Guest Post: Marjorie Pagel on Poetry & Writing

Pagel's newest collection, Where I'm From (cover image): painting of red barn

In Milwaukee writing circles, Marjorie Pagel needs no introduction. She is a powerhouse with the pen (I’ve seen her in action), diving into writing with little hesitation, bringing amazing insight to the page, and then publishing great poems and stories.

Today she guest posts, sharing about her long relationship with writing while introducing us to one of her poems, “The Corn Crop” (one of my favorites). You’ll find an immediate connection in all she writes, so enter the giveaway to win a copy of her latest publication, Where I’m From: Poems and Stories. Deadline to enter is Sunday, May 19th, at noon. Now, welcome Marjorie!


Let’s Write!

Marjorie Pagel, standing next to a tree with fall colors in background.

My first poem was inspired by the sight of a robin while swinging outside our family’s farmhouse the spring of 1950. I was nine years old. In the next two years I had composed enough original poetry for my first book.

I used my best cursive handwriting on the lined 4×7-inch tablet, decorated the cover with a construction paper design, and dedicated it to my grandmother, Mary Johnson, who lived in Minnesota. I still feel a bit guilty that I never made a similar gift to my other grandmother, Ella Ellingson, in Milwaukee. I actually loved her best.

Since I’m talking about “one” writer’s beginnings (the other, more famous one, was Eudora Welty) I may as well mention the two books of original writing that won blue ribbons at the Marquette County Fair when I was in seventh and eighth grade. They both bore the title, “Let’s Write,” in recognition of the radio program that inspired them. Everyone in our one-room country school would sit quietly at our desks to listen to this broadcast from Wisconsin School of the Air. When the radio was turned off we would write – a little essay, a story, a poem. For the county fair I neatly copied each week’s assignment from the school year into a 9×12 notebook.

Here’s what I find interesting. Some years back when I was writing a blog for Community Newspapers, I wrote about my “Let’s Write” classroom experience, which became part of a Wisconsin history project for a girl at Nicolet High School. The two of us are still Facebook friends.

Flash forward to 2016. I was 75 years old with hundreds of accumulated essays, poems, and stories – most of them sitting unpublished on my computer. Okay, I said to myself, It’s harvest time. Just as my father had harvested his crops each fall, I would harvest some of my best writing in the autumn of my life. It would be a gift to pass along to family and friends. My first book, The Romance of Anna Smith and Other Stories, was published in 2017 with the help of David Gawlik, Caritas Publishing, before my 76th birthday.

Marjorie Pagel holding copies of her first book. The Romance of Anna Smith and Other Stories

“When are you going to publish your next book?” people asked me, so early this year, at age 77, I published Where I’m From: poems and stories.

Meanwhile, I keep writing. I’m a regular participant in the roundtables at Red Oak Writing in West Allis, Wisconsin. I’ve been gaining inspiration and craftsmanship from Wisconsin’s poet laureate, Margaret Rozga, at the University of Wisconsin-Waukesha, and I’m learning new skills in flash nonfiction with Christi Craig. It’s an online class, which means that writers from everywhere are connected. It reminds me of those grade school days when the voice of Marie Applegate in Madison, Wisconsin, reached the listening ears of kids like me in classrooms all across the state.

The message remains the same: “Let’s Write!”


The Corn Crop

That first spring, when my father was just a weekend farmer,
he drove out into the sandbur fields to plant corn.
He rode like a conqueror on the seat of his new Farmall tractor.
It was shiny red, like the little coaster wagon I admired
in the Gambles store window.

When all the corn did not come up, my brother and I marched along
with our buckets of seed corn. We placed three yellow kernels
in each scooped-out hollow and covered them over with smooth dirt.
My father figured one out of three ought to grow
but sometimes all three did, and so we’d trudge along again
thinning out the corn.

One year, the year it hailed, we had a good crop, growing way higher
than even my father’s knees by the Fourth of July.
Someone said it was the best crop of corn in Marquette County.
My father never said that, of course, for he was not given to bragging.
Still he had a fierce proud look on his face and his eyes were happy.

When the hail came that summer
he was away in the city working his factory job.
My mother collected a cupful of the ice marbles
and put them in the freezer box of our little Frigidaire.
That Friday night when my father came home on the train
she showed him the hailstones, her offering of proof
that the hail had really happened, that the corn now lay in shreds
and there was nothing she could have done to save it.


