2 Questions that Stunt a Writer’s Progress

pencilWriters are inquisitive people. We’re always asking questions, about our characters, our story, plot points and structure. About the spelling of that word we read every day but that looks all wrong as soon as we type it on the screen. There are two questions, though, that writers should be wary of asking too often:

1. Am I a writer?
2. Am I any good?

Spend more than two minutes obsessing on those questions, and you’ll find yourself shutting your laptop, bingeing on Netflix, or knitting dishrags. Not that I’ve done either one of those things.

Am I a writer? 

This question kick starts a writer’s insatiable search for the perfect qualifier: a blog that people read, a published piece, then two. Maybe an award. Yes, that’s it. When I win an award, then I’ll be a writer.

motherwriterheartI’ve called myself a writer for several years now; I even have a t-shirt blazoned with Mother Writer on the front. But with my work published and a resume full of credentials, I still let that question sink its teeth into my confidence.

If writing isn’t my day job, does it really count?

Cathy Day–author, speaker, and literary citizen–would say, Yes:

You don’t ‘become’ a writer because of a particular degree or a particular kind of job. . . .Convincing yourself each day to keep going, this means that you are a writer.

Putting pen to paper in a disciplined way in order to create stories of one kind or another is the only qualifier you need.

Am I any good?

This question gets me even more. Just when I stake my claim as a writer (which should have been self-evident already by all the books, pens, and paper I carry in my purse), “Am I any good” creeps on up to the surface of my conscious and brings with it a nasty little lackey: “You’re probably just wasting your time.”

lemur-ring-tailed-lemur-primate-mammalOn a bad day, I check my email with the sole aim of finding a message in my inbox from the universe (or some editor of this or that) that will confirm my late-night efforts at this writing business, give me a boost of confidence, and keep me going for another year. But as long as I dwell on this kind of question and those types of affirmations, I can’t find confidence in myself.

What helps is to read what others are saying….

Jody Hedlund, on the brink of publishing her third novel, addresses negative self-talk in her post, “Is All the Hard Work Really Worth It?”:

[I]f we ever want to ‘make it’ we have to practice the power of positive thinking. . . . when we fill our minds with ‘is this really worth it?’ we’re essentially talking negatively to ourselves. While we’re wise to evaluate our situations from time to time, we can’t let those negative thoughts cloud our view—at least for long. We can’t walk around threatening to quit every time something discourages us. . . . the writing journey is a marathon not a sprint.

…and to listen to sage advice from those who’ve gone before us.

The Sun Magazine has reprinted excerpts from Citizens of the Dream, Cary Tennis’ book of advice on writing and the creative life, and that very question – “How can you tell if you have talent?” – is answered with these wise words:

[Writing] is an important act regardless of whether it garners fame or praise. So your question about talent is moot. It is more a question about how to persist in writing through the fear, discouragement, and disappointment that are endemic to the activity. . . . All the practice you get makes you better. Whatever stops you from practicing makes you worse. One thing that may stop you from practicing is the belief that you are no good. So the belief that you are no good may prevent you from becoming good — unless you persist in writing despite it.

image

Then, and most importantly, he says:

For reasons psychological, spiritual, and philosophical, one must learn, through practice, to regard one’s creative work with some compassionate detachment and not to equate it with one’s worth as a person.

The truth is, we can’t avoid these two questions, but we can choose whether to entertain them or recognize them for what they are: instruments of fear, and maybe even a bruised ego at times, but certainly not a reason to quit.

Writing Prompt: Focus on the Details

I was back with my friends at the retirement center this last weekend. What a gift, to sit at the table and listen to their stories. Some of these folks are new to writing, others more experienced. But, what I’ve learned is that no matter how much time we’ve spent working at the craft, we can all use practice filling in the details of a story.

“A lot of people [have had] an experience that other people might want to read about. But this is not the same as “being a writer.” Or, to put it in a more sinister way: everyone can dig a hole in a cemetery, but not everyone is a grave-digger.”
~Margaret Atwood, in Negotiating with the Dead: A Writer on Writing

Regardless of our differences in age or in life circumstances, there are certain experiences through which we all connect: falling in love, falling out of love; our first taste of independence; the death of a parent; the loss of a friendship; the day we noticed how grown up our children had become. And, while anyone can tell a story revolving around these connections, what we, as writers, most want is to tell the story well enough so that it lingers in the readers mind long after they’ve reached “The end.”

This is where details fit in. Lisa Cron, in Wired for Story, says, “A story takes a general situation, idea, or premise and personifies it via the very specific.” It’s in the specifics where the story comes alive with images and readers become emotionally connected. A great example is Carolyn Miller’s piece, “Afternoons”, found in the August 2012 issue of The Sun Magazine. Here’s a teaser:

The dinner (lunch) dishes had already been washed and put away, and the leftovers – fried chicken, mashed potatoes, milk gravy, peas or green beans or corn or tomatoes from my father’s garden – were in the refrigerator, protected by plastic covers held on with elastic, waiting to be eaten cold at supper. The rooms were filled with the smells of food. The only sounds were those of the house slowly settling around us….

