Q&A (& Giveaway) with Michael Shou-Yung Shum,
author of Queen of Spades

“‘Strange,’ muttered Mannheim behind him. ‘You think you’ve seen it all, and then something comes along and shatters all your pre-established notions.'” ~ from Queen of Spades by Michael Shou-Yung Shum


The gamble. In one way or another, you are always playing the odds. As soon as the traffic light turns yellow, you quickly gauge your distance and press on. If you’re a writer, you send a story out a hundred times with the conviction that soon one acceptance will override all those rejections. Or, if you’re me in the late eighties and trying to procure the attentions of a handsome young man, you debate whether or not to pick up the phone by flipping a quarter. Heads you call, tails you don’t. And even while you lose with each flip, you don’t give up, the phone an object of incessant mockery. So you push at chance: 3 out of 5, 5 out of 7, 10 out of 15. Ignoring the loss, you call anyway, the flick of your thumb just an exercise in show.

The casino. A different kind of gamble but a game all the same, and a scenario that we assume we can predict: a shadowed room, a row of seated bodies hypnotized and staring into the lights of slot machines or the faces of the cards.

But in Queen of Spades, Michael Shou-Yung Shum’s debut novel (Forest Avenue Press, 2017), with its story set in Seattle and the fictional Royal Casino, we discover a different side of the experience and a new understanding of the inner workings of the people, the players, the place.

A story told from the perspectives of the dealers and those closest to the game of chance, Queen of Spades unveils a little of the casino magic, only to tease us with more. We are quickly caught up in the tales of a quiet and focused Arturo Chan, a bold and speculative and desperate Chimsky, Barbara on the straight and narrow (and then not), the elusive Countess, and more.

I’m thrilled to host Michael Shou-Yung Shum to talk about his debut novel. And, there’s a giveaway: a copy of his book for one lucky reader (courtesy of Forest Avenue Press)! Check out recent praise about Queen of Spades here (including notes from the Library Journal, which recognizes the book’s “high seriousness and humor”). Then, ENTER the giveaway by Tuesday, October 31st.

Now, welcome Michael Shou-Yung Shum!

Christi Craig (CC): Queen of Spades is your debut novel, so we assume that this is a work of fiction. But in the first chapter, you write that this story is a retelling of events shared with you by the protagonist Arturo Chan, whose memories you “distilled through fictional conventions of timing and characterization” (immediately evoking in readers a sense of curiosity and mystery). As you began piecing this story together, did you pull from an amalgamation of true characters encountered in your own experiences at the tables, or as a collage of events imagined while immersed in the sights, sounds, and smells of the casino en masse?

Michael Shou-Yung Shum (MSS): One of my goals in writing the novel was to enchant the experience of gambling, a topic that is often disenchanted when it comes to fiction (think gritty tales of realism that describe down on their luck protagonists getting more and more in the hole…). I wanted to do the opposite with my novel, which is to invest aspects of real-life experience with, as you say, curiosity and mystery—to “enchant” those experiences, in other words. So yes, I did pull from real-life people I’ve come across—for example, the Countess is a very stylized and enchanted version of a “regular” who used to come to the casino where I worked every day, an old woman who sat at the poker table coughing up a lung and glaring at the other players. Her name was Barbara, by the way, so the character of Barbara was a kind of reimagining of this player when she was young, in the 1980s.

CC: In considering the characters of your novel, are you more like Jean-Paul Dumonde, who insists a pattern exists in everything and the goal is to uncover it and pursue it? Or are you more like Chan, who perceives and at heart believes in the “odd sense of the connectedness of things. . . . the contingency of moments, of events, and of people” (a pattern to be sure, but one controlled entirely by unpredictable forces)?

MSS: I think I am a bit of all my characters! I definitely have a deliberate, methodical side and also a side that craves mystery and the unknowability of things—in other words, I both want to know and discover, and also not know and experience. I actually think Chan and Dumonde are more similar than they are different, which may be one reason they get along both so poorly and so well.

