Q&A and Giveaway with Heather Webb, author of Rodin’s Lover

“Camille dropped to her knees in the mud. Her skirts absorbed last night’s rain and the scent of sodden earth. She plunged a trowel, stolen from her neighbor’s garden, into the red clay and dug furiously, stopping only to slop hunks of art into a wooden trough. She needed one more load to mold the portrait of Eugénie. The maid would sit for her again, regardless of her protestations.” ~ from Rodin’s Lover

Cover 1- hdWith those first words of Rodin’s Lover, author Heather Webb paints a stark image of Camille Claudel: a young 19th century sculptor driven by her art and determined to succeed, regardless.

Camille Claudel will need every bit of that determination, too. In her time, a woman was encouraged to dress well and marry soon; any dabbling in art was viewed more as a hobby. But Camille pushes against social mores. She  pursues her passion and earns the attention of her fellow artists, especially that of the great Auguste Rodin.

What unfolds in Rodin’s Lover is the tragedy of Camille’s life: of a female artist’s plight in the 19th century and her spiral into the dark unraveling of her mind.

I’m honored to host Heather Webb today to talk about her novel. There’s also a book giveaway: simply leave a comment, even just your name, and you’re entered to win a copy. Now, welcome Heather Webb!

CC: What initially drew you to Camille Claudel’s story and inspired you to write Rodin’s Lover?

Heather Webb SmilingHW: I fell in love with Camille while in my French film class in college. The film, simply called Camille Claudel, was multiple award-winning in Europe and the U.S. with stars Isabelle Adjani and Gérard Depardieu playing the roles of Camille and Rodin. Their tragic love story gripped me and I swooned at the beauty they created both together and separately. After the film, I became rather obsessed with sculpture in general. Many years later, I had not forgotten Camille, and knew I wanted to delve more into her life. It has been an incredible experience spending time exploring her brilliant mind, and ultimately sharing her story.

CC: Monsieur Jacques, Camille’s teacher at Académie Colarossi, tells her at one point, “To advance, you must take risks.” Both Auguste Rodin and Camille take risks in his pursuit of a relationship with her beyond that of a tutor and in her surrender to her desires for him, sealing a connection between them that is both passionate and bittersweet. What risks did you take in writing this book or in building these characters?

HW: I took plenty of risks. For one, my first novel is much more of a classic marquee figure in historical fiction that centers on Josephine Bonaparte and Napoleon’s empire during the French Revolution. With RODIN’S LOVER, I skipped ahead one hundred years and had to learn about a whole new era, its inventions, conventions, and fashion, how women were viewed, and what was happening in the art world. Choosing a little-known artist in a new era was risky for sure!

Also, I wrote about a character who isn’t always likable—sympathetic, yes—but likable, no. Camille Claudel was brash, outspoken, and had a violent temper. But also, she had a great sense of humor, was loving, passionate, and created such beautiful pieces, how could one not at least pause to honor her memory upon viewing them? Her story compelled me. Even if some readers don’t fall for her, others will and have, so to me, it has been worth it. Her work has been revived again and that feels a bit like giving back to not only women, but women artists, who struggled in history.

The other risk I faced was confronting the Camille Claudel enthusiasts that despise Rodin and saw him as nothing but a womanizer who took advantage of her. That simply isn’t true. Yes, he loved women, but take advantage of her he did not. I think society loves a victim and she is painted in that light in regards to her tutor. All the research shows that Rodin was obsessively in love with her. Not only did he teach her all he knew, he helped support her, even after she was committed to the asylum. In death, they share museum space together because of the will he left behind. She would have been forgotten, otherwise, which is sad, but true. I painted him in the novel, I feel, as he was—a man who struggled to do the right thing, who was torn by loving more than one woman, and whose passion for his art mattered above all else.

CC: Rodin’s Lover is not only about the relationship between Camille and Rodin; it also gives testament to the life of the artist during that time—the struggle to create the work they were inspired to do even if it went against political and moral grade. I imagine you spent quite a bit of time doing research (and it pays off!). When researching, was there anything you discovered that surprised you or turned the story in a new direction?

