writing class Archives - Christi Craig

June 13, 2018June 13, 2018

Remington Roundup:
Online Book Study, #Writing Critique Groups, & Submission Ops

This month’s Remington Roundup includes links to my new online book study (Julia Stoops’ Parts Per Million), Red Oak Writing’s Roundtable schedule, and submission opportunities for poetry, essays, & flash fiction.

Sharpen those pencils; warm up your laptops!

Online Book Study

You might remember a recent Q&A with Julia Stoops about her debut novel, Parts Per Million.

Parts Per Million (Forest Avenue Press, 2018), tells the story of three activists–Nelson, Jen, and Fetzer, as they work to make known one environmental injustice after another. But their small operation, Omnia Mundi, falls under the eye of bigger watchdog when they uncover a local university in quiet partnership with the government to create military technology.

What unfolds is a complex story of resistance and risk and the constant effort to find balance, an effort that means re-examining the core in order to build a stronger foundation. [Read the rest of her Q&A here.]

I originally read Julia’s book in order to write a review and run an author interview. But as I dove into the story, it became clear her novel could serve as an excellent study in fiction and the role of art in activism.

Curator, author, and speaker Sarah Lewis talks about this in “How Art Can Change Society” on Big Think (video below):

“I think of the arts as far more than just a respite from life, a kind of a luxury. I see it as a galvanic force really that undergirds some of our most impactful changes and movements in this country and the world.”

In this new 4-week Online Book Study, we will read Julia Stoops’ Parts Per Million and consider how or why art, in story or in images, may work to soften conflict or sway understanding. We’ll look at the novel through Structure, Relationships, Impact and Change and examine how the story’s ideas and themes might translate into our own experiences.

Each week will consist of assigned pages to read, a reflection on the reading that includes a question for discussion, and an optional writing prompt where you can explore more of the topic at hand. And we will learn in community with each other (because I don’t claim to know all the answers), digging deeper into a story and perhaps widening our perspective well beyond the pages. At the end of the course, we will meet with author Julia Stoops via Zoom for a reading and face-to-face Q&A.

This is a course for readers & writers alike who want to explore the idea of activism, take an insightful look at where they sit on that continuum of radical to conservative, and discuss the impact of change.

Online Book Study: Parts Per Million by Julia Stoops
August 5-31, 2018
Returning Students $90 | New Students $100
Sign up via PayPal below.
(This course is limited to 10 participants and registration closes August 2nd.)

#Writing Critique Groups

Photo via Red Oak Writing: Kim Suhr with writers around the table If you’re interested in study but searching more for a writing-based opportunity, I’ll point you to Red Oak Writing. Their July/August Roundtables are starting up soon, and registration is still open.

Writers meet in person (West Allis, WI) on Tuesday afternoons, Thursday mornings, & Thursday evenings. This is a great way to workshop your stories, essays, and novel. You can also sign up for their newsletter, so that you don’t miss out on the Fall/Winter schedule of Saturday workshops, Roundtable schedules, and an Online Roundtable.

Submission Ops: Local & Online

A PICTURE AND A THOUSAND WORDS, a local submission opportunity and reading event, is looking for writers to submit poetry, essays, and fiction up to 1000 words inspired by one of 10 photos.

A Picture and a Thousand Words is an annual event that links local writers and photographers in a blind collaboration. Ten photos will be selected. Writers will choose a photo and write 1000 words inspired by it- then ten writers will be selected to read at the event, while selected photo is projected behind them.

Photos have been posted! Deadline to submit is June 21st (read the guidelines & contact information HERE). The reading is scheduled for July 19th at The Sugar Maple in Milwaukee.

NECESSARY FICTION is looking to publish weekly flash fiction, 700 words or less, online all summer long.

We want flash fiction that surprises and engages us; that’s powerful and dynamic; that’s unexpected and humorous; and that dazzles us with language and emotional resonance.

NYCMidnight FLASH FICTION CHALLENGE is a writing contest that works like a writing tournament. You’ll be given up to 4 challenges, where you will submit stories of 1000 words or less. And, there’s a bonus:

Not only does every writer receive feedback from the judges for every story that is submitted, but a special review forum is available for the participants to submit their stories for review from fellow writers throughout the competition.

Read more about the rules and registration deadlines HERE.It may be summer, but there’s plenty to keep you busy putting #PenToPaper!

February 1, 2017April 11, 2017

Inside | Outside, The Reading: Community in Action

Inside | Outside, the most recent anthology of work by the writers at Harwood Place, made its humble debut last Saturday. In front of a full house, the authors each gave a stellar reading of their pieces from the podium. They spoke with ease and with grace, and one spoke for a writer who was unable to attend.

Earlier in the week, I received a phone call from a long-time participant, Richard, who said he couldn’t make it. He’d been down and out for the last several weeks, was recuperating well, but knew he would not be at the event. This reading highlights our year as writers together, so I understood, even before he said it, that missing the afternoon was a great disappointment. For all of us, really. Richard is the patriarch of the group–and he’s quite tall; his absence would be a void. So we did the next best thing: looked for someone to stand in for him and read what he had written.