Rich details. Details that were not tossed into the story without serious consideration. We experience the world in three dimensions, but we each tune in to the specifics of our day or of an event that have meaning for us as individuals. We see, hear, smell, feel, absorb details that help us define and interpret the world. Think about those kinds of details when you sit down to write this month.

The Prompt.

Choose one:

  1. “Yesterday’s coffee.” (via The Writer Magazine)
  2. “It came in waves.” (via Patricia McNair’s Journal resolution ~ a daily prompt)
  3. “The lie.”

As you approach the prompt….

Keep in mind what specifics you, as a person (or your main character, if you are writing fiction) notice. Use one to three of the questions* below to guide your writing:

  1. About how old are you?
  2. What is to your left?
  3. What is to your right?
  4. Is anyone else in the image?
  5. Why are you there?
  6. Is there anyone who just left or who may be coming?
  7. What are some of the sounds in the image?
  8. What does the air smell like?

* these questions originate from a writing exercise given by Ariel Gore.

Just for today, don’t worry about writing well. Just write.

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* opening photo credit: kakisky on Morguefile.com

2 Questions That Will Stunt a Writer’s Progress

ConfusedWriters are inquisitive people. We’re always asking questions, about our characters, our story, plot points and structure. About the spelling of that word we read every day but that looks all wrong as soon as we type it on the screen. There are two questions, though, that writers should be wary of asking too often:

  1. Am I a writer?
  2. Am I any good?

Spend more than two minutes obsessing on those two questions, and you’ll find yourself shutting your laptop and watching Netflix movies that you’ve seen a hundred times already. Or knitting dishrags. Not that I’ve done either one of those things.

Am I a writer?

This question kick starts a writer’s insatiable search for the perfect qualifier: a blog that people read, a published piece, then two. Maybe an award. Yes, that’s it. When I win an award, then I’ll be a writer.

I’ve been calling myself a writer for a few years now. I even have a t-shirt blazoned with Mother Writer on the front, and I wear it. On occasion. When I’m feeling extra brave. You see, even with my work published and an Honorable Mention on my resume, I still let that question sink its teeth into my confidence. I don’t get paid to write, and, as Carolyn Roy-Bornstein says in this post on Beyond the Margins, “Here in America, [doesn’t] that still disqualify me from calling myself a writer in public?” Sometimes I let it.

Am I any good?

This one gets me even more. Just when I stake my claim as a writer (which should have been self-evident already by all the books, pens, and paper I carry in my purse), “Am I any good” creeps on up to the surface of my conscious and brings with it a nasty little lackey: “You’re probably just wasting your time.” On a bad day, I check my email with the sole aim of finding a message in my inbox from the universe (or some editor of this or that) that will confirm my late-night efforts at this writing business, give me a boost of confidence, and keep me going for another year. Because, as long as I dwell on these kinds of questions, I can’t find that confidence in myself.

What helps is to read what others are saying….

Jody Hedlund, on the brinks of publishing her third novel, addresses negative self-talk in her post, “Is All the Hard Work Really Worth It?”:

[I]f we ever want to ‘make it’ we have to practice the power of positive thinking. . . . when we fill our minds with ‘is this really worth it?’ we’re essentially talking negatively to ourselves. While we’re wise to evaluate our situations from time to time, we can’t let those negative thoughts cloud our view—at least for long. We can’t walk around threatening to quit every time something discourages us. . . . the writing journey is a marathon not a sprint.

…and to listen to sage advice from those who’ve gone before us.

This month, The Sun reprinted excerpts from Citizens of the Dream, Cary Tennis’ book of advice on writing and the creative life, and that very question – “How can you tell if you have talent?” – is answered with these wise words:

[Writing] is an important act regardless of whether it garners fame or praise. So your question about talent is moot. It is more a question about how to persist in writing through the fear, discouragement, and disappointment that are endemic to the activity. . . . All the practice you get makes you better. Whatever stops you from practicing makes you worse. One thing that may stop you from practicing is the belief that you are no good. So the belief that you are no good may prevent you from becoming good — unless you persist in writing despite it.

Then, and most importantly, he says:

For reasons psychological, spiritual, and philosophical, one must learn, through practice, to regard one’s creative work with some compassionate detachment and not to equate it with one’s worth as a person.

Negative mind-chatter will kill my creative energy and ruin my day. I can choose to listen to it, or I can recognize it for what it is: fear, and a bit of a bruised ego at times.

One final note from Carolyn Roy-Bornstein’s post:

Attitude is important. We may be what we do for a living, but we’re so much more than that. We are our goals.

How do you turn off that negative self-talk?

*photo credit: Guudmorning! on flickr.com