ABOUT the AUTHOR

Marjorie Pagel grew up in rural Wisconsin where she attended a one-room country school and graduated with a high school class of just fifty students. She moved to Milwaukee for college, earning both her bachelor’s and master’s degrees from UWM. Meanwhile, she was married, had a family, and worked as a reporter/feature writer for a local suburban newspaper. She is the author of two books and five one-act plays, which have been produced by Village Playhouse in West Allis, Wisconsin.

She continues to participate in writing workshops and is affiliated with local and state writing groups. Writing is part of her daily routine. “It keeps me grounded,” she says. “I want to always remember where I’m from while paying close attention to who I am today – this moment – and my connections to all the people who continue to enrich my life. Although many of the people who have shaped my life are gone now, I celebrate their continuing presence through the gift of memory, and I savor the daily adventure that even an ordinary life has to offer.”

DON’T FORGET! Enter the giveaway by Sunday, May 19th, for a chance to win a copy of her newest book, Where I’m From: Poems and Stories!

Q&A with Kim Suhr, author of Nothing To Lose

“Poetry has gotten them into this and poetry will have to get them out.”
~ from “Right Place, Right Time” in Nothing To Lose


In the heart of Wisconsin right now, we are covered in white. Winter continues to show up with force, shutting down the city and leaving us staring at a monochrome image broken up only by a line of trees or the red tail lights of slow-moving traffic.

You might think, The midwest–all that cold and snow! How does anyone survive? But there’s more to living in Wisconsin.

There are the people and the places and the poetry of stories. Read anything by Michael Perry: Population 485 or Visiting Tom, both great books of nonfiction about captivating characters in real life.

Or, pick up Kim Suhr’s new collection of short stories, Nothing To Lose (Cornerstone Press, 2018), which features an eclectic mix of fictional characters who hail from all over the state.

Sure, these may not be people you’d meet in the street, but as Albert Camus says, “Fiction is the lie through which we tell the truth.” So be prepared to wonder.

Suhr’s stories will ring familiar with things you know about the midwest, but they will also surprise you, keep you turning the page, and leave you considering if the bits and pieces of strange don’t ring true in one way or another.

I’m honored to host Kim Suhr and thrilled to offer a book giveaway. Click HERE to enter by Tuesday, February 19th, noon for a chance to win a copy of her new collection. Now welcome Kim Suhr!


Christi Craig (CC): In your book, you introduce us to so many different characters: a teacher turned poet looking for love, a mother desperate to save her drug-addicted son, two friends set on starting up a “Paintball for Jesus” business, and more. Where do your ideas for such diverse characters come from?

Image of Kim Suhr: woman looking at camera, wearing blue shirt and beaded necklace.

Kim Suhr (KS): Honestly, I wish I knew. On a global level, they all come from my desire to understand people who are different from me, what makes them tick, what they wish for and regret.

Some stories started with an image: A man standing in a doorway wearing night vision goggles; cross-dressing deer hunters (don’t ask); a video camera in a kid’s face. One started with an overheard conversation: “My friend decided to follow the advice on every Dove wrapper.” “Dry Spell,” about a paintball range for Jesus, came from a real advertisement I happened across. What could be the story behind that? I asked myself, and I was on my way…

CC: Your book is also filled with a wonderful mix of very different stories that constantly surprise the reader. I’m thinking in particular of the story “Brush Strokes,” which begins with the simple image of an artist painting on a canvas. Mid-way, the story—the artist—takes a dangerous turn, and there’s no way a reader will close the cover before reaching the end. As the writer, were you clear as to where each story was headed?

KS: That’s a great question and one that gives me pause. I think, subconsciously, I know what direction I want each story to take, but it isn’t until I’m in the thick of writing it that I realize where it needs to go. Everything is in service to the story. I may personally want a character to undergo a life-changing epiphany and live happily ever after—and I keep trying to write stories where that works—but often the stronger story demands something different: remaining in homeostasis, a change in vision, harsh consequences. Even my “happy” endings have room for ambiguity. Some of my darker stories, I think, have moments of humor and hope. That’s what I love about the short story form.

CC: Your book is published by Cornerstone Press, which is an independent publisher and teaching press housed at the University of Wisconsin-Stevens Point. How was your experience working with up and coming editors, artists, and publishers?

