The Legacy of Storytelling

“I don’t know how it is for everyone else, but for me, it can’t be about the money, at least not entirely. I want to look back on my life and know that I did something worthwhile.” ~ Jennifer Niesslein, “The Price of Writing”

The work we do as writers isn’t always about the making money. It isn’t always about crafting the perfectly structured essay or flash fiction either. Sometimes, it’s just about telling the story.

IMG_1081I’m in the process of putting together a third anthology of work by writers at Harwood Place: Lost, Found, and Loved. I don’t get paid to work with these writers or to design the anthology, but the time spent with them and this project is precious nonetheless. As I retype their pieces into my computer from handwritten or printed copies (only a few of them use email),  I realize again how much I love their stories. I also gain a better understanding about my purpose within this group.

IMG_0087When I write an essay or a story, I will spend hours, days, months on end revising, restructuring, agonizing at times (I can be quite dramatic). For these writers, certain stories will undergo deeper rewrites, but more often they share their story at the table, consider revising a little, and move on. They look forward to the next prompt, the next meeting, the next reading.

I’ve struggled with this in the past, thinking I’m their teacher and shouldn’t I press them to do more–reinforce that the real writing is in the rewriting? But, I’ve come to accept that their decision is perfectly okay.

Doris Lessing says:

Humanity’s legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: ‘He/she was born, lived, and died.’

The truth for these writers at Harwood Place–their experience at the table and, later, in front of the podium–is that they are there for each other. Last Saturday at our recent meeting, they had written on a simple prompt, “When we played cards…” (based on “Poker” by Paul Farley). As they took turns reading their stories out loud, the room filled with laughter, more personal accounts, deeper connections, and a solid sixty-minutes of pure joy.

That is the legacy of storytelling.

IMG_0226That makes the writing worthwhile.

* Check the Events page for the date, time, and place of our next reading.

Writers at the Table II: the Reading

IMG_0238It all began with a podium and a microphone (drawing to the right courtesy of my daughter)–an empty space charged with nothing less than excitement, nerves, and tiny prayers. The same kind of energy from which each new story begins if you’re a writer.

This time, though, the stories were already written and anthologized and ready to be shared.

As a writer myself, there’s something to be said about preparing the place for others to read their work aloud. I didn’t have much to do other than ensure the room was set up, the cookies were on their way, the sound system worked. I won’t say I felt relieved of any anxiety, though. I was nervous all the way through to the end of the event.

IMG_0233But, some of that nervousness slipped away as the room filled up with an audience. And again when I saw one writer’s face light up the moment his daughter and her family arrived.

But the sure sign that each moment of work and worry was worth it came when, afterwards, the crowd stayed. Someone asked each writer to autograph his copy of the anthology. A woman stopped me, complimented the spirit of the group, and reminded me that this work was important.

IMG_0232Facilitating a writing class, working with others–especially this group at Harwood Place–is a constant exercise in discovery for me and the members of the group. We uncover the talent within each of us and pave the way to bring a memory or experience back to life. Later at an event like this, we reveal to ourselves and those around us the power in listening, in writing, and in sharing.

That (and the smiling faces below) are what keep me going back.

IMG_0226

The Landscape of Memory

Poet's CompThe title for this post comes from Kim Addonizio’s and Dorianne Laux’s book, The Poet’s Companion. In full, the sentence in the book reads:

The need to go back, to recover in language what’s lost, often impels poets to explore that landscape of memory and early experiences.

To recover in language what’s lost.
To explore that landscape of memory.

These are some of the reasons I write, but they are also reasons why I spend one Saturday a month with the writers at Harwood Place. Many of the pieces they compose come in the form of flash nonfiction and (more recently) poetry, and almost all of their pieces build on a memory.

IMG_2123For the last several weeks, I’ve been compiling the second edition of Writers at the Table, a very organic process as I sift through typewritten pieces and handwritten pieces and wait for the postman to deliver. The joy is in watching the pages come together in limericks and poems and essays. Stories about the simple joys in life, views from the window, and the heartache of living in one place while your lifelong partner receives care in another.

Exploring the landscape of memory through universal themes like love, loyalty, and loss.

If you’re anywhere near the area on Saturday, January 31st, we’re hosting a reading. Seven writers will share their work at the podium in front of Harwood Place residents, family, and friends. We’ll serve lemonade and coffee and cookies, laughter, tears, and hugs. 8220 West Harwood Avenue, Wauwatosa, Wisconsin. 2pm. I can’t wait.

If you’d like more information about the anthology, Writers at the Table II, contact me. If you think you might go to the reading, leave a comment here. I’ll look for you and introduce you to the people who can really liven up a Saturday morning.