Welcome Author, Jody Hedlund

“We aren’t just fighting a battle for religious freedoms…[w]e’re struggling for human liberty as well.”
~ From The Preacher’s Bride, by Jody Hedlund

*****

Writers are compelled to categorize novels into genres. We can’t help ourselves, since it’s one of the signs of a good query. But a skilled author will write a novel that stretches beyond the limits of genre.

A great story captures readers from outside one set audience, anchors them into the lives of the characters, and makes them forget they’re reading Historical or Women’s or Christian Fiction.

Jody Hedlund’s debut novel, The Preacher’s Bride, is that type of story.

Based on details from the life of John Bunyan (the writer of Pilgrim’s Progress), The Preacher’s Bride is rooted in the Christian Faith. However, readers who might not normally be interested in Christian Fiction will still find Jody Hedlund’s novel compelling.

Hedlund weaves struggles with religion, class, and politics in and around an irresistible love story between John Costin and Elizabeth Whitebread — two kindred spirits who fight for their beliefs and convictions, no matter what the cost.

Once I dipped into chapter one of The Preacher’s Bride, I began to steal moments during my day to read more — to find out what might become of mean Mrs. Grew, to look for clues about the mysterious man in the black hat, to encounter the next moment when John and Elizabeth stood in the same room. Hedlund’s descriptions of those moments between John and Elizabeth, along with deeper conflicts that surround their daily existence, lends such power to the story that I simply didn’t want to put The Preacher’s Bride down.

Today, I am honored to host Jody Hedlund here, as she answers a few questions about her debut novel and her writing. For a chance to win an autographed copy of The Preacher’s Bride, just leave a comment at the end of the interview.

*****

CC: In the Author’s Note in The Preacher’s Bride, you mention that history “fails to recognize the woman who stood by [John Bunyan’s] side and helped shape him into the hero we all know and love.” How and when did you discover that Elizabeth Bunyan had her own story to tell?

Jody Hedlund

JH: During the course of teaching my children world history, I began to learn more about some of the great heroes of all times—especially faith heroes. I was particularly fascinated with the little-known women who helped shape the great men. These wives were strong, courageous, and faithful. I decided their inspiring stories needed to have a voice.

As I was reading a biography about John Bunyan, I ran across a small excerpt about Elizabeth, his second wife. I loved the brave way she defended John during one of his trials when he was under arrest for his “unlicensed” preaching. Her strength to face a court of persecutors and her determination to faithfully support her husband touched me so deeply, that I decided her little-known story needed to be told to the world.

CC: The Preacher’s Bride takes place in England in 1659. Historical fiction presents several challenges, such as time-relevant details like setting, dialogue, and cultural norms — all of which you master with ease and grace in your novel. How did you conduct your research, especially in the midst of your busy days of mothering and home schooling, and did your research guide you in unexpected ways?

JH: I generally spend about eight weeks or more immersing myself in the research of my novel before I begin the actual writing. When I’m in research mode, I consider it part of my daily writing work, which I block into my schedule. While my writing time is hardly ever uninterrupted or perfect (when I’m at home surrounded by my kids!), I make a commitment to it every day, rain or shine.

For The Preacher’s Bride, I tracked down quite a number of biographies. I also drew extensively from the writings of John Bunyan himself—especially from his autobiography. After studying original church records, street maps of old Bedford, and learning as much as I could about the time period, I finally began the writing.

Having the upfront research helped me to be able to delve into the story and feel like I was already living in England in the 1650’s. Of course, I still needed to do plenty more research as I wrote, but I tried not to let it bog me down from telling the story.

CC: What impressions about John and Elizabeth’s story do you hope The Preacher’s Bride will leave with readers?

JH: Sometimes life can throw incredible challenges into our paths. It’s easy to want to give up or look for the easy way out of difficult situations. But real growth comes when we push ourselves to stay on the path, fight through the challenges, and persevere, no matter how hard.

CC: On your blog, you’ve published great posts on finding an agent, creating an online presence, and the roller coaster effect of writing, all in the midst of promoting one book and working on a second. What advice do you have for writers-on-the-rise who also juggle blog posts with novel or short story writing?

JH: A well-written, compelling story is THE most important thing to an author’s career. No matter where we’re at in the publication process, there will always be other responsibilities that clamor for our attention—social networking, querying, editing, answering emails, etc. We can and should budget time into our writing work days for those kinds of things. BUT, ultimately, the story itself is what counts the most and so we need to remember to give it our best time and energy.

CC: And finally, what are you reading these days?

JH: Currently, I’m in the middle of extensive in-house editing for my second book, The Doctor’s Lady (which is releasing in Sept. 2011), so my face is buried in papers lined with red ink. But when I squeeze in time for reading, I tend to gravitate toward the books of writer friends that I’ve come to know and appreciate.