CC: Your novel is based on Pushkin’s short story, “Queen of Spades.” As someone with a  PhD in Psychology and one in English (amazing!), what role do fables play in the world of someone who views life through the lens of human behavior and man’s love of literature?

MSS: If you study fables, common forms and figures will emerge that will tell you a great deal about the interplay between culture and the development of the human psyche. I do like questioning where our stories come from, and where they can go.

CC: What are you reading these days?

MSS: I keep a tall, ever-changing pile of books on the bottom shelf of my nightstand. Some of them currently are:

  • Stein, The Autobiography of Alice B. Toklas
  • Bergen, How To Become A Ventriloquist
  • de Certeau, The Possession at Loudun
  • Banks, Settlement Nurse
  • Lovecraft, The Call of Cthulu and Other Weird Stories
  • Watterson, Ventriloquisms

CC: You and your wife, Jaclyn Watterson, are both authors (Congratulations to her on her debut collection of stories, Ventriloquisms!). In a house of two writers, I imagine there are plenty of discussions on story and craft. The question is…do you ever debate the quality of a good pen? And is it ball point, gel, or fountain?

MSS: Jackie and I do work closely, although on paper, our writing appears quite different. We both love a good gel-point pen, but we mostly use pencils. 

~

Born and raised in Houston, Texas, Michael Shou-Yung Shum eventually found himself dealing poker in a dead-end casino in Lake Stevens, Washington. Two doctorates bookend this strange turn of events: the first in Psychology from Northwestern, and the second in English from the University of Tennessee. Along the way, Michael spent a dozen years in Chicago, touring the country as a rave DJ, and three years in Corvallis, Oregon, where he received his MFA in Fiction Writing. He currently resides in Astoria, Queens, with Jaclyn Watterson and three cats. Queen of Spades is his first novel. Visit his website for more on his book and other published works.


Don’t forget! Enter the book giveaway for a chance to win a copy of Queen of Spades.

Remington Roundup: #Watch, #Listen, #Learn.

1960's photo of woman at Remington typewriterNow that it’s October and Fall is well under way, we are back into a routine (at our house anyway) of scheduling and schooling. Some of this is formal education, some of it just life. Like navigating through the days, evenings, and weekends of a teenager on the go and mediating the transition of a young girl on her way to pre-teen.

Outside of that excitement, I’m also keeping up with cool finds on the Internet. This month’s Roundup offers links to goodies for lovers of story, whether you enjoy reading them or writing them.


#Watch

Blank on Blank is a collection of animated video interviews from PBS spotlighting celebrities from all corners of creativity and notoriety. Neil Young, Bette Davis, Nora Ephron.

And this one with Stevie Wonder, where he talks about the Keys of Life.

“I’ve never accepted stupidity and ignorance as making me then determine how good I was or how less I was.”

Careful, you’ll get lost in these short videos, but they do make for great lunchtime viewing.


#Listen

Podcasts are still all the rage these days with an endless list of opportunities to subscribe to one or another. It’s tough to choose. If you enjoy listening to stories, LeVar Burton hosts his podcast (which I’ve mentioned before), where he reads short stories for grown-ups.

But there’s another podcast of…tidbits, really. Excerpts from essays and books as read by the author himself, Michael Perry, on his podcast, ReWriting. This episode, “Guitar Girls,” in particular settles in nicely, with five minutes of Happy:

“Life goes better if you have a sense of pitch.”

Fall into more episodes HERE.


#Learn

I bet you didn’t know there is a tiny treasure-trove of free online courses from the International Writing Program (IWP) at the University of Iowa. The IWP regularly offers mass open online courses (MOOC) for writers of fiction, nonfiction, and poetry, and now it has packaged several of those past courses into what they call MOOC-PACKS. So former students can revisit the lessons. Or new students to dive into them for the first time. Or, teachers of writing can incorporate them.

MOOC-Pack (mook-pak) n. The core contents of an IWP MOOC, packaged with a guide that explains how to use it to teach a class or lead a study group.

