Guest Post: Matt Geiger on Life & Writing

Author Matt Geiger guest posts today on life & writing–or life in the midst of writing. And publishing. And these “extraordinarily wonderful things” we call books. Along with his guest post, I’m offering a book giveaway for his upcoming collection, Astonishing Tales* (HenschelHAUS, 2018).


On Life & Writing

"once upon a time" written on page

When I was a kid, I dreamed of being an author. I knew it wouldn