Sunday Series: Julia Gimbel on Why I Write

In this Sunday Series, you’ll meet writers new and seasoned as they share what inspires them to put #PenToPaper. This week, welcome Julia Gimbel, who writes about the desire to write and, more importantly, the need.


*Image of sepia photo and army effects by jesse orrico on Unsplash

For me, it has rarely been about wanting to write, it’s been about having to write. Let me explain.
 
Over thirty years ago, I left college a freshly minted journalist with spiral bound notebook in hand, ready to take on the questions of who, what, where, when, and why. Through most of my professional career, the writing assigned to me was institutional, a “stick to the facts, ma’am” kind of affair. I wrote fashion copy for a local magazine, employee manuals and customer newsletters for a retailer, and merchandising instructions for a manufacturer. While these writing experiences were not always the most creative, they were satisfying because in their simplicity, these missives fulfilled people’s needs.
 
Fast forward to five years ago when I discovered a 60-page handwritten WWII journal my late father tucked away in the back of a family scrapbook. As I transcribed the journal for my siblings, I found myself immersed in his memories and curious to learn more about that era in American history. The more I learned, the more I felt I had to write – it was almost as if Dad was compelling me to flesh out the skeleton of his journal by researching and then sharing what I unearthed with others.

This time there was an emotional connection that motivated me to continue writing, until over the course of several years I ended up with enough chapters for a book. In early March, Orange Hat Publishing released my book, Student, Sailor, Skipper, Survivor – How WWII Transformed the Lives of Ordinary Americans

It turns out that I am not the only person of a certain age who is interested in WWII history. While writing the book, I constantly discovered interesting stories that didn’t tie into my manuscript but that I felt I still had to write about. They found a home on my author facebook page, @JuliaWritesWWII, which almost 13,000 people follow to see the tidbits of history I share.

I have to write to fuel my curiosity about the past and to share with others. The funniest part of it all? I’ve come full circle, recently enrolling in a Masters of World War II program where I now have to write term papers!


JULIA GIMBEL lives in Milwaukee, Wisconsin with her husband, Josh, and their two pugs, who snore peacefully at her feet as she writes. She is proud of her two adult children, Elijah and Lena, who are establishing themselves respectively at work and school. She has been published in Family Stories from the Attic (Hidden Timber Books, 2017), Creative Wisconsin Literary Journal (2017 & 2019), and Wisconsin People & Ideas (2019). Julia shares little-known WWII stories with thousands of followers on her facebook page, @JuliaWritesWWII. She is currently pursuing her Masters degree in World War II Studies.


GIVEAWAY: Enter HERE by Saturday, March 28th, for a chance to win
a copy of Student, Sailor, Skipper, Survivor, courtesy of Julia Gimbel!

You can purchase a copy through Orange Hat Publishing, Amazon,
Barnes and Noble, or BOOKSHOP.org.

Rob Riley, on Finding Our Way to Writing

Today, I welcome Rob Riley, whose book, Portrait of Murder, was released by Orange Hat Publishing in February 2012. Rob shares about the journey to becoming Writer, Author.

20120818-222953.jpgThe instinct to write novels has been within me since my earliest memories. It didn’t take form for a long time. I was a sports fanatic – football, baseball, basketball, high school letterman’s club. Academics? I didn’t even know how to spell the word until well into adulthood. (I kid; had that one nailed by age 20, at the latest.) But my imagination knew no depths, nor did it ever take a break. I loved all forms of entertainment, played the clarinet, and read books, all when the mood came upon me. Undisciplined? Absolutely. But I was unwittingly planting the seeds of what would eventually be a breakout lunge toward writing crime fiction novels.

It was a circuitous route. At age 19 I became a police aide for the Milwaukee Police Department, became a sworn officer at age 21, and immediately began working as an undercover narcotics agent. Seven hectic years of doing that led to a promotion to detective, investigating major crimes. My supervisors always said that I wrote excellent reports. They actually recruited me to do sensitive investigations because of my skills. Busy though I was, I always found time to read: Faulkner, Hemingway, Steinbeck, Hammett. I was always drawn to classics of that era. And I came to think I bet I could do something like that. I began thinking of my own story ideas.

