring into view the time period and what characters see on the outside–the exterior, I keep thinking about the aspects of the character themselves that will breathe life into their interior landscape as well.

Questions that appear at the end of Cathy Day’s post help, questions which certainly probe a writer about the “brick and mortar” details but ones that help the writer investigate deeper. Such as:

  • What are the conflicts between neighbor and neighbor?
  • Who is happiest about living or being in this place? who is least happy? (I might add: why?)
  • How “modern” is it in comparison to the world around it? Is it behind the times? Or does it have its finger on the pulse of fads and fashions? Do the people here look up or down at any other place?

Click HERE to read more of Cathy Day’s post, and HERE to read the full lesson on place by Dorothy Allison.

What strikes you most about place?

* TO SUBSCRIBE to future posts, click HERE.

Writing Do’s and Don’ts When Contemplating Quitting

IMG_0999A few weeks ago, I spent three days writing in silence. Well, it wasn’t completely quiet. I called home a few times to check in, conversed over lunch and dinner with a few lovely ladies who cooked my meals, and gave a reassuring “Hello, yes, hello!” to the red-winged blackbird that hovered anxiously overhead when I took a walk along the farm roads.

But in those three days, I rewrote the outline for my novel, pushed through the first section where I’d been circling for months, discovered the ending–the ending!–and cried. A good cry.

Absolutely everything went right.

Then, I went home and fell flat on my face.

Okay, that’s not exactly true. I fell into four loads of laundry. Then, I worked too many days at the day job, hosted plenty of after-school playdates, attended a wedding, the reception, doctor’s appointments, baseball games, softball–all good things. Nothing out of the ordinary, really. But somewhere in the mix of living, that sordid thinking about writing–the kind that takes over like a weed if I let it–crept into my daily to-do list: I can’t do this. Writing a novel is a ridiculous idea. I might as well quit.

That, after a great weekend of work! It never fails to amaze me how quickly the tides turn when pursuing a passion.

Anyway, I won’t tell you how many days (was it weeks?) I moped around. Pouted. Felt sorry for myself. What I will tell you is a list of what held me captive in that ugly place of wanting to quit and what pulled (or pushed) me out of it.

The Don’t do’s when you really feel like quitting:

1. Don’t write a list of past, present, and future failures. It won’t change yesterday, and it doesn’t help today. What’s that they say about failing? Here’s a good one:

It is impossible to live without failing at something unless you live so cautiously that you might as well not have lived at all, in which case you have failed by default. ~ J.K. Rowling

Besides, that list usually has little to do with writing the novel, and failing at dinner doesn’t mean you’ll fail at writing.

2. Don’t analyze blog stats, compare your status on Facebook with every other writer on Facebook, or despair over the lack of notifications in your Twitter feed. Comparing and contrasting in the middle of a meltdown is recipe for disaster. Or, maybe a hefty load of jealousy, and…well…word to the wise:

The jealous are troublesome to others, but a torment to themselves.
~ William Penn

Oh, how we writers love to be martyrs.

3. Don’t turn to Netflix. One might argue with me here. If you can watch episode after episode from past seasons of your favorite comedy show and feel inspired to run to your laptop and crank out a post or a short story or a new scene to the novel? Great, chalk Netflix up as Savior and kick it to the Do’s list below. IF, like me, you watch show after show during that last hour of the evening when you should be/could be writing and each hearty laugh carries you into yet another episode so that it’s suddenly 1am and you’re staring wide-eyed at your iPad knowing the next day you’ll be so exhausted you won’t write even if you really didn’t feel like quitting? Then, you know, skip Netflix. Or, at least put a timer on it.

The Do’s: Short and Sweet.

1. Read. Pick up that book that’s been sitting on your nightstand by that author you’d love to emulate and read. Not so much for study as for spark. For passages that leave you satiated and satisfied for a week. Read with a pencil, so you can underline those phrases. And, if you can find a willing audience (or a quiet room), read books out loud. There’s something about hearing the words as well as seeing them that’s feel-good inspiring.

2. Commit. This is, by far, the best advice I can offer for pushing through the quitting blues: get yourself an obligation. Sign up for a writing commitment of one kind or another. Coffee dates, author readings, a writing group (even if you go just to listen)…something that forces you to spend time with like-minded writers, because I guarantee you aren’t the only one feeling like quitting. You know what helped me most in the last two weeks? First, setting a date and meeting with a new writing friend for coffee; she showed me some really cool ways she’s incorporating art with her words. Second, volunteering at a new literary journal. It’s unpaid work, yes, but as soon as I committed myself to do something for another writer, even if it was confined to reading through submissions or editor applications, I could not, in good conscience, pull the plug on my own life as writer.

3. Write. I know, I know, how can you write if you don’t feel like writing ever again? Consider it writing for release. Not those repeated lists of failures, but maybe (if this works for you) a letter to your muse. This blog post didn’t start out as a Do’s and Don’t’s. It started out as a “poor me” letter to whomever was paying attention:

Here’s an honest post. For the last two weeks I have fought tooth and nail to stop myself from pulling the plug. To quit the urge to quit. I do not want to write this post. Nobody likes a poor me post about how hard it is to write.

Then, I sat for a good ten minutes and stared into the white light of the screen. Maybe I checked Facebook….

Not it’s time to go to bed and I still have nothing.

So, I saved the post, shut down my computer, went to bed. The next day, I folded some laundry. I read a submission for this new literary magazine, emailed my thoughts to the editor-in-chief, and I felt better. Rejuvenated. For no good reason, except that I had waited just long enough for the tides to turn again. And, when they did, I sat back down at the computer and wrote for real.

IMG_1014

What are your do’s or don’ts when your hand is reaching for the white flag?