May is Short Story Month!
3 ways to discover your next big read (including a #giveaway)

ICYMI, May is Short Story Month. And it’s a clickty-click day, with links below to three ways you can discover your next big read.


1. Scroll through Book Riot’s list of 100 Must-Read Contemporary Short Story Collections, for blurbs about books by established and new authors.

2. Browse Elizabeth Day’s list on The Guardian of 10 best short story collections by well-known authors you’d hate to miss.

3. Stop in at Fiction Writers Review for a month-full of short story highlights, including my review of Yang Huang’s new collection, My Old Faithful:

The idea of harmony is funny. Right off, I think of a sense of peace, a perfect blend. But there is complexity in the layers. I grew up the youngest in a family of five, and I have spent plenty of time reflecting on and searching for the harmony I always thought was lacking. . . . The truth is, though, that discord and differences mold us into a well-formed shape, individually and as a whole, and that shape, with its scratch of bitter and brush of sweet, is the essence of harmony. Yang Huang brings vision to this idea in her new collection of short stories, My Old Faithful, winner of the University of Massachusetts Press’s Juniper Prize.

As a BONUS, Click HERE for a chance to win a copy of My Old Faithful (courtesy of Fiction Writers Review and the University of Massachusetts Press). Deadline to enter is noon on Tuesday, May 29th.

CITY OF WEIRD, Stories to Evoke & Entertain

“I’ve been having this dream lately.
In this dream, I’m traipsing through the aisles of that big bookstore in Portland, Oregon.”
~ from “Aromageddon” by Jason Squamata in City of Weird

cover image for City of WeirdI have never been to Portland. But City of Weird, with its “30 Otherwordly Portland Tales,” offers a view of the Oregon metropolis (and its famous bookstore)–in slant. A collection of imaginative, surreal, and (at times) sardonic stories, Forest Avenue Press’ newest release makes for a perfect Halloween read, especially for the faint of heart like me.

When I was seven years old, I went against all reason–and my parents’ stern command–and watched Salem’s Lot when I was supposed to be in bed. I watched it only in bits and pieces, first because I was afraid I would get caught then later because I was afraid.

cartoon tv

I would tiptoe up to the small TV in the playroom, turn the knob just past the hard click to power up the screen, stare wide-eyed and wild-eyed at the current scene for two minutes, then promptly turn the knob to OFF (!), run back to my bedroom and hide under cover. A few intermittent peeks like this as the movie played out were enough to sear my mind with vivid, terrifying images of vampires. All of them bald, with gray faces, and teeth in need of immediate dental care.

So I appreciate a book like City of Weird, with stories packed inside that let me dip my toe into “fanciful, sometimes preposterous archetypes of weird fiction” (as editor Gigi Little says in her introduction), stories that touch on such things as my permanent bias toward vampires and flip them on end. I mean–sure, bloodsuckers are scary, but Justin Hocking turns them into sympathetic characters in his story, simply titled, “Vampire:”

The vampire has figured out that he can take a photo of himself with his cell phone, stare at his image for a long time, in a way he never could with mirrors. He looks for hours at his widow’s peak, premature baldness scratching its talons further and further up his scalp. He wonders, since he’s 382, if ‘premature’ is the right word.

This fragile fiend could easily be that frump, middle-aged man you pass on the street who, like you, worries about the effect so many years can have on a body, even if he is immortal. Poor guy. It must be tough. Bless his heart (at a distance).

Image of two orcas, mother & baby, swimming in ocean

Then, there’s Leigh Anne Kranz’s “Orca Culture,” the story about killer whales, which aren’t really killers when it comes to you and me. Except Kranz again leans on common knowledge just enough to push the question, “what if.” In her story, the “Seattle pod” has developed a keen taste for a certain species–misbehaving men–and swallows them whole:

She felt it was the natural order of things. The world was changing. If humans were to survive, men like him must go extinct.

You’ll have to read the story to find out why such men might need to be snatched from the shoreline. In any case, it’s an interesting perspective, predator eating predator (oops, did I just give something away?).

One of my favorite stories is Mark Russell’s “Letters to the Oregonian from the Year 30,0000 BC,” which sets up Portland in ancient times as a mirror to Portland today, a teasing reminder that humans haven’t really changed all that much.

We read of one letter to the editor written by a caveman millennial of sorts, who downplays the newest invention (and current trend) of fire, until using it for cooking proves advantageous:

In fact, we found cooking with fire so rewarding that we opened a mommoth-fusion food cart just west of the burned forest. We’ve taken to calling this area West Burnside.

We read the opinion of the Paleolithic conspiracist:

Personally, when someone says “fire,” I hear “gentrification.”

And last, but not least, a plea from the Peacemaker:

I like charred lizard as much as anybody. And carrying torches around at night, well, it just makes me feel important. But I’m afraid of what fire will mean for life here in Yak Village.

In the Village, as in Portland (& probably the metropolis closest to where you live), strange characters abound. And as Grub the peacemaker from Yak Village says, the “strange” are “treasures,” lost when we try too hard to conform to normal.

There’s more. A hefty book of sci-fi and speculative fun, City of Weird is chock-full and available for purchase in all markets, independent and other. If you live near Portland, stop in at one of the upcoming book events, like Pop-Up: City of Weird (with Stevan Allred, Jonathan Hill, and Karen Munro), November 5th.

* On images above, cartoon TV photo credit: Candyland Comics via VisualHunt / CC BY-NC; orca photo credit: Mike Charest via VisualHunt.com / CC BY

Tapping the New Year with a Review, Advice, and a Rally Cry

The Review

FigTreeBooks_LogoRight at the end of 2014, my first freelance book review went live (you can read my thoughts on MEMOIRS OF A MUSE at Fig Tree Books here). Writing book reviews is a challenge for me, so it felt great to see this one reach publication. The key to such success–in this project and (I’m sure) in most writing–is a great editor. Erika Dreifus (Media Editor at Fig Tree Books) is such a person: friendly and professional and a woman with a keen eye. If you’re interested in writing reviews, check out Fig Tree Books and their Freelance Review Project.

The Advice

Speaking of the challenges we writers face, Paul Auster offers some great advice in this video, “How I Became a Writer.” One of my favorite quotes (about eight minutes in) reminds me that writing is more about exploration than perfection:

Screenshot 2015-01-05 16.36.15When I was younger, I wanted to make beautiful things. And then, as I got older and more experienced in [writing], I understood that’s not what it’s about. The essence of being an artist is to confront the thing you’re trying to do, to tackle it head on. And if, in wrestling with these things, you manage to make something that’s good, well…it will have its own beauty. But, it’s not a kind of beauty that you can predict. It’s nothing you can strive for. What you have to strive for is to engage with your material as deeply as you can.

The whole video is less than twenty minutes and well worth your time as you broach a new year of writing.

The Phrase I Will Repeat Most

I love the idea of a rally cry for a new year. Last year, I was all about Fearless Writing. This year, I’ve latched on to a post I read by Patricia McNair on Facebook:

Write more. Bitch less.

On that note, zip your lip, grab your pen and paper, get on that story.