Visit the IWP Distance Learning MOOC-PACK Library for courses like How Writers Write Fiction 2016: Storied Women. In skimming the overview of each, you’ll learn a little about the faculty and glimpse at the list of authors they will spotlight throughout (Naomi Jackson, Margot Livesey, Rebecca Makkai–oh my!).


Closer to home, tune in next Wednesday for a Q&A with Michael Shou-Yung Shum about his debut novel, Queen of Spades (there’s a giveaway!).

And generate a few of your own new stories by signing up for Principles & Prompts, a fun, low-stakes 6-week online writing class aimed at inspiring your muse and keeping your pen busy. Registration ends November 3rd!

#Writing Prompts: It’s a Family Affair

“Literature is the art of discovering something extraordinary about ordinary people, and saying with ordinary words something extraordinary.”
~ Boris Pasternak (as quoted in Patty Dann’s The Butterfly Hours)


A few weeks ago, I opened up my studio as part of a city-wide event and scheduled a couple of writing sprints. Visitors were shy to pick up a pen (it took several invitations to convince some folks that yes, the pumpkin bread was for eating).

But one group of familiar faces (husband, daughter, in-laws) plopped down in the chairs minutes before the next writing sprint was set to begin, and it was my husband who said finally, “It’s 4 o’clock. Let’s get this thing started.”

Writers will surprise you, especially writers incognito. I had no idea. But four clipboards and two prompts later, we had the beginnings of several stories.

In The Butterfly Hours, Patty Dann writes about the power of prompts, not only as a way to explore memory but as a way to explore story. In my time teaching groups of writers, I’ve seen how one prompt will work differently for two people. A father and son, for example, starting from an image and a sentence, will reveal vastly different tales.

In her book, Dann give us sample after sample of her students’ work in order to prove her theories on prompts. Following in her footsteps (& with permission), I give you two of the stories written and shared that afternoon in the studio to illustrate mine: Father and Son and a moment in the salon.

She told her everything.

Father

When I was a small boy, my mom always went to the same beauty parlor to have her hair done, which she called a “permanent.” The shop was on the southwest corner of North Oakland Avenue and East Linwood Street. It was called “Marge’s Beauty Shop,” and I will always remember how her hair smelled when she came home. It smelled like vinegar and some other noxious chemicals. She was always proud of how she looked, I think.

Son

This beauty parlor is part church, part tavern. Hopes are built there, dreams are shared. Short, bobbed, blunt, shaved. A place of comfort, a place of hope. If you can dream it, she will achieve it. The tales that are shared can be cut, cropped, and sometimes even washed away. Rinse and set, rinse and set…on that day, as the secret was revealed, she told her everything.

I love both of these tiny stories for the surprises within:

  • In Father, a son’s recollection of (likely) a most important day of the week for his mother, where we anticipate admiration but read “noxious chemicals,” (I laugh out loud every time I reach that phrase). But then, in the next line, the last line, the story and narrator go soft again.
  • And in Son, the dreams shared, as so often they are, when we sit in those chairs at the salon, “short, blunt…[sometimes] shaved” after reasoning them out. Plus, the truth in the repetition of Rinse and set. Rinse and set. Dreams, like writing, are always in flux; formed, reconsidered, and pressed into shape again.

Often, writers approach prompts with fear, but in truth, prompts are meant to be fun, to loosen the mind, and the pen. We had such a good time in the studio that day that there was a group consensus: this would be our next family party game. Pen & Paper, Prompts & Play.

While we’re planning our grab-bag of words and phrases for the next Holiday gathering, know that you can join the party online during Principles & Prompts, a 6-week course for writers here there and anywhere. Starting November 5th, you can log in weekly with others and enjoy a little inspiration, camaraderie, time with pen and paper. And by “enjoy,” I really do mean F.U.N!

CLICK HERE for more information on the course, fees, and registration.
Deadline to sign up is November 3rd.


“We write to taste life twice, in the moment and in retrospect.”
~ Anaïs Nin