HW: I researched like crazy, and not just because I wanted to get things right. I mean, yes, I wanted to get things right, of course, but also I was utterly fascinated by the art politics of the day, how they meshed with common politics, women’s issues, the creative rights of artists. The Belle Époque gripped me in so many ways! It was a time of invention, expansion of the middle class, and the champion of the common man. It was a time of the early civil rights movement. This all was happening not just in France, but all over western Europe and the U.S. as well during that time. A fascinating era!

In terms of what surprised me, I would have to say the most shocking thing I learned was that Camille’s beloved brother Paul visited her only a handful of times in the thirty long years after she was committed to the asylum. That broke my heart for her just a little more.

CC: What are you reading these days?

HW: I’m reading Eleanor & Park by Rainbow Rowell and Bitter Greens by Kate Forsyth. I also have several nonfiction books kicking around for research. I read widely and across genres so I tend to read a few at once.

CC: What piece of writing advice do you turn to most?

HW: I think what I “need to hear” varies depending on what I’m going through at the time and the story I’m working on. A few pieces of wisdom I live by include:

“Get it down on paper and don’t fret. You’ll edit later.”

“Don’t compare your success to others. We each have a unique journey that’s beautiful. Revel in it.”

And recently, the best advice I’ve received that I’ve clung to is:

“Quantity doesn’t matter, consistency does.”

I beat myself up sometimes when I see how quickly other writers rack up their word counts and crank out novels. Even one per year is almost too fast for me. I need time to research and think and ruminate and craft lovely sentences. When I was lamenting how I’d spent several hours and only written 500 words one day, a writer friend of mine said those wise words above and they stuck. I’ve been carrying them around with me since. Keep plugging away, one word at a time, and you’ll get there.

~

Heather Webb writes historical novels for Penguin and HarperCollins, which have been translated to three languages and have been featured in the Wall Street JournalCosmopolitan, France Magazine, Reuters News, and the Huffington Post, as well as received national starred reviews. Heather is also a freelance editor and contributor to award-winning writing sites WriterUnboxed.com, Writers in the Storm, and RomanceUniversity.org. Find out more at:  www.HeatherWebb.net & @msheatherwebb on Twitter.

The GIVEAWAY: Drop your name in the comments for a chance to win a copy of Rodin’s Lover. The contest is open until noon on Tuesday, April 14th.

Retracing the Past, a guest post by Ron Thibodeaux

Even when writing about distant lands, or events far in the past, or people and places greatly removed, we are still telling the same story–the story we tell ourselves, which is the story of who we are.  ~ Dinty W. Moore

My guest today, Ron Thibodeaux, was born on the bayou and writes stories and articles that explore the connection we have to land–the history in topography and its ties to family. Below is a beautiful piece by Ron about uncovering and honoring his past.

~

TOUR OF DUTY: A son retraces a World War II soldier’s path through Europe. His discovery? What matters most is not where you go, but what you leave behind. *

 

corporalDad loved his work, never complaining about the six days he had to toil every week to keep his small grocery business afloat. He loved to cook — and he was good at it, like so many Cajun men of his generation. He loved the church, taking us to 11 a.m. Mass at St. Gregory every Sunday, always reciting his prayers there in a whisper, as a sign of reverence.

He loved his two sons, and he positively doted on his wife of 46 years.

But there was something else about Paul Thibodeaux. As children, my brother and I certainly admired him for it. As adults, we concluded with amusement that it — much more than parenthood — was the defining experience of his life.

He was a World War II veteran. Nothing, it seemed, ever compared to that.

His particular band of brothers, the 843rd Engineer Aviation Battalion, Army Air Corps, was not a front-line infantry unit. Its members were never dropped behind enemy lines. They stormed no beaches. Their exploits never turned up in a Stephen Ambrose book or a Tom Hanks movie.

They were airstrip builders. As they marched across Europe from 1943 to 1945, soldiers of the 843rd constructed runways and airfield facilities, putting American and British planes ever closer to strategic military targets from France to Germany.

They spent most of their time well away from the battlefront, but that is not to say their duty was without peril. Site preparation for their projects often included the meticulous work of removing unexploded shells, which littered the landscape. They occasionally came under attack from German planes.

But it wasn’t the battle stories that stayed with him. It was the everyday camaraderie, the shared experiences of young American men who came of age during the Great Depression and went off to war with the same mix of bravado, anxiety and patriotism that has defined young soldiers everywhere, in every age.