Thanks again, Jody, for your interview! For all you readers, don’t forget to leave a quick comment to be entered into a drawing for an autographed copy of The Preacher’s Bride! I’ll draw the winner’s name on Tuesday, November 9th.

To find more information about Jody Hedlund visit her website. You can also follow her on Twitter or become a fan on Facebook. If you’d like to purchase a copy of The Preacher’s Bride click on over to www.christianbook.com or Amazon.


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This just in….

I’m breaking from routine. For those of you who know me well, breaking from routine can send me into a tizzy — there’d better be a darn good reason to deviate.

Today, I have two great reasons:

1. Beth Hoffman, author of the New York Times Bestseller Saving CeeCee Honeycutt (a beautiful novel that was released in paperback October 26th) has highlighted me on her website. I hope you’ll take a peek at my guest post. I’m thrilled to be a writer mentioned in her Brava & Bravo category. I’m also thrilled I’ll get a chance to meet Beth in person this week as she stops in Wisconsin during her book tour.

Also, this week I’ll post an interview with debut author, Jody Hedlund. Her novel, The Preacher’s Bride, was released in early October and is another book I didn’t want to put down. She’s an author to watch. Stop by on Wednesday, read about her novel and her writing process, and drop your name in the comment section (if you do, you’ll be entered into a contest to win an autographed copy of her novel).

See there? That little shake-up was well worth it.
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You Mean, You Have to Practice?

“A thousand books on tennis won’t improve your serve, but a thousand serves will.”
~ Rick DeMarinis, from an excerpt of his article printed in The Writer, November 1985, and reprinted in the November 2010 issue.

~

As I sat in a hallway at work the other day, I overheard someone practicing the tuba. The music climbed the scale with perfect tone but then squealed and tumbled into low vibrations, like the sounds of a diesel truck unwilling to start. I flashed back to a recent conversation with my son.

“Mommy,” he said, “I want to play the trumpet.”

“That’s excellent!” I cheered. Then, I rattled off stipulations and requirements that he ignored until he heard the word “lessons.”

“No, mom. I don’t want to take lessons. I just want to play the trumpet.”

Oh.

Right.

My son and I are not so different in that way.

“I just want to write a novel.” How many times have I said that before?

In the beginning, I didn’t have time for books about the craft or a writing class or advice about failed first novels.

“I just want to write,” I repeated.

But, writing – like tennis or trumpet playing or…anything, really – is rarely done well the first time or the first hundred times. To hone my writing skills, I needed diligence, a willingness to learn, and a daily commitment.

And, I needed to practice.

I understand that now, so I practice my writing in several ways.

1. Morning pages. Every day I write one to three pages — of rants, self-doubts, or goals for the day. Often, I start off by reminding myself what day of the week it is, a challenge in itself sometimes. Occasionally, I record a milestone, like a draft complete or a short story’s Honorable Mention.

2. Letters to my best friend. Inspired by Lynn at The Letter Jar, who is on a mission to compose 365 letters in 365 days, I began writing letters to a dear friend with two small children. Phone calls are near to impossible when you have small kids at home. Besides, a hand-written letter is a treasure after a long day of laundry, meals, and redirection. While it’s a different kind of writing, it draws out my creative side just the same and often leads to story-telling. Plus, I reconnect with my dear friend in an old, and more intimate, way.

3. Writing exercises. Every other Wednesday, I face a strict deadline to post a story, by midnight, based on a word prompt. While the deadline is self-imposed, I have good reasons why I don’t blow it off: 1) I am motivated to write something new, 2) I stretch my writer’s mind by forcing myself to write outside of the box (a psychopomp might stand at your death bed wearing a hooded cloak or he might just show up in a Mets cap), and 3) each attempt at the exercise reinforces my commitment to writing.

4. Submitting. I’m not talking about submitting to my inner editor or the lackadaisical attitude of my muse some days. I mean, that whenever and wherever I can, I submit a completed story. I’m a firm believer that there’s much to be gained in the practice of writing cover letters, following submission guidelines, and crafting the ever-painful three sentence bio.

5. Reading. Nowadays, on top of novels and short story collections, I do read books and magazines on and about writing. Then, I translate my experience as a reader into my perspective as a writer, by writing a post about an inspiring article or interviewing a guest author.

6. Writing workshops and Author Readings. Workshops help me grow as a writer in the areas of craft and in giving and receiving feedback (which complements all lessons learned about writing). Also, when I attend an Author Reading, I learn the art of not sweating buckets or passing out while standing at a podium, in front of a roomful of peers, reading your story.

(Lordy.)

What kinds of exercises help you practice your writing?

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