Revealing Secrets & Plot Twists in Storytelling: Guest Post by Laurel Mayer

When I first set out to write a novel, I had no idea of the intricacies and strategies involved in getting the story onto the page — in a way that would hook readers and hold their attention. Since my head-first dive into NaNoWriMo a few years ago, when I cranked out a first draft in linear form, I’ve read several books on story structure, considered the balance of narrative and dialogue, and played with writing devices like tension and pace.

Today, Laurel Mayer, debut author of Pushover, talks to us about one important device in storytelling: revealing the secret. As with most things writing, several factors come into play at once to create a successful experience for the reader.

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The Art of Revealing Big Secrets in a Novel

Secrets, plot twists, and conflict are the basis of many novels, and for good reason. The unknown is a powerful source of imagination and curiosity for writer and reader alike, creating suspense, wonder and surprise that make for a page-turner. But, plot twist is a tricky writing device. The slow, steady, subtle unveiling is as important as the secret itself. Revealing too much too soon can leave the reader deflated and make a dud out of what could have been a bombshell. It takes careful crafting and patience to create a convincing plot twist that captivates readers.

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Right here, right now.

I heard a woman say once, “Be where your hands are.”

Doing dishes :(She was talking about doing dishes, and I thought, well that’s common sense. You can’t possibly be standing at the kitchen sink, elbows-deep in sudsy water, and be anywhere else.

Or, maybe you can.

Maybe you can be there at the counter, scrubbing away shards of dinner but thinking hard on yesterday’s mistakes or pleading for a better tomorrow — which means more time and more money and “not one more bill,” because September is a hard month and that first Fall paycheck that’s due soon is already spent. And then some. And, while your worries and frustrations sure get the plates clean, they also kick up the water which soaks into your shirt, and Oh. There you are, back at the sink.

Be where your hands are.

It doesn’t take much to set me spinning. News of crashing stocks (again) and predictions of economies on the brink, are enough. In a flash, I am hours ahead, or days past, or years into apocalypse kind of crazy. To put it in perspective: at one point this week, I seriously considered pulling my retirement funds and stuffing it all in my mattress. Kick it old school, I thought. Screw the Market.

It took my dad’s reassuring voice – “everything comes back around, just celebrate when the stocks go up again” (because they will) – and a phone call to a good friend to remind me that there’s plenty in this world I can’t control.

I’m not alone.

And, I do have today.

Be where your hands are.

So, I focus on things that keep me grounded, in the moment:

  • Laughter, from my kids or with a close friend or at myself (I can be fairly ridiculous at times), because a good belly laugh strikes the air and cuts through my fear and brings me back to Here and Now.
  • Reading books out loud to my son or daughter, because I can’t read aloud and let my thoughts wander at the same time. Plus, that time – snuggled up, sharing a story – I don’t want to waste it.
  • Checking in with friends who know me well enough to say, Yeah. You could stuff your mattress, but really, what would that accomplish? A poor night’s sleep. Trust the Universe.

Be where your hands are.

…Where are you today?

* Picture courtesy of tjshirey via Flickr.com

On Perceptions, Guest Post by Heather Cashman

“We all perceive others through the veil of our own experience.”
~Heather Cashman

Perception, the first book in Heather Cashman’s series, The Tiger’s Eye Trilogy, gives readers a unique view into a time and place where the main characters see the world through two sets of eyes: their own and their tiger companions’.

I glimpse a flash of dual understanding about my world through my kids on occasion. Like when my daughter draws me a picture that shows her and her brother wearing giant and ornate crowns and the “mommy” and the “daddy” standing in the background, a smear of ink. It’s clear who she thinks is in charge.

But seriously, imagine. Seeing the world – your world – from two different perspectives. As writers of fiction, we do it all the time, but in real life, we struggle to know just what another person is thinking.

Today, Heather Cashman joins us to talk about perceptions, and how often, the way we view ourselves is much darker than the way others view us.

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Stained Glass Perceptions

Heather Cashman

Perception is a fascinating concept. The simple idea that two people can view the exact same object and see two different things astounds me. One of my favorite aspects of the novel, Perception, is the study of ways in which people see themselves, see others, and see the world.

The word* “perception” is derived from the late 15th century and was used in reference to collecting or taking possession of rent, crops, profits, etc. The word took on different meanings over the next several centuries to be a more general “taking in.” Today, Merriam-Webster defines perception as “immediate or intuitive recognition or appreciation, as of moral, psychological, or aesthetic qualities; insight; intuition; discernment.”

In order to discern or recognize, one must first have experience. The human experience is as unique as each individual human, influenced by culture, environment, nurturing, abilities, and choices. Therefore, each person’s perception will always be unique.

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