KS: It was a true joy. You really can’t beat having a staff of over 20 people dedicated solely to your one book. The staff’s enthusiasm for the project was infectious, and they jumped into becoming “experts” very quickly—learning what they needed to know to fulfill their various roles and applying it punctually and professionally. They were as invested as I was in making this the best possible book it could be. Of course, none of this happens without the leadership of a skilled, dedicated person at the top, and that’s exactly what I found with the Publisher-in-Chief, Dr. Ross Tangedal. I would highly recommend Cornerstone Press.

CC: What are you reading these days?

KS: I just started A Gentleman in Moscow for my book club. Just finished The Stupendous Adventures of Mighty Marty Hayes (a fun novel for young readers by Milwaukee author, Lora Hyler) and a wonderful collection of short stories by Susanne Davis, The Appointed Hour, who also happened to publish with Cornerstone Press. Next on the list, The Gift of Our Wounds: A Sikh and a Former White Supremacist Find Forgiveness After Hate, by Milwaukee authors, Arno Michaelis and Pardeep Singh Kaleka.

CC: Favorite notebook for writing new stories: spiral? hardbound? Moleskin?….

KS: The good old Composition notebooks, college-ruled with a nice, glidey pen.Thank you so much for reading, Christi, and for your wonderful questions. It’s an honor to be among the many wonderful writers featured at your website!

Kim Suhr is author of the Nothing to Lose (Cornerstone Press, 2018), Maybe I’ll Learn: Snapshots of a Novice Mom (2012) and co-author of the as-told-to memoir, Ramon: An Immigrant’s Journey. She holds an MFA in fiction from the Solstice Program at Pine Manor College where she was the Dennis Lehane Fellow in 2013. Her writing has appeared in various publications. Kim is Director of Red Oak Writing where she leads Writers’ Roundtable critique groups, provides manuscript critiques  and coaching, and leads the summer Creative Writing Camps for youth. When she isn’t writing, she enjoys gardening, time outdoors with her family and being a fan-girl for her almost grown children in their various pursuits.


Don’t forget! Enter the giveaway by Tuesday, February 19th–noon sharp, for a chance to win a copy of Nothing To Lose.

Q&A with Patrice Gopo, author of All the Colors We Will See

cover image for All the Colors We Will See

“There are stories, unknown stories that roll across the salty waves of the open sea. Unknown stories contained in the hulls of run-down ships carrying enslaved human beings. And there are known stories of my Indian ancestors arriving on Jamaican shores. I am a story, and I cling to the known parts because maybe in that act I remember and also remind others how much has been taken, erased, and lost. I am here….”

~ Patrice Gopo, All the Colors We Will See


“I am a story, and I cling to the known parts….” I love that line from Patrice Gopo’s new collection of essays, All the Colors We Will See. Stories play such important roles in our lives. They help us remember; they connect us, teach us, inspire us. Those connections are not always ties of familiarity, but they are pathways to conversation. The lessons we learn by reading about others’ experiences translates into new understandings of our own. When we ask questions, when we listen, we find inspiration. Through stories, we transcend.

In All the Colors We Will See, Gopo takes readers on a journey to discover new meanings FROM her past, new pathways to understanding her future, a journey of awareness and acceptance. We read about Jamaican immigrants living in Alaska, a black family attending a mostly-white church in North Carolina, and the definition of being black–is it race? ethnicity? experience?

I’m honored to host Patrice to talk about her new book and excited to offer a giveaway! Enter by Tuesday, January 22nd, for a chance to win a copy of All the Colors We Will See.

Now, welcome Patrice Gopo!

Christi Craig (CC): You’ve written a beautiful collection of essays about place, identity, being seen, and finding your voice. Is there a particular piece in All the Colors We Will See from which the rest of the book blossomed?

Patrice Gopo (PG): Christi, thank you so much for those kind words. I love the way you express the collection as also about being seen and finding voice.

I think those are accurate descriptors and remind me of one of the first essays I ever drafted, “Caught in the Year of OJ Simpson and Huckleberry Finn.” Being seen and finding voice (or not finding voice) were definite themes in that piece.

I wouldn’t say the collection as a whole blossomed from the Huck Finn essay, but this was one of the first essays I ever wrote that would go on to become part of the collection. An early draft of the Huck Finn essay and an early draft of another essay set the stage for the themes that would continue to resurface in my work. Themes around belonging and identity formation, around race and movement of people. These themes would become a sort of compass pointing me to a reality that there existed a much larger work, a collection.

