Last week I posted on writing prompts and putting pen to paper. Practice what you preach, they say. The Prompt: in the distance.
A swallow returns to its nesting place, a salmon returns to the mouth of the river, and she returns the same through waves of memory, back to the beginning. There is a place: a rooftop at midnight, an open window. She will take a blanket, step over the sash, her bare feet on shingles still warm from the heat of the day. She will say, Room for two, and he will follow, though the blanket is for her alone. She will take in the scent of wet grass, the glow of a crescent moon, the silhouette of trees marking a break in the horizon. She will breathe in the burn of his cigarette smoke as if it is the oxygen she needs and wonder at the comfort of him there. She will study the shape of her feet, the wear in his shoes. They will talk as strangers do, about nothing, about anything, until the mosquitoes drive them back inside. She will say something forgettable, but he will laugh true. Thank you for the smoke, he will tell her, then he will look her in the eye, keep a polite distance, smile. And leave. He will not ask for anything more. At this, she will be surprised and relieved. She will fall asleep to a sense of quiet she has not known for a long time. In the morning she will shed old skin; in a year she will move out, move on. But she will not forget: the open window, the silhouette, that simple moment in the distance when the tide shifted.
Last Sunday I met with a few writers online and in the studio for another session of 
Take a minute to read both Kephart’s essay and Chaon’s story. Think about how one image in your day tugs at your memory and another image rises to the surface, then another memory, and another. Join us for the 
Hey Word Warriors, last call for anyone wanting to participate in the upcoming 