Journey of the 843rd

The battalion was formed on Sept. 1, 1942 — Dad’s 25th birthday — and he and several hundred other soldiers soon reported to McChord Field near Tacoma, Wash., for intensive, specialized training.

After eight months at McChord, members of the 843rd crossed the country by train, crossed the Atlantic Ocean by ship and crossed Western Europe by deuce-and-a-half and on foot. They slogged through the mud and slept in tents. They danced with British women and learned to drink warm beer. They saw London and Paris and Bob Hope. Through it all, guys named Hotujec from Wisconsin, Brito from New Mexico, Smiljanich from Michigan and Thibodeaux from Louisiana became lifelong friends.

No wonder that, for a farm boy with a limited education who otherwise might never have set foot beyond the isolated bayou country of St. Mary Parish, it was the adventure of a lifetime.

No wonder the VFW magazine, with its calendar of military reunions, was the most eagerly anticipated piece of mail to arrive at our home month after month, year after year, until Dad finally found the 843rd listed there in 1975 and gleefully announced, “Dolores, we’re going to Kansas City!”

No wonder that, in his later years, after easing into retirement, he started dropping hints that he would like to see England and France one more time, if only he could get his older son to take him there.

Almost as soon as he broached the idea, though, he got sick, and nothing more was said about it. After a three-and-a-half-year struggle with cancer, Dad succumbed in 1993 at age 76, departing with only two dreams unrealized. He did not live long enough to dance at the weddings of his three grandchildren. And he never saw Europe again.

Fifteen years later, my wife, Robyn, and I celebrated our 30th anniversary. Empty nesters by this time, we decided to mark the occasion by taking our first trip abroad — to England and France. Once there, I knew what I had to do.

As strangers in a strange land, we were grateful for the hospitality and companionship of longtime friends Hazel and David Lipman, who took us to cheery pubs, the London theater, dinner parties and Windsor Castle. We spent five days with them, went to Paris for five days, then returned to their home in Cranleigh, outside of London, for another week before flying home.

All the while, I maintained a shadow itinerary. Armed with Dad’s wartime photo album, a battalion history he brought back from one of his reunions and a British road atlas, I resolved to visit places where he had served during World War II.

Tracing Dad’s steps

My long and winding road began in Liverpool, the bustling port city where so many GIs first stepped onto European terra firma after a dangerous wartime transit across the Atlantic Ocean. For us, the journey there was a half-day’s drive up the “motorway” — on the wrong side of the road, with the steering wheel on the wrong side of my rental car.

After doing some sightseeing along Liverpool’s Beatles trail, we rode the “ferry ‘cross the Mersey,” made famous in song by Gerry & the Pacemakers, another of those British Invasion groups that provided so much of the soundtrack for our youth. The hour-long excursion up and down the River Mersey, almost to the Irish Sea, provided a panoramic view of miles of riverfront docks.

I tried to envision the S.S. Mariposa, a stunning white cruise ship pressed into wartime transport duty, tying up at one of them on June 1, 1943. Cpl. Paul Thibodeaux and his buddies would have been leaning over the railing, waving and tossing packs of American cigarettes to grateful British troops on the docks below while waiting for the order to disembark.

Later that afternoon, their march from ship to train station provided a stark reminder that the GIs had entered a war zone, according to the 843rd’s unit history:

“We marched in silence, looking over our new surroundings; drab buildings, shops, and gaping holes where buildings had stood before the air raids. Liverpool was not a distinguished-looking city; it was a war city that had been hard hit by the Luftwaffe.”

The soldiers boarded a train for their first assignment: completing construction of an airfield at Gosfield, in England’s Essex region. A succession of U.S. and British bomber and fighter units operated out of Gosfield from the airfield’s completion in late 1943 until January 1945. The U.S. 410th Bomber Group was stationed there at the time of the Allied invasion, beginning a series of bombing runs into German-occupied France about five weeks before D-Day.

During the next 13 months, members of the 843rd would crisscross England, building an airfield here, repairing a bomb-damaged runway there, constructing barracks and taking on other projects while the Allied buildup toward D-Day proceeded.

They had ample opportunities to visit London when they were twice stationed nearby, and I found it easy to retrace their footsteps around the landmarks in Dad’s snapshots: Big Ben, Piccadilly Circus, the River Thames bridges, Westminster Abbey.