CC: In “A Note to a College Classmate” you write about reading Ellison’s Invisible Man and suddenly being thrown into a discussion where you become the voice of many; in “Marching Toward Zion” you sort through experience and feelings around attending a white church, your need to belong versus your desire to “linger at the edge” in order to stay true to self. You ask, “How can we keep from becoming worn?” Your writing is not only full of insight into your experience but pulls the reader into moments of her own self-reflection. What is one thing you hope readers will carry away with them as they reach the last pages your book?

PG: Ever since All the Colors We Will See entered the world, I regularly receive lovely notes from people who share how much this book meant to them. Some of these people share much overlap with me in terms of personal experience and some don’t. What I find interesting, though, is that at some level, in some way, people connect with the words I write. For people who connect at a deep level—perhaps they are also a person of color, perhaps they are the child of immigrants—my hope is that they will finish this book with a sense of affirmation that their story matters out there in the world, that there is space for them to fully be who they are. And for people who might connect with some elements of my story but also read about a world or life distant from their own, I hope they will carry with them a new perspective, a new way of looking at the world.

CC: In your talk “Our Stories Matter: Seeing Ourselves, Seeing Others, and Seeing Our God” (on Soundcloud), you say:

The specificity of our stories matters . . . . We no longer reduce people to the binary of same or different. Instead, we begin to see people for the fullness of who they are and who God created them to be . . . . We can listen and we can learn. And we can be transformed.

How has writing this book transformed you and your work as author and speaker?

PG: Thanks so much for listening to that talk! Writing has been instrumental in transforming my work as an author and speaker. I’m passionate about words and about sharing my story and adding my experience to our current conversations about race and immigration. However, in the process of writing and sharing my story, I discovered I also care about the way sharing personal stories can help shift people’s mindsets in pursuit of healing in society and in pursuit of a more equitable world.

I love helping people see that sharing their stories in the world matters too—even if they never write a personal essay or write a book like I did. That’s why in conjunction with my own writing, I’m actively engaged with communicating the message of the power of personal storytelling. Since my book entered the world, I’ve had the immense privilege of sharing this truth in all types of environments: corporate settings, libraries, nonprofit organizations, churches, conferences, public discussions, etc. I absolutely delight in the way people engage with the reality that they can identify their stories and they can share them too.

CC: What are you reading these days?

PG: I’m one who tends to keep a number of books in the stack beside my bed, reading chapters here, poems there. I just finished Michelle Obama’s wonderful memoir. I mentioned to someone that in Michelle’s book, she offers so many ways in which a reader might connect with her experience. Invitations to connect and opportunities to also see something different. I also just finished Radium Girls by Kate Moore. A fascinating, tragic, and inspiring book about a topic I knew nothing about until I started reading. I’m currently reading Create Dangerously: the Immigrant Artist at Work by Edwidge Danticat. I’m intrigued with her words and the way I feel some points of connection as the daughter of immigrants but then also there’s the invitation to see something more because I am the daughter of immigrants to the United States and not an immigrant to the United States myself. And the poetry collection in my currently-reading stack is Dead on Arrival by Jaki Shelton Green.

And one more, I just learned about LaTanya McQueen’s new essay collection, And It Begins Like This. From what I gather, she also explores themes around race and belonging, so I’m anxious to dive into this one.

CC: As you move into a new year of writing, what do you look forward to most?

PG: Honestly, I’m looking forward to the unfolding of what might be next. It was a very busy autumn for me with the launch of All the Colors We Will See. Now as life is settling into perhaps the new normal, I’m anticipating a bit more rest and bit more time for my mind to start considering my next creative endeavor. I’m not yet sure what that might be, but I do trust the process and believe what’s next will unfold as and when it should. In the meantime, I’m excited about a few ideas I have to empower others to share their stories that I’ll be rolling out probably in February. I’m also thrilled to have written the curriculum for “Beautiful Truth,” an exciting program here in Charlotte. If you’d like to hear more about my plans to help others identify and share their stories, you can subscribe to my newsletter HERE.

Patrice Gopo is the author of All the Colors We Will See, an essay collection about race, immigration, and belonging. She is the recipient of a North Carolina Arts Council Literature Fellowship, and her book is a Fall 2018 Barnes & Noble Discover Great New Writers selection. Patrice lives with her family in North Carolina. Follow her on Facebook, Twitter, and Instagram.


DON’T FORGET! Enter the giveaway by Tuesday, January 22nd, for a chance to win a copy of All the Colors We Will See.