But I was a police detective, and was making a living. In my early 30’s I investigated the murder of a fellow police officer, and friend. My partner and I arrived on the scene a couple minutes after  his radio call for help. He was dead where he lay, in an abandoned pool hall, as was his killer. We were there for hours, with a dozen additional officers helping us process the scene. You could have heard a pin drop. For me, it was a pivotal moment.

That kind of experience puts gadgets in a budding writer’s toolbox. There were other similar ones during my career, but that was the worst. That one hurt.

During that time – not coincidentally, I later realized – I signed up for a correspondence writing course, writing short stories. I wrote about 20 of them, and some very patient instructors broke me in with line editing, and character and plot development. I got nothing published, but I got more than my money’s worth.

In 1994 I joined a novel writer’s workshop. The instructor was a man of high achievement in both the writing and the teaching worlds. He had 40 novels published. Lived in Dubuque, Iowa. I lived in Milwaukee, Wisconsin. 175 miles apart. I drove to his home and back on one Saturday of each month for the next 13 years. Wrote six complete novels, each one edited by my writing “coach,” (we were not allowed to call him teacher) and critiqued – sometimes almost savagely – by my workshop classmates. None of them were published, although several hundred rejection notices showed that I was trying.

During that time I wrote five days a week, two hours a day. My coach was rigid with his instructions on my schedule. Too much writing at one time will drain you, he said. I did what I was told, and was eventually told that I was “a darn good writer.” Six unpublished manuscripts in your desk drawer leaves you with doubts, but I was determined never to quit.

The first three books were supernatural thrillers. Who could have figured that? It was simple. I was still a cop, and I needed an escape. And I’d always loved horror books and movies. Good ones, not the modern day hacker/slasher type. When I retired from the police force in 2001 I switched to my bailiwick, police procedural fiction. Crime mysteries, to be exact. The change had been unexpected: One day I began reading Raymond Chandler’s The Big Sleep, a story about Philip Marlowe, a cynical, wise acre detective telling a first person account of how come and why he was so cynical, and such a wise acre. That was all it took.

I switched genres. The next three books are about private investigator Jack Blanchard, a former Milwaukee police detective who left the department in a huff, to do his own, lone wolf style investigating of myriad legal matters.

Portrait Of Murder.
Dead Last.
Unto The Father.

Portrait Of Murder was published earlier this year. The next two are patiently waiting their turn.

Rob Riley lives with his wife, Mary Lynne, in southeastern Wisconsin. He spent thirty-two years as a Milwaukee police officer: seven years doing undercover narcotics investigations and twenty-two years as a major crimes detective. Writing and reading have been lifelong passions, and he began by writing short stories more than thirty years ago. Of course, police work provided both the inspiration and insight for his PI mystery novel, Portrait Of Murder. Two additional novels in a series that features his main character, Private Investigator Jack Blanchard, have been completed. The author may be contacted at  rob.riley101@yahoo.com.

About the Book:
PI Jack Blanchard is hired by his close friend to find his missing sister, who has a long history of drug addiction. Blanchard has little trouble finding her, but subsequently becomes entangled in an investigation that links the past murder of her drug dealer; the current murder of a top City Official – and a mind bending expanse of government corruption that involves the police department, and leads directly to the Mayor’s office. With disparate sources providing help – a prison inmate who had been an eye witness to key events, and Juanita Velez, head of the Social Services Department – PI Blanchard comes upon a twisted tale of criminal behavior and multiple murders, and a shocking conclusion that no one could have anticipated.

Portrait of Murder is available for purchase on Amazon in paperback or on Kindle.

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Elizabeth Dudak on saying the words, “I am a Writer”

Today, I welcome Elizabeth Dudak, who is the author of What the Heck, Dec?!, a novel released by Orange Hat Publishing last March. Elizabeth shares on that moment of awareness and admission known to every closet wordsmith: the moment we finally say, out loud, “I am a writer.”

Thank you Christi, for this opportunity to be a guest blogger. I am humbled and honored.