Walking amid the postcard sights of London, though, I imagined the feel of the city as he must have felt it. The battalion history recalled:

“You walked through the fog in the streets of London in the night or early morning, while sometimes in the blackness overhead planes were droning and searchlights glowed through the fog. On nights when there was a raid the guns slammed ack-ack high over the city, bright showers of incendiaries cascaded down, with the occasional ‘clump, clump’ of heavy bombs. In the pubs as elsewhere the raids were somewhat ignored, and you stayed until the familiar, ‘All right folks. Toime, toime! We’re closin’ up ‘ere now. Toime for a lawst one is all!’ “

Three weeks after the D-Day invasion, the battalion was ordered to ship out to France. The men of the 843rd spent a night at Romsey, the estate of Lord Louis Mountbatten, then proceeded to the docks at Southampton to load their construction equipment for the English Channel crossing.

Bomb shelters and air raids

City tour guide Don Robertson escorted me through Southampton, which, like London and Liverpool, was another high-priority target for German bombers, due to its strategic port facilities and its aircraft-manufacturing complex.

He proudly showed off medieval churches, a building where Shakespeare is believed to have acted, another where King Henry VIII dallied with Anne Boleyn, a one-time home of Jane Austen and the spot where the Pilgrim fathers set off for America.

Any bona fide Anglophile would have drooled, but I was more impressed by the dank bomb shelters and Robertson’s dramatic stories of the wartime air raids in his hometown. Even more intriguing was “the American wall,” a brick edifice still decorated with graffiti etched by hundreds of GIs as they waited to board vessels that would carry them to Normandy. I looked for a familiar name, to no avail.

The battalion made an uneventful crossing to Omaha Beach on July 2, a date the soldiers referred to as D-Day Plus 26, and immediately set to work constructing an airstrip for fighter planes near the town of St. Lo. Close to the fighting there, the men slept in pup tents with their M1 rifles loaded and ready. During the ensuing 10 months, they made their way through France and Belgium and into Germany, reaching Munich as the war in Europe ended in early May.

I picked up the trail in Paris, after Robyn and I took the Eurostar train from London through the Channel Tunnel. As in London, I found it easy to hit the famous landmarks Dad had documented in his photo album: the Eiffel Tower, the Arc de Triomphe, Notre Dame Cathedral.

We also spent a day in and around Sacre Coeur Basilica in the city’s charming Montmartre district. Dad’s unit had encamped nearby during its stay in Paris, and my search for the cafes, churches and other neighborhood icons in his grainy black-and-white snapshots proved to be a challenging, time-warped scavenger hunt.

Looking for a legacy

Back in Cranleigh, I took stock of my endeavors. I had seen where Dad had arrived in England, and where he had shoved off for France. I marveled at the same historic sights of London and Paris he had. What was I missing?

It was not just about where he was, and what he saw, I realized. It was also about what he did — his contribution, however modest, to that most noble of 20th century causes.

I had to go to Gosfield.

Whatever remained of the Gosfield Aerodrome, that bomber airfield Dad and the other army engineers had built upon their arrival in England, I needed to seek it out.

It took three hours to reach the village — no bigger than Madisonville, and much more isolated — and I spent another 90 minutes driving aimlessly around the countryside, looking for clues to the airfield’s location. Eventually, a shop clerk sold me a map of the area’s walking trails — part of the public footpaths network extending across all of England — and pointed me in the right direction.

The perimeter road of the Gosfield airstrip.

The trail took me past a youth soccer field, along the back fences of residents’ yards, through a dense wooded area and across a pasture. Rounding a thick stand of trees, I continued down a particularly straight section of the trail. I must have walked 50 yards or more before I realized the path was hard-surfaced.

It extended far ahead. Long. Straight. Paved.

Could I be standing on Dad’s airstrip?

I followed it to its end and realized it was an airfield perimeter road that connected to a taxiway that connected with an even wider runway.

Sixty-five years old, cracked, crumbling, severely overgrown and neglected, they were beautiful. I thought of how pleased Dad would have been to know that what he and his fellow soldiers built there had survived all this time later, still used for local recreation. That makes for a respectable legacy, I thought — well, that and saving the world.

In the quiet solitude of that chilly, misty English morning, I hoped the spirit of my father could sense my presence there. I certainly sensed his. I stooped down, patted the weathered concrete a few times, then stood upright again.

