Warm up the Writing with Music

It’s been bitter cold outside, but that doesn’t mean we’re not having a good time around here.

Okay, “a good time” in frigid temperatures is relative. But last Saturday, I really did have fun.

IMG_0273Thanks to Paul August, who is a poet and a collector of many cool things, I came into short-term possession of a portable LP player. Because my husband is also a collector of sorts, I had no shortage of records from which to choose for the player. And, I had an audience of listeners: the writers at Harwood Place retirement center.

Melissa Tydell wrote a great article about pairing music and writing for The Write Practice, in which she says, “Music has the ability to move us—our memories and our imaginations.” That’s what I was hoping for on Saturday–music that would fill the room and stir the minds of the writers at the table.

The exercise was a hit even before we got started. As soon as I set the records out on the table, I heard ooh’s and ahh’s and “Oh, I remember….” The air was electric, but the hour wasn’t without challenges.

Continue reading “Warm up the Writing with Music”

Signed, Sealed, and Delivered: A Writing Prompt

We tell our stories in a myriad of ways–in print, over coffee, in our journals. But, there’s one venue for storytelling that is often overlooked, especially in this digital age where time and limited space might constrain our creativity: the letter.

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The old-fashioned letter provided a space for communion between friends. Upon receiving a letter, one would repair to a place of solitude to read it. to allow the essence of the distant friend to fill up the space. A letter cordoned off a sanctioned area of mind, too, and allowed the lucky recipient to spend a bit of deep time conjuring up the feel of being with a friend.
~ Lia Purpura, “On Miniatures” in The Rose Metal Press Field Guide to Writing Flash Nonfiction

Lucky recipient.
The feel of being with a friend.

Sounds like good reading, right?

Letters of Note is a website that recognizes the literary value in letters, posting “fascinating correspondence” from celebrities, politicians, everyday people. And more often than not, those letters tell a story. I love this recent post, “My Dear Son,” in which a father shares a bit of his own history as well as his experience in watching his son walk a similar path:

I think I had never realized before that I was getting old.

Of course I have known that my hair is causing your mother much solicitude. and that l am hopelessly wedded to my pince-nez while reading my daily paper, and at the opera; but in some incomprehensible way I had forgotten to associate these trifles with the encroachments of time. It was the sudden realization that you were about to become a Freshman in the college from which, as it seems to me, l but yesterday graduated, that “froze the genial current of my soul,” and spared you my paternal lecture.

Why, l can shut my eyes and still hear the Ivy Song, as we sang it that beautiful June morning; and yet but a few nights more and you will be locked in the deadly Rush on the same field where I triumphantly received two blackened eyes, and, l trust, gave many more!

Read the rest of the letter HERE (there’s so much more to absorb).

The Prompt

Think about the last time you received a letter. Consider what story you might tell on your own stationary. Or, even on that lined yellow paper. It doesn’t matter, the point is, tell your story. But, here’s the catch: write it in letter form. Then put it in an envelope and seal it.

Maybe you take it to your next critique group, open it, and read it there (after all, this is an essay as much as a letter). Maybe you put a stamp on it and send it right out. Whatever you decide, know that how you write the story adds to way in which it is received:

[T]he unsealing, the unfolding and smoothing out [of a letter], the squinting…the pausing, musing, smiling, the refolding and tucking back in–all of [this adds] to the physicality of reading. ~Lia Purpura

Who doesn’t love a letter?

* Photo credit: krosseel on Morguefile.com

New is a Relative Term: On Writing Memoir & a Prompt

image: ConceptionSomewhere in the last two weeks (I’ve been on vacation, and I can’t remember who said what when), a friend and I were talking writing and new ideas and wondering, are there really any “new” ideas? Even the story of creation, while it varies among religions, carries the same theme and many of the same elements.

When talking memoir, we all have our stories about when we left home for college or when we first fell in love or the moment we first realized we were “old.”

So, rarely is a story told that is completely new. Still, similar experiences, told to each other or written to share, can be flooded with individuality. Audre Lorde recognized this when she said:

There are no new ideas. There are only new ways of making them felt.

We see the world through our eyes only, and the world we view is shaped by interior and exterior forces–by our personalities, sure, but also by the people and places that have taken up station throughout our journey. Christine Hauser highlights this in her post, “Who Are Your People?” on Flash Memoirs:

Your mix of cultures is a powerful factor that shapes the uniqueness of who you are and your one-of-a-kind voice.”

For Hauser, her “cultures” are what others might call “labels.” She lists her cultures as Artist, Writer, IT Worker, Ex-Pat, and American, to name a few. And, she explains that each culture has impacted the person–and the writer–she has become.

I get that.

That’s what makes each of our stories original, even if they aren’t straight, out-of-the-box new ideas.

If you made a list, what would it look like? Would one culture stand out to you more than the others?

The Prompt

DSC04770Who are your people? List them, choose one, and tell us a story.

As a warm up, read Rosalie Sanara Petrouske’s essay, “Nature Lessons,” at Lunchticket (a great literary journal online).