What Happens When a Writer Goes on Jury Duty

You write a piece of flash (fiction or non…I’ll never tell).

The Juror

IMG_1774Like cattle they herd us into assembly to sit and wait for an indeterminate amount of time.

“Thank you for serving.”
“Make yourselves comfortable.”

But it is crowded and cramped, and the air is thick with a tangle of smells.
My coffee.
This bagel.
That guy’s hash browns.
A smoker smothered in two-packs-a-day.
Someone’s feet.

And, sound carries.

Well across the room is “Jim” who answers every single phone call.
“Hello, this is Jim.”
“Jim speaking.”
“Hello, Jim here.”

Jim, Jim, Jim.
Jim is a busy man, and I am suspicious.

I take out pen and paper and consider details about Jim, the phone man: possible age, demeanor, “notes to self” kinds of things I might want to recall later.
No laptop but wears suit.
Happy to be in close space with strangers.
Laughs too loud.

And when he finally admits in one call that, “Yeah, it’s in the basement,” I think, Ah ha. I’ve got him.

Guilty.

~
What in your life drove you to write this week ?

Writers at the Table: Meet Ted Johnson

For well over a year, I’ve been leading a creative writing class at a senior living center near my home, listening to a great group of folks tell their stories. I’ve grown fond of these writers. They are creative and kind and willing. And today, I’m honored to feature one of those writers here.

IMG_0726Ted Johnson was the first person to show up on my inaugural day of leading the class. He couldn’t have known how nervous I felt, nor how grateful I was to see him there–with pen and paper and a smile. Ted has an easy way about him, always has a kind word for others, and brings to the table some great stories. I met him for coffee this week so that I could take his picture, and I reminded him of the importance in this work, in the stories he sets to paper. We forget, sometimes, the power of memory, of the connections we make when we share those memories with others. Enjoy reading this essay by Ted Johnson. 

My Mother

By Ted Johnson

At 87 years old my mother still lived alone in her apartment in Minneapolis and apparently loved it. My sister was living in Billings and I in Milwaukee, and we worried about her—a lot. She had given up her car a couple years before with little fanfare, and I could only hope that I would be that mature when my time came.

I drove to Minneapolis to see her and to assure myself that all was well. We had been trying to get her to move to Milwaukee for years, but she was adamant, unyielding. “It wouldn’t feel right,” she said. “Anytime I’d turn on TV to get the news, I’d see a face I’d never seen before. I’m used to all these local people and I’d miss them. Bill Adams has been the weatherman on WCCO for twenty years. It wouldn’t seem right to go to bed at night without listening to Bill.”

“Are you watching a lot of TV these days?” I asked.

“No,” she said, her tone indicating that she sensed some criticism in my question. “I don’t watch a lot of TV. We play bridge. We play sheepshead and work jigsaw puzzles. We have coffee parties at each others apartments. I’m not watching TV all the time.”

“I’m sorry,” I said. “I didn’t mean to criticize, and I don’t feel there is anything wrong with watching a lot of TV. In fact,” I told her, “Your  generation hit it just right. Just about the time your kids were ready to leave the nest, television came in to its own to help you fill your spare time.”

She took a deep breath. She didn’t like that. I’d seen this measured and controlled exasperation many times before.

“You know”, she said, “I wouldn’t worry so much about my generation not having a full and rewarding life. I honestly think we have seen more changes than any other generation that has lived on this planet.”

She went on to remind me that she was born in a small mining town in northern Minnesota where they used candles and kerosene lamps for light. That even after Edison invented the electric light bulb, they didn’t see it for three or four years. “For transportation,” she said, “we had the dependable horse and buggy. Cars were not available to us until about 1903, when I was 10 years old.” Henry Ford’s Model T was the first car she remembered.

“We went through World War I and not long after that we suffered through the greatest Depression the world had ever seen. Shortly after that we went through the biggest War the world had ever seen. 50 million people world-wide were killed in some manner,” she said. Every family in the United States had some relative of theirs in the service in World War II, she told me. “After the War, our generation came back and built this country into the strongest and richest country in the world.”

She took another breath.

“And to cap it all off we sent a man to the moon.”

“That,” she said, “should keep you from worrying about whether my life is exciting enough.”

And, that’s the way my mother set me straight.

 

Study Fiction to Write Creative Nonfiction

file000845471725“[T]rue stories, well told.” That’s the definition of creative nonfiction, Lee Gutkind says (in this brief radio interview), as he admits he loves to read fiction–even as he is the founder of one of the biggest nonfiction literary magazines, Creative Nonfiction.

Gearing up to teach my workshop on Flash Nonfiction in two weeks, I came across this interview with Gutkind in which he reminds writers that reading across genres enhances our skills as storytellers, especially when it comes to fiction and non.

All of us need to learn a lot more about the world than we ever did in the past, and the way in which we learn is through story. We don’t just learn by someone throwing information at us. We learn because people tell stories, and the stories are learning experiences. . . . Who can tell a story better than a fiction writer?

The interview is less than four minutes. You can’t finish your a cup of coffee that fast (if you can, holy cow). And, if the topic–of how studying techniques in fiction can enhance your nonfiction skills–piques your interest, consider joining us on August 24th for more about FLASH nonfiction, where we’ll discuss two major challenges in this sub-genre: Space and Telling the Truth.

Registration is easy. The hard part? Choosing the perfect pen and notebook to bring to class.

* Photo credit: imelenchon on morguefile.com