Celebrating Writers Who Inspire Me

 Ántonia had always been one to leave images in the mind that did not fade….
~ from My Ántonia

When I read the quote above, I immediately thought of the Writers at Harwood Place. Most of them are 90 years old or older. They are sharp, committed to the group, and their stories are full of memories and images that settle in hearts and minds.

Last weekend, my co-teacher Maura Fitzgerald and I hosted the Harwood Place Annual Writers Showcase (our 7th year!). This event always draws a crowd; it’s a highlight for me, Maura, these writers, and the friends and family who attend.

We met before Christmas to practice reading the pieces everyone wanted to share at the podium, and a few of them teared up as they read. The stories they share bring back vivid memories and also serve to honor people in the past who shaped and molded one or another of the writers around the table, people who left images in minds that do not easily fade. Each time I sit at the table, I am honored to be a part of this group.

(From left to right) Row 1: Mary, Valerie, Ruth. Row 2: Maura, Geri, Katy, Toni, Betty, Carolou, Warren, and me.

Poet Katy Phillips visited our class a few months ago as a guest teacher and created a poem based on a writing exercise she ran with the group. She read her poem, “Where We Are From,”* at the beginning of our event as an introduction to these amazing men and women.

The day of the reading we had one writer missing, Chuck Moritz (right), a long-time member of the group and a pleasure to hear from each month. Chuck was unable to attend due to health reasons.

Knowing he would have been there otherwise, we left a chair up front for him and read his poem in honor of him, something he wrote several years ago to his mother on her 100th birthday. Chuck grew up during the Dust Bowl, and from all I heard and read about his mother, she was a rock in times of uncertainty and grief.

I’m so glad we were able to share his poem with the audience at Harwood Place that day. In the evening, I received an unexpected phone call that Chuck had passed away. Such a wonderful and generous man–in stories, in conversation, in spirit. We shared a special bond, too, as he and I were born on the same day, 46 years apart. I can’t begin to explain the energy he brought to the group and how much he will be missed.


*”Where We Are From” is based on a great exercise for gathering bits and pieces from family or friends around a table during a holiday, or any time of year really.

Remington Roundup: #Reading, #Writing, #Hosting

Roundup image: 1950s photo of woman sitting at Remington typewriter

March and April were full of conferences, conversation, writing ups and downs, and springtime observations. Here’s your Roundup of links to books, essays, and workshops to keep your mind musing and your pen moving.


#Reading

Roundup image: stack of books on desk

This is a stack of just a few books I’ve picked up over the last several weeks and miles of traveling.

I’ve got novels, a literary journal, a book on Native American medicines, and a book of fantasy fiction about a menopausal werewolf.

I’m gearing up for some major, very interesting, summer reading!


#Writing

Roundup: drawing of online symbol with symbols of people surrounding a paper and pencil

I’ve been teaching a great group of women in my Flash Nonfiction II course this Spring.

If you want to read some of their work (already published–these are real go-getters!), take a look at Gloria DiFulvio’s “Living on a Prayer” and Katie Vinson’s “Stealing Lilacs” on Life in 10 minutes.

This great online literary magazine speaks to my heart, encouraging writers to put pen to paper–just do it!–and start with 10 minutes. Because (as Founder Valley Haggard says) “it’s hard to convince yourself you don’t have 10 minutes.”

Outside of teaching on tiny essays, I’m spending the next several weeks revising my own, building a collection of essays and prompts to (hopefully) publish sooner than later. While you wait for that collection 🙂 you can read a few of the essays to be included here and here.


#Hosting

Roundup image: looking down on open laptop with woman holding coffee cup, phone and journal nearby, DREAM spelled out near laptop

You’re reading, you’re writing, you’re thinking about your next steps as an emerging author.

Hidden Timber Books is offering workshops for authors, with the first coming up soon!

Sign up by May 15th for Anne Clermont’s workshop on Author Websites: Your Calling Card for Readers. You’ll learn what makes for a great website that attracts readers, helps them discover your work, and keeps them coming back.


What’s on your reading & writing docket for Spring and Summer?

Remington Roundup: #AmReading (& more #reading)

1960's photo of woman at Remington typewriter

This month I’ve rounded up links to books and an article for your reading pleasure, whether you’re looking to write more or simply settle in with a good story.


The Books

A while back, I interviewed Julia Stoops about her debut novel, Parts Per Million (Forest Avenue Press). At the same time, I wrote a review of her book. As in all things writing, publication can move slowly, whether you’re crafting your first novel, searching for a home for an essay, or submitting reviews.

I’m grateful to the editors at Necessary Fiction for posting my review of Stoops’ book, in part because it’s nice to get your work out there but also because, while this book was published back in April 2018, the story remains relevant today.

  1. Take a look at the review on Necessary Fiction.
  2. Go back to the Q&A with Julia Stoops here.
  3. Browse over to Omnimundi.org for more on the book’s artwork and artist Gabriel Liston.

“…every novel carries significance for readers in either speaking to our past understanding or forcing us to consider our current state of mind.”


A more recent discovery in books is Beth Kephart‘s new work, Strike the Empty: Notes for Readers, Writers, and Teachers of Memoir. I’m barely into this one, but already I can tell I’ll be marking it up, tabbing pages, and referring back to it time and again. Kephart writes on the importance of story, on “refuge in true stories,” shares essays by authors of your favorite memoirs and calls to action for those of us doing our best to bring our own true stories to light.

Establish agency, generate urgency, prize vulnerability, remain raw. Know the question. Don’t force the answer. . . . strike the empty–that meaningless phrase, that excessive detail, that tired trope, that obvious epiphany, that unmurdered little darling.

Read more about Kephart’s book on her website or purchase your own copy from your favorite bookstore.


The Article

Speaking of writing memoir and writing tight, I also re-read an essay by Barbara Hurd that I never tire of, “The Mind in Winter.”

“I keep my hat pulled low and my imagination on alert for what I’ll likely never hear again nor ever forget: mewing in mid-winter, deep in the den before there was any sign of life on the surface, any hint of thaw or—back on topic now—any start of a next sentence or line of a poem.  What would it take, in other words, to dwell for a while in winter’s stillness and trust that down there, below the sometimes blank surfaces of our stymied minds, an idea or story could be stirring?”

Feeling stuck in any way? Go to Hurd’s essay, bookmark it. Winter, she says, can be “refuge, snow as insulation, silence as opportunity.”


What are you reading these days?