Guest Post: Matt Geiger on Life & Writing

Author Matt Geiger guest posts today on life & writing–or life in the midst of writing. And publishing. And these “extraordinarily wonderful things” we call books. Along with his guest post, I’m offering a book giveaway for his upcoming collection, Astonishing Tales* (HenschelHAUS, 2018).


On Life & Writing

"once upon a time" written on page

When I was a kid, I dreamed of being an author. I knew it wouldn’t make me rich, but as long as I could scrounge together enough money to buy some cardigan sweaters and a pipe, I was sure I could be happy. I could cultivate an aloof, eccentric nature, cover my clothing with coffee stains, and tousle my erratic hair on my own, for free. I would probably need to get a cat, too.

But most of all I would be, I imagined, very, very happy.

On the day my forthcoming book, Astonishing Tales!* (HenschelHAUS, 2018) became available for pre-order on Amazon Prime last week, I spent my time collecting warm cat urine in a little plastic test tube (because my cat got run over by a car and has a pelvis that is essentially now shrapnel) and driving my four-year-old daughter to the doctor (because she had a fever of 104) and freaking out.

Then I worried about the fact that the book needs a million more edits and perhaps the entire thing is embarrassingly prosaic and bad. Then I took a little break, a little “me time,” to worry about my weight, the increasing frequency with which I get up to pee in the middle of the night, and the fact that the president, whom I do not like, announces all his policy decisions and grievances on Twitter, which I also do not like.

black and white photo of crowded streetWhat was surprising to me that day, was the fact that the world did not come to a screeching halt to celebrate what was, for me, something important. It just kept chugging along, not endorsing or condemning me and my little book. The same thing happened when my daughter was born. I stepped outside the hospital to find a bunch of bleary-eyed, uninterested people going to work. “This isn’t just a normal day,” I thought. Don’t they know?”

When you write a book, you tend to feel special, like you’ve just walked on the moon or climbed Mount Everest. But of course, those of us who have spent much of our lives in bookstores know this isn’t true. This, we are well aware, has been done before, and by authors far better than us. Writing is one of the civilization’s oldest professions – perhaps the oldest profession you can do while fully clothed.

I write narrative nonfiction (true-ish stories) and something that people insist on calling “essays.” (I protest, because the word “essays” puts me to sleep after making me think of grade school.) My first book, released in 2016, contained 44 of these stories and (sigh) essays. A handful of people read the collection. It received some nice reviews, a couple not-so-nice ones (thanks again, Florida). It even won a couple of awards, which I carry with me everywhere and show to strangers each time the chance arises.

“Crazy weather we’re having, right?” someone says to me at the airport bar.

“Sure is,” I reply. “Which is why I wear this big winter coat. And you know what’s inside it? A Midwest Book Award, several melted cough drops, and a key whose matching door is currently not known to me.”

“Look at all the rain coming down!” sometime will mention in a coffee shop.

“Yeah, do you have a plastic bag? I don’t want my Indie Book Award to get wet when I run to my car.”

Sometimes, when I get really lucky, people ask my favorite question: “Where can I buy your books?”

“Well, at some bookstores,” I usually say. “Or online. You know, wherever you usually buy books.”

“So,” one friend replied thoughtfully in the frozen food aisle at the local supermarket, “can I buy it at the gas station? The gas station is right by my house.”

“I don’t think they sell books,” I responded. “I mean, I know they sell road maps, which are kind of like very messy books, but I don’t think they sell the kind of books I write.”

“Hhhmm,” he hummed, pondering laboriously. “Do they sell it here?”

“Here?”

“Yeah, here,” he continued. “At the grocery store. I mean, not right here with the popsicles. That would be crazy. But maybe over with paper towels and things?”

That aisle does have a lot of paper in it. He had a point. And what’s the difference, really, between my book first book (The Geiger Counter: Raised by Wolves & Other Stories, HenschelHAUS, 2016) and the napkins, except that the thing I made has pithy observations about fatherhood printed on it while items on these shelves say “Bounty” over and over again. They both have the same chance of winning a Nobel Prize in literature.

“No, I’m sorry but I don’t think they sell it here,” I said.

At this point in such conversations, people usually look at me like I’m really going out of my way to inconvenience them. Like they asked where to find my book, and I told them they must first locate the Golden Fleece and the Ark of the Covenant, and only then can they obtain a book of stories about a plump man-child and a cute baby.

Or like I told them it’s primarily sold in violent brothels, in Romania.