“Happy Father’s Day, ” I told him.

I said it in a whisper, as a sign of reverence.

~

Ron Thibodeaux is the author of Hell or High Water: How Cajun Fortitude Withstood Hurricanes Rita and Ike (winner of the 2013 Indie Book Award for Regional Non-fiction), a story of “places, their people, and their shared triumph against adversity.” He’s giving away a copy of his book to one lucky reader. Drop your name in the comments by Tuesday, March 31st, for a chance to win!

* Tour of Duty was originally published in The Times-Picayune, June 21, 2009.

Q&A with Judy Strick, Author of Kingdom Come, CA

A powdery pink glow infused the garage, and the door to the house closed behind me. To my utter astonishment, all the things I thought had been shipped off to the Salvation Army shimmered before me, resurrected from my past. the room was filled with quivering echoes of my childhood…. ~ from KINGDOM COME, CA

KingdomComeCA_HiRezCoverJudy Strick’s debut novel, KINGDOM COME, CA is a story about uncovering a past thought to be carefully stowed away, in both the  literal and figurative sense.

When a new family moves into an old abandoned house near recluse, Ruby Wellman, Ruby isn’t pleased. And when the neighbor’s son makes a strange connection with her, one that pulls at her memories, she is even more unsettled. Set in Southern California, KINGDOM COME, CA is steeped in landscape and mysticism and speaks to what happens when we finally let go of the past that grips us.

I’m honored to host Judy Strick today to talk about her book. And, there’s a book giveaway! Drop your name in the comments at the end of the post for a chance to win.

CC: On your website, you write that inspiration for Kingdom Come, Ca arose out of an incident with a “wandering print” (a cool story in itself, by the way). How did you decide on the story’s setting?

JudyStrickJS: I have a thing for small towns. I lived in Rapid City SD when I was very young. I harbor vividly strong memories of small town life, although perhaps it was not even a small town in those days. But that’s the way I remember it. Memory is slippery. As a child I visited Kanab Utah, and recalled it as the perfect archetypal small town until I went back as an adult to find it nothing at all like I remembered: what I found was a non-descript stuccoed town of very little charm; Perhaps at this moment in time it’s changed and is charming. Who knows?

CC: The strange connection between the protagonist, Ruby Wellman, and six-year old Finn is immediate, intense, and unmistakeable. And, it opens the story up to two plot lines–that of Ruby as she wrestles with her past and of Finn as he struggles with his own secrets. When you set out to write the novel, who came to you first, Ruby or Finn?

JS: Ruby was there first. She lived in Van Nuys, Ca and like the current Ruby, was scarred in an accident. Ruby #1 was so badly damaged that she wore a burkah- Finn was in my mind, somewhere. When Ruby #2 moved to Kingdom Come, Finn showed up, of his own accord, with his sea-glass green eyes.

CC: Your creative career has passed through several mediums: from art, children’s books, and screenwriting to novels and short stories. Do you still dabble in art or other genres?

JS: I tend to be somewhat obsessive-compulsive about what I’m working on. When I stopped being an artist I walked away cold. I never even doodle any more. I wish I had walked away as easily from lousy relationships, as I do from work that no longer works.

CC: What are you reading these days?

JS: I’m almost finished with Rick Bragg’s biography Jerry Lee Lewis: His Own Story. It’s wonderfully written, and a fascinating study of “The Killer,” and even more so of the Southern roots of rock ‘n roll.

CC: What piece of writing advice do you turn to most?

JS: To just keep doing it and doing it and doing it until you finally figure out what the hell it is you’re doing. I worked on KINGDOM COME, CA, for four years. It taught me so much, to keep pushing, and going for perfection, as you define it.

~

Judy Strick is a native of Southern California. She holds an MFA from Otis Art Institute, and in a former lifetime was a fine artist and then a toy designer. She studied screenwriting at AFI and fiction writing at UCLA, and has spent the last 10 years honing her novelistic skills. Kingdom Come, CA is her debut novel. She lives in Los Angeles with her 2.5 dogs.

Visit www.judystrick.com, where you can download (for free) her new short story series Living on the Fault Line: Tales from L. A.

Don’t forget: drop your name in the comments by noon on Tuesday, March 3rd, for a chance to win a copy of KINGDOM COME, CA, courtesy of Darlene Chan PR.