This just in….

I’m breaking from routine. For those of you who know me well, breaking from routine can send me into a tizzy — there’d better be a darn good reason to deviate.

Today, I have two great reasons:

1. Beth Hoffman, author of the New York Times Bestseller Saving CeeCee Honeycutt (a beautiful novel that was released in paperback October 26th) has highlighted me on her website. I hope you’ll take a peek at my guest post. I’m thrilled to be a writer mentioned in her Brava & Bravo category. I’m also thrilled I’ll get a chance to meet Beth in person this week as she stops in Wisconsin during her book tour.

Also, this week I’ll post an interview with debut author, Jody Hedlund. Her novel, The Preacher’s Bride, was released in early October and is another book I didn’t want to put down. She’s an author to watch. Stop by on Wednesday, read about her novel and her writing process, and drop your name in the comment section (if you do, you’ll be entered into a contest to win an autographed copy of her novel).

See there? That little shake-up was well worth it.
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Curiosity, Minus the Cat

Writers, by nature, are curious people.

We are always searching for the who and the where and the what, digging up answers from our psyche – or the psyche of an imagined character – to create story after story.

We question other writers, too, asking How do you do it? How do you survive the absence of your muse? What do you say to someone who doesn’t write, who rolls their eyes to find you hiding in the basement – again – huddled over your laptop?

How do you spend your days? We want to know. To answer this very question, Cynthia Newberry Martin hosts a guest author once a month. Every bit of detail I read in those posts either inspires me or connects with me in such a way that I find the confidence I need (yet again) to call myself a Writer.

So, it should be no surprise that writers get tagged now and then with three questions or twenty-five or (this time) eight. Suzanne Conboy-Hill and Ann M. Lynn both tagged me, and it’s taken me way too long to respond. I can whip out a flash fiction story in half a day. But, ask me something about myself, something I should be able to answer easy enough, and the first response you’ll hear are crickets.

“Me?” *nervous laughter*

SO, here are eight tidbits of information about me, along with links to three other writers whom you might want to check out for yourself. No formal tagging here – I took too long, game’s over I’m sure – just simple recognition.

And, thanks Suzanne and Ann, for the questions!

1. If you could have any superpower, what would you have?

Telepathy. There, I said it.

I won’t lie. I obsess about every submission I send out. Wouldn’t it be lovely to know the second an agent or an editor picks up my submission with their very own hands?

Yes or No. Yes or No. One flash of a thought in their minds, and I’m on my way – to strangle my muse or to celebrate. No wait times, no checking and re-checking the inbox, no more stalking the postman.

2. Who is your style icon?

If we’re talking wardrobes, then I’m in trouble.

For fashion guidance, I depend on the goodness of my friends. Friends with money and with taste. I accept hand-me-downs without hesitation, because – left to my own devices – I am a fashion disaster. So, if you see me wearing something sassy and in style, you can assume I got it from a friend.

3. What is your favorite quote?

It’s difficult for me to choose a favorite quote. There are so many great ones that I love about life and about writing. I latch on to one quote that strikes me on a particular day, but the same quote might not mean as much to me the next day. So, here’s one I’m holding onto this week from Mary McNamara’s recent article in the Los Angeles Times:

…[I]f you’re a writer, you don’t write for money or fame or a chance to dish with Oprah Winfrey. Basically, you write because when you’re not writing, you’re even more cranky than when you are writing.

Yep.

4. What is the best compliment you’ve ever received?

“Ever?” I have a terrible memory. That’s one reason why I write — because I forget the things I insist on remembering. Recently, though, my favorite compliment came from my daughter who’s almost four.

“You look beautiful,” she said. Her eyes traced my outfit from head to toe.

She ignored the three blemishes on my face that might suggest I’m fifteen and not forty. Then, she stopped at my feet and gave me the eye.

“Except for your shoes,” she said.

She’s anti-Birkenstocks, and her comment reinforces my answer to number two above. Left to my own devices….

5. What playlist/cd is in your CD player/iPod right now?

Every year, Fall throws me into a melancholy mood. One of the ways I survive that mood is to play lilting music that rises and falls and lifts and carries. Ingrid Michaelson has been on my mind a lot. But the other day, this song struck my fancy:

6. Are you a night owl or a morning person?

A night owl. Late night hours are the most quiet times at my house. Plus, I’m just lazy before the sun comes up.