“Where do you normally buy books?” I ask. “They probably have it, or they could at least get it for you. If you don’t want to go to a physical book store, you can always get it from Amazon. That’s like a bookstore that also sells dish towels, batteries and diapers, and you don’t have to stand up, walk or drive a car, or even put on pants to get there.”

People congregating at a bookstoreThis is a departure from the way I grew up. When I was a kid and tagged along with my dad, he would carefully and precisely locate each city’s bookstores like they were an oasis in a savage desert. As if they were fire escapes from the tragic, burning fires of everyday mundanity and bourgeois commerce. We didn’t always know where to get food, water, or gasoline, but there was never any doubt about where to locate an out-of-print book.

And that has become one of my favorite aspects of being an author – the chance to meet other people who love books as much as I do. It’s like being a parent and meeting other parents.

“Oh, you have a baby?! So do we!” you’ll say. “You love your baby? You think your baby is cute and smart and special? What a coincidence; so do we! You are very tired and have no money? We have so much in common!”

It’s the same with books, which are extraordinarily wonderful things, even when they are not quite extraordinary.


About the Book

cover image for Astonishing TalesIn his new collection of stories, acclaimed author and humorist Matt Geiger seeks to “de-familiarize” us from the world, from the smallest detail to the most cosmic mythology, in order to see it all as if for the first time. Turning his “philosopher’s vision” to his own abundant Neanderthal DNA, parenting, competitive axe throwing, old age, and much more, he sets out in search of comic profundity. With a nod to the limits of human knowledge and understanding, particularly his own, he draws from the wisdom of an 83-year-old pin-up legend, Anton Chekhov, Santa Claus, modern boxers, Medieval monks, and of course, small children. Blending whimsy and gravitas, he unveils beauty, joy, and symmetry in a seemingly broken world.

Astonishing Tales!* (Your Astonishment May Vary) will hit bookshelves, the internet – and perhaps even some gas stations and grocery stores – in December of 2018. You can pre-order a copy HERE.

You can also enter the giveaway for a chance to win a copy (US residents only). Deadline to drop your name into the mix is Tuesday, August 21st.

About the Author

Matt GeigerMatt Geiger’s debut book, The Geiger Counter: Raised by Wolves & Other Stories was published in 2016. It won First Prize in the Midwest Book Awards and was named as a Finalist in the Next Generation Indie Book Awards and the American Book Fest. He is also the winner of numerous journalism awards. He lives in Wisconsin with his wife, his daughter, ten animals, and several metaphysical questions. Learn more about the author at geigerbooks.com.

*Photo credits: Headshot of Matt Geiger by Matthew Jefko; “once upon a time” from Visual Hunt; people congregating in bookstore by PHOTOPHANATIC1 on VisualHunt / CC BY-NC-SA.

Guest Post: Joanne Merriam (Upper Rubber Boot Books)
on Publishing & Building Community

A writer’s day-to-day work often happens in isolation, but bringing a story, an essay, or a book to print and to the shelves of readers often takes many hands and hearts. There are several routes to publishing, from the Big Five to self-publishing.

Today’s guest post is by Joanne Merriam, who steps into the spotlight and looks back on her journey to becoming Publisher at her Independent Press, Upper Rubber Boot Books (@upperrubberboot). And she shares news of their big Kickstarter campaign to bring more women’s voices to readers. 


My journey into publishing started with poet Molly Peacock, who had immigrated to Canada from the United States and who told me to start something to get people to come to me, when I commented on how difficult I was finding it to build a community, having immigrated in the other direction.

person looking out into waterNo, it started the previous year, when I started a Twitter zine, Seven by Twenty, which ended up helping me build an audience for the publishing company I was still on the fence about starting.

Or maybe it started a few months earlier, with an 18-hour drive from Concord, NH to Nashville, TN. My husband drove the moving van, and I drove our car, and had very little to think about. I was a writer with a single book and a few dozen magazine publications, and I wanted to grow to do the next thing, whatever that might be. I thought about publishing a magazine or books, or starting a review site, or some kind of online community.

Or it started earlier than that, with five years at the Writers’ Federation of Nova Scotia. We had only two staff, so I did whatever the Executive Director didn’t do, which was mostly running the office and some of the programming, keeping the volunteers organized, and answering questions from the general public about writing and publishing. I didn’t want to accidentally slander some real publishing company, so in my examples I often mentioned Upper Rubber Boot Books, a joky made-up small press named after a Nova Scotian expression for an insignificant, out of the way location, like America’s Podunk (Maritimers often name places Upper and Lower Whatsit, you see, instead of North Whatsit and South Whatsit, so Upper Rubber Boot would be even more remote than some place that had the misfortune of being named Rubber Boot). Naturally, when I started my own company, the name leapt to mind.