Finding a proxy didn’t take long. Richard is not only a leader in the group but a good friend to many and a cheerful spirit for all. I had a response to an email request within an hour and assurance that his piece would not be left out. But what happened next speaks even more to the heart and temperament of this group.

As is my custom at these events, I run around sweating and testing the mic and helping the writers find their order in the line up. I make sure everyone is settled, and then I always begin the reading with a little introduction. But before I could take my place at the podium this time, I had to check on the lemonade and cookies, which were late to arrive, which are as critical to the afternoon as a strong mic for an older generation of men and women whose voices sometimes fall to a whisper. So I slipped away for a second in search of the refreshments.

When I walked back into the room, Chuck, another compatriot of the group, had picked up the mic to ready the audience with a little ad-lib and a smile. Then, he spoke of Richard, who had “gone AWOL,” as he said–absent without leave, excused but still–and gave a beautiful tribute to him by reading “An Ode to Richard.” Steady and most gentle of men. It became clear that absent or not, Richard was still very much a part of the event.

Beginning this year, I am sharing my teaching duties with a colleague, who will alternate months with me. While this frees up my time to pursue more of my own writing, I won’t lie: it’s tough to let go of this group even a little bit. I may be their teacher, but as is often the case, I am their student as well. They continue to serve as witnesses in the ways of community, cherishing stories from every corner of the table, vowing to ensure each person’s words are heard, honoring that connection, and taking care of one another. An important lesson these days.

Community in action with gratitude of the time spent together.

From left to right: Mary, me, Val, Chuck, LaVerne, Betty, Ruth, and Mary.
Not pictured but greatly missed: Richard.

January 25, 2017January 24, 2017

On the Spaces We Inhabit: Meet #Writer Mary Lewis

Yesterday’s social media explosion on the Badlands National Park twitter account gone rogue reminds us about the value of the spaces we inhabit and the places we take for granted. Our sense of place, and the attention we give it, defines who we were and gives insight into who we are. Whether you think of the world on a large or small scale, place–and our relationship to it–is paramount.

For the past few months, I have been compiling and editing a fourth anthology of work by the writers at Harwood Place on exactly this theme. Entitled Inside | Outside, this year’s collection of stories and poems honors the idea of place both inside and outside, from the shelves of a room called “the den” to temporary living quarters in the barn, from a camping excursion as seen through tiny eyes to the fauna and flora dressings on a patio. While the anthology isn’t available to purchase in bookstores, we share it among friends, family, and fellow Harwood Place residents at a special Reading. The contributors for Inside | Outside will showcase their work from the podium this Saturday, January 28th, at 2pm.

To give you a taste of what you will hear if you attend, I welcome Mary Lewis to the blog. Mary has been a regular in the writing group for several years now, and her work always delights me. A former children’s librarian, she knows the power of words, and her pieces often hint at the playful side of a good story. Here, she writes about the intricacies of a treasured room.

My Favorite “Then” and “Now” Room

By Mary Lewis

Currently my favorite room is a diminished version of my favorite room in the home where we lived for fifty-six years. We called that space “the den,” a curious word, as defined by Webster: “the lair of a wild animal, a comfortable, usually secluded room, a subdivision of a cub scout pack.” Harwood’s floor plan calls it the second bedroom. I declare it a Den, happily opening its hide-a-bed to welcome guests when they arrive.

Expanded by a mirrored wall, which is opposite the windows, this small room on the sixth floor is always filled with sky wonders–storms and colors and mist and darkness and changing moon shapes. I can add music to the environment or just keep it absolutely quiet. It’s the right place for a pen and a clipboard to journal or to follow a writing group prompt. There’s a globe to spin and speculate and a modest TV screen tucked on its own shelf on the bookshelves along the wall. Books which were boxed for the Harwood move are survivors, culled for another read. More recent titles pop up in other rooms.

Ledges and corners in the den call out “these are a few of my favorite things!” Many of them are carved pieces. A parade of guinea hens marches across a shelved collection of books from Zimbabwe and Namibia. Two small human figures make eye contact in conversation. She was carved in Quebec, and he in Central America. I like the profile of their faces. Another carver had shaped a large tagua nut until it became a parrot in simulated ivory. There’s a gourd from Peru with a carved border of llamas, and a plump Baboushka doll hiding her children until a squeaky twist will set them free for their line-up. The paintings on the walls were brushed by artist friends, and the wide window valence was cut from the Batik fabric of a tablecloth.

The Den–it still says heart and warmth, comfort and contemplation. Creativity. And I like it because it’s small and takes you by surprise, down the hall and to the left.

Come hear Mary and the other Harwood Place Writers read on Saturday, January 28th, at 2pm: 8220 Harwood Avenue, Wauwatosa, WI. You’ll leave feeling lifted and inspired.