7. Do you prefer dogs or cats?

To this I say Achoo!” and “Pass the Claritin.” I love them both — from a distance.

8. What is the meaning behind your blog name?

I am forever running out of time. When I decided I wanted to pursue my writing for real, I knew I would have to do it during those moments in between — moments that are fleeting as soon as they start some days. And, I like hard and fast deadlines.

There you have it, more than you wanted to know. Now, along with Suzanne and Ann, here are three more writers whose blogs I read and tweets I follow — for inspiration, for lessons in the craft, and/or for a good laugh:

I’m off now, to practice my telepathy.

I’m sending you messages right now to leave a comment and retweet this post (stack those stats).

Just kidding.

(Sort of.)
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Three Ways to Make a Story Your Own

“Ideas are a dime a dozen.”

Even the source of the quote itself is difficult to pinpoint. Mary Kay Ash said it once. So did Douglas Horton. And, countless other writers and authors have incorporated the phrase into their own works.

How, then, do writers distinguish themselves? How do we mold common themes or similar plot lines into individual novels or essays that rise to the top of the slush pile or stick in a reader’s mind?

I think of this question each time I sit down to write, or rewrite I should say. When I punch out a first draft of fiction or of an essay, I don’t linger on one sentence or paragraph. It’s in re-reading the draft, when I check to see that the facts or main ideas are there, where I tell myself, “Okay, now make it mine.”

Adding my voice is a critical piece in rewriting, but there are other ways to make a story or an essay unique.

1. Think about the predictability of a story, and then avoid it.
Jody Hedlund wrote on this topic in a guest post on Merrilee Faber’s blog, Not Enough Words.  Hedlund discusses how slowing down our process and refusing to be lazy writers helps descriptions, characters, and even plots move beyond cliché into “greater depths of creativity.”

On Wednesday’s, I use “Today’s word” at Wordsmith.org as a writing prompt. The word of the day is typically anything but common in every day conversation. Still, the stories that unfold in my mind can easily end in exactly the way a reader might predict. And, predictability won’t earn me a second read.

2. Know what details to include and which ones to leave out.
Stephen King wrote an article on imagery (recently reprinted in the Aug 2010 issue of The Writer) in which he suggests a writer be choosy when filling in descriptions:

Imagery does not occur on the writer’s page; it occurs in the reader’s mind. To describe everything is to supply a photograph in words; to indicate the points which seem the most vivid and important to you, the writer, is to allow the reader to flesh out your sketch into a portrait.

King’s article highlights the importance of the reader-writer relationship. Like any relationship, I can’t be 100% responsible for making it work. As a writer, I do my part and provide just enough information to spark an image. Then, as King says, the reader experiences the joy of reading, “the joy of seeing in the mind, feeling the fantasy flower in the way that is unique to each individual reader.”

To use a simple example from my own writing, this sentence:

My bedroom wasn’t finished yet, the fancy wallpaper still had to be hung.

doesn’t spark an image as much as this one:

My bedroom sat empty at one end of the hallway, the walls chalky and unfinished. The floor bare of any furniture. It smelled of new construction, but it was uninhabitable.

3. Give an old idea a modern twist.
A while back, I bought the Best American Short Stories 2009 anthology (edited by Alice Sebold). One particular story stands out in my mind as an example of giving an old idea new life. The story, called “Saggitarius” by Greg Hrbek, is about a couple who’s baby is born half human and half horse.

How well does a myth work as a modern short story, you ask? You’ll have to read the story yourself, but here’s an excerpt:

While they were arguing (again) about the surgery, the baby vaulted over the rail of the playpen, as if it were a hurdle to be cleared. They heard his hooves scrabbling on the rubber mat, but were too late to see him jump…When they reached the sunroom, they saw him bounding out the door. Upper half, human half, twisted in their direction; a look of joy and terror in the infant’s eyes. But the equine part would not stop….”

And, one more:

The diagnosis changes every week. Spina bifida, muscular dystrophy, cerebral palsy as the cause of the musculoskeletal deformity; the body hair most likely the result of a condition called congenital hypertrichosis….”

Hrbek plays out an old idea within a modern setting with no fear and without looking back. And, he does it so successfully that, by the end of his story you, the reader, believe somewhere in the woods stands a father holding his Sagittarius son and loving him completely for the first time.

How do you distinguish yourself as a writer?

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