The history of URB is a history of building community. The work of producing the books we all enjoy requires so many more hands and minds than the author’s, from editors to proofreaders to graphic designers to printers, and that community is then supplemented by the hard work of distributors, the insight of reviewers, the energy of readers… and on it goes.

cover image for Sunvault: stories of solarpunk and eco-speculation

My first title was 140 And Counting, a best-of anthology for Seven by Twenty, which was funded by a Kickstarter campaign which also paid for our first 100 ISBNs. My next big title was Apocalypse Now: Poems and Prose for the End of Days, also Kickstarted, which was co-edited by Alexander Lumans and Andrew McFadyen-Ketchum, and which put URB on the map since it contained authors like Margaret Atwood and Joyce Carol Oates. Andrew then approached me to do a series of poetry chapbooks, which has built our community of writers and readers in a different direction.

Other Kickstarters included an immigrant science fiction anthology, How to Live on Other Planets, and a solarpunk anthology, Sunvault.

We’ve also released, without apparent external support, the dark feminist fiction anthology Choose Wisely: 35 Women Up To No Good, the adventure sci-fi anthology The Museum of All Things Awesome and that Go Boom, and a few single-author books like Argentine writer Teresa P. Mira de Echeverría’s Memory. I say “apparent” support because in fact all of our books receive amazing boosts, verbal and fiscal, from a wide community of readers, whose generosity continues to humble me, but whose support is largely invisible outside their own friends and family.

hands of several diverse people all together People have provided proofreading and cover art for free, and have promoted our work simply out of love for literature, which allows us to keep going. I’ve tried to pay that back by starting Small Press Week, which falls on the week of American Thanksgiving (2018 will be our third year – look for #spweek18!), and a monthly #SolarpunkChat which we co-founded with Reckoning Press.

Now we’re turning Choose Wisely into a series, with two new anthologies: Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good. Broad Knowledgefor which Christi hosted the cover reveal!―features a handful of reprints (by Nisi Shawl, Angela Slatter, Sonya Taaffe, and L. Timmel Duchamp) and original stories by Charlotte Ashley, Vida Cruz, Premee Mohamed, Rebecca Jones-Howe and 28 other non-binary, female, and genderqueer writers, all revolving around knowledge: what women know, and how knowledge changes their choices. Sharp & Sugar Tooth, edited by Octavia Cade (who wrote Food and Horror: Essays on Ravenous Souls, Toothsome Monsters, and Vicious Cravings), explores the dark side of food and consumption, and features stories by Catherynne M. Valente, Sabrina Vourvoulias, Chikodili Emelumadu, H. Pueyo, and 18 others.

book covers & tiny excerpts from Broad Knowledge and Sharp & Sugar Tooth

I hope you’ll check out our Kickstarter and donate to pre-order (or even get a custom cover designed for you with your own artwork or photograph)!

URB’s Publisher is Joanne Merriam, a Nova Scotian poet and short story writer living in Nashville. She is the author of The Glaze from Breaking (Stride, 2005; URB, 2011).

*Photo of many hands above via MilitaryHealth on VisualHunt.comCC BY

#PenToPaper: the why, the how, & the way to writing prompts

This week I’m all about writing prompts.

First, you’ll find my guest post, The Push and Pull of Writing Prompts, on Rochelle Melander’s Blog, Write Now!

photo of hands putting pen to paper and drawing a circleOn one hand, I see [prompts] as a critical component to the work. They serve as warm-ups in each of the classes I teach, as a way for participants to engage with the topic or lesson. Sometimes they work simply to get the ink in their pens flowing, to free the mind of anxiety before we dive into the real work. On the other hand, they can feel like torture. . . . But 9 times out of 10 prompts are working just as they should.

Read more HERE, which includes links to places where you can find prompts.


drawing of three figures and a wifi symbol surrounding a paper and pencilSecond, you’ll find me in the studio this Sunday, June 3rd, from 3-5pm (CST) facilitating another session of Study Hall: #AmWriting, two hours of prompts and discussion to get your pen moving.

There’s still time to register, and you can participate in person (West Allis, WI) or online (via Zoom–a super easy way to feel a part of even if you’re miles away).

Visit the Study Hall page for more information and links to register.

As a pull to get you thinking about how prompts work, here’s one of my favorite videos: Billy Collins’ animated poem, “Budapest” ….