It is still odd for me to talk about writing so openly, but it is getting easier. When I first started telling people what I am, what I do, the word writer came out of me like a foreign language. I coughed up the word, sometimes choked on it. For a long time, I felt using the word writer to describe me was pretentious. It was like I was trying to call myself a supermodel. Ernest Hemingway and Jane Austen were writers. Stephen King and Nora Roberts are writers. Me? I was Elizabeth Dudak – a wife, a mother, an employee and a writer hobbyist. Sure, I acknowledged writing columns for local newspapers. And I wasn’t shy to mention a published magazine article here and a widely circulated poem there. I took continuing education and online classes to learn about dialogue, character development, description and plots…something writers do. But a writer? Or, gulp, an author? Those were my dream descriptions of me and for some reason; I couldn’t apply them to my waking world.

As I neared the age fifty, I grew tired of just dreaming about being a writer. Sure, it was fun to imagine, but at some point I needed to wake up and make my reality. I had fewer years ahead of me than I did in back of me, thus I needed to quit thinking and start doing. It would be difficult to put myself and my words out there, yet living in regret would be torture.

In July of 2011, I had a lunch date with a friend of mine. She is one of those friends I don’t see too often, but when I do, we jump right into deep and fulfilling subjects of life. Who the current real housewife is of whatever godforsaken city never seems to enter our discussions. We are concerned more about life’s purpose and meaning. Sure, it can be exhausted but afterwards, I always feel like the world is a doable place.

During the course of our conversation on this particular July day, I discussed with my friend of the writing passion that burned inside me. I told her about the hours I spent bringing to life characters, settings, plots and dialogue. My words exploded out of me as I talked about my waking hours being invaded by my writing world and my need – my strong, overwhelming need – to release them into my laptop. I explained all the stories that already crowded my computer’s memory. And I admitted to my discomfort of being called a writer as I regurgitated wisdom a professor once dispersed to me – a wisdom that was finally sinking in….three years later. This professor told me, “If you write, you are a writer.” Finally, I looked at my friend and said… only it was more like a desperate question…. “Perhaps I am a writer?”

A comfortable silence fell between us as it often happens when we talk. We were both taking in what I had just finished spewing. After a few more minutes of quiet contemplation, my friend looked at me and said “Well, you have a choice. Your words can stay in your laptop, or they can go out into the universe for others to enjoy.” This was my writer’s eureka moment. I repeated the words slowly to myself not caring how I looked in a crowded restaurant. She was right. I could stay a laptop writer, or I could become a real, authentic writer. I could take the risk of letting everyone see my words, which I believe is the definition of an author – – a writer who, driven by her passion, takes a leap of faith and present her words to the universe.

Flash ahead ten months, and many, many, MANY rejection letters later, and I am at a book signing….my own book signing…with my publisher… my own publisher, Orange Hat. The words in my novel, the story of Marti Karnawski and Declan Reed, are out of my laptop and onto pages sandwiched between a vibrant yellow back and a front cover. The title, What the Heck, Dec?!, is in green and purple on the cover. And there, in blue lettering, above the titles, is the name of the author…the writer….Elizabeth Dudak. It is my name. Now, I can finally admit…without a cough or hiccup…I am a writer.

Elizabeth Dudak lives in a tiny suburb outside of Chicago, with her husband, Peter; children, Leah and Matthew; mutt, Jordan; and mini-zoo of critters. She was born and raised on the South Side of Chicago where she learned the love of writing and reading from her English-teacher father and bookworm mother. She has written opinion-oriented columns for local newspapers for over four years, and in her blog, Write Where I Belong, she writes on the ramblings of her active mind. What the Heck, Dec?! is Elizabeth’s first novel, and it is proof that she subscribes to the first rule of writing, which is to write what you know.

About the book:
Marti Karnawski is waiting in the front office of Noteah Middle School trying to land first her teaching position, not a man. Yet one casual glance at Declan Reed – the school’s droolicious social worker with bad boy looks and cocky attitude – and she can’t help but fall head over in heels in crush. The fact he returns her interest, despite the other woman on his arm, poses a problem. Marti spent a lifetime trying to forgive a philandering father and understanding a mother in constant denial. She will not be the other woman – not even for one Declan Reed. Now all she has to do is convince her heart.

What the Heck, Dec?! is available for purchase through Barnes and Noble, and through Amazon.

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