Remington Roundup: #Art, #CreativeExpression, & #Bravery

Woman at typewriterThe month of May brings sunshine (hooray!), hints of the lazy days of summer (ahh), and a new roundup of links to #Art, #CreativeExpression, and #Bravery.

Watch, listen, read, and enjoy.


#Art

I love this video of Shantell Martin (via The New Yorker, The Scene), “Follow the Pen,” in which she talks about drawing, letting the pen go where it wants, and creativity being “just like a language unfolding.”

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I come to a drawing with intention, a good intention to make something work. . . . I don’t plan…I trust in the pen, and I trust in this experience.


#CreativeExpression

Issue 60 of The Drum Literary Magazine offers four great stories, of fiction and non, for your listening ears and includes Melanie Senn’s essay, “The Art of Drumming Badly.” Senn doesn’t wait until the mood (or inspiration) strikes; she dives in the moment someone says, “Let’s do it.”

pexels-photo-62215I stopped caring what other people thought, and I learned to play with attitude. . . . If I tried to be a perfectionist at this juncture in my life, I’d accomplish nothing.  . . . we persist because it is fun and cathartic and makes us feel young.


#Bravery

So, we follow the muse to where she wants to go; we stop caring about what others think; then, we hit send. None of this happens without a stiff shot of courage or without the support of those around us. This month I have an essay up on Hippocampus Magazine, a piece that’s been several years in the making and one I’ve tried tackling in a myriad of ways. Many thanks to those who’ve read (and re-read) this piece in its many draft forms and to Donna Talarico at Hippocampus for finally bringing “At the Fence” to the page.

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You love a good rain, the relief after the humidity falls, the way everything outside looks so green and alive. But as you follow your mother through the field, you notice patches of dead grass drowning in puddles and clumps of clover beaten down by the storm. The air is still heavy, and you slip in the mud.

 

Life is in the Details

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A good ice storm will slow you down. Send you walking instead of driving. Make you wait.

I was caught in the thick of the ice this last weekend having flown home to Texas to spend time with loved ones, and in the first few days, I did a lot of waiting. Waiting for the roads to clear, waiting to be told what I could do to help with my grandmother’s funeral, waiting for the inevitable.

Waiting isn’t all bad, though. It pulls at your perspective until you notice less of the big picture and more of what’s right in front of you.

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It tethers you to a moment in time.

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For the last several days, I’ve sat quiet, looked at old photos, listened to stories. Filled in gaps in my history. I would not have wanted those moments to be rushed.

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~

While I was home, a piece of my fiction was published online, a story that speaks of something similar: slowing down, looking back, finding that lifeline. You can read The Continental on Deep South Magazine HERE.

Published!

The road to publication requires persistence, and patience. This is true whether you’re on the editing side of the table or the side of writers writing. Then, submitting. Then, biting nails, waiting and hoping and anticipating.

Compose_Logo_withTagline_FA_HIRES-01-e1359930097251Last week, COMPOSE, a new literary journal online, released its first issue. As Assistant Editor, I participated in the behind-the-scenes work that comes with putting a journal together–not an easy task. As Suzannah Windsor says in From the Editor, “the challenge [of creating a literary journal] is greater than just finding some writing and publishing it. The challenge—if a journal is to be successful—is to go beyond the ordinary, to create something that stands out for its content, design, community, and professionalism.” This first issue looks amazing, and I couldn’t be more proud to be part of COMPOSE.

art-saintoflostthingsJust as exciting, I lived through the writer’s side of journal publication by having one of my short stories chosen to appear in the inaugural issue of COMPOSE. I worked on this particular story for a long time, and Tamara Pratt, one of the Fiction Editors, gave me wonderful feedback that helped make my work stronger. Thank you to her and Suzannah for giving my story a home.

I hope you’ll take a look at the journal as a whole. And, if you’re partial to fiction, take a peek at my short story, The Saint of Lost Things.

Then, if you like the look of the journal (and I think you will), consider submitting your own work.