When it comes to studying the craft of writing, I’m a big proponent of online courses. In fact, I just finished teaching one, taking one, and participating in an online critique group. I hadn’t intended to do all three at the same time, but when the opportunity arose, I couldn’t say no. Yes, the last several weeks have been B-U-S-Y, but I don’t regret a minute of the work.
With a day job and two kids at home (both of which leave me with a tight budget on time and money), I can’t always attend the workshops or conferences I want. So, I am always on the lookout for something online that will connect me with other writers, introduce me to new instructors, and guide me through new perspectives on writing and revision.
Here’s the thing: there are a ton of online learning options for writers; it can be overwhelming to figure out which course is worth the money or what instructor might best fit your needs. And with the current trend of Massive Open Online Courses (MOOC), where enrollment is often free, it’s tempting to sign up for every one. But a free course, or one that connects you with an amazing instructor, doesn’t always translate into a great course…for you. Or I should say, for me. I’m guilty of registering for a MOOC and dropping out after day one–excellent information and top-notch teaching, but not in a format through which this writer could easily learn. Now when I consider an online course, I look for five key elements before I decide to sign up.
1. Affordability.
I admit, this is the first thing I consider. I don’t want to undervalue anyone’s work. I teach online courses, so I know the time and effort that goes into putting one together. Those courses that are hundreds (or even thousands) of dollars are worth every penny, I know. And when I can afford to sign up for one, you bet I will. But at this point in life, I rarely have large sums of money at my disposal, so I drift toward courses that run at a lower cost. This has yet to disappoint me; there are plenty of good-quality low-fee classes to choose from if you keep an eye out.
2. Use of mixed media.
As writers, we are constantly working on screen, and text-heavy online courses can sometimes feel 2-dimensional and flat. I appreciate the classes that tap into my other senses through video or images. I get a bit of a break from reading reading reading and my mind feeds on what I’m learning in a different way. Then, I can turn back to the writing or revision with fresh eyes.
3. A pairing of lesson and exercise.
I’ll sign up for a course based on what I might learn, but I’ll also look for a class that will hit me with a few deadlines. I work best under pressure and am more likely to participate if there’s an official “assignment.” This doesn’t mean I pass on courses centered only on reading about the craft, but I appreciate the course more when encouraged to apply the lesson.
4. Materials and resources I can download for later.
Being able to access the material after a completed course is critical, because I’m a slow study. I need to print things out, highlight, take notes. Get into the action. Put it aside. Return to it again. Add resources for further study to the mix, and I’m sold.
5. An opportunity to engage in community.
This aspect is a tricky one to discuss. Every online course offers a chance to engage with other writers, but the level of engagement differs and every writer’s tolerance of on-screen participation varies. I prefer courses with lower enrollment, because I am easily overwhelmed by mile-long discussion boards. But, it isn’t always possible to know if I’m signing up with 20 writers or 200. So, I weigh the information and instructor with the possibilities that I might run into complex discussion threads and determine if the course still meets my needs.
You might notice I’ve left out one important aspect…Instructors. Of course, I’d love to take classes under the best and most well-known, always, but I’ve learned to be flexible. If a course fits every other quality I’m looking for but the instructor is new to teaching or new to me, I’m still willing to give them a chance. Much of writing is application and practice. The goal for me is to find a place that opens the door for new learning. Sometimes that happens under the wings of well-seasoned faculty; sometimes it’s under the guidance of a writer who’s only a few steps ahead of me but who offers a new way to view the work.
Have you taken classes online? What’s your top reason for signing up? And if you haven’t taken any online, here are a few places and people to check out:
If you’ve got recommendations, I’d love to hear them!
With winter days and shorter days and the holidays, it’s easy to fall away from our usual reader/writer patterns and find ourselves feeling detached. Here’s your December roundup of links to#reading, #writing, & listening so you can stay connected despite the busy weeks ahead.Drawing on the rich complexity of the American Midwest, Kim Suhr peoples her debut book of fiction with characters that we know, carved out of the Wisconsin landscape and caught between expectation and desire. An Iraq war veteran stalks the streets of Madison. Four drunk friends hunt deer outside Antigo. A mother tries to save her son. A transplanted New Yorker plots revenge against her husband. A man sobers up and opens a paintball range for Jesus. A woman with nothing to lose waits for her first kiss. Personal and powerful, Kim Suhr’s Nothing to Lose shows us a region filled with real people: less than perfect, plagued with doubts, always reaching.
Even if the cold, short days may keep you close to home and out of the writing circles, there are plenty of ways to keep your pen moving and your ties with other storytellers strong. Once a month, I meet online with a group of writers for Study Hall: #AmWriting, where we talk craft, read essays and excerpts from stories, and tackle at least 5 prompts. All in an hour and a half. It’s fast moving and fun. The next meeting is Sunday, January 6th, 3:30pm CST. Register HERE. I’d love to see you!
As always, story podcasts are my favorite thing to listen to when I need to decompress or am in search of a little inspiration. If you like short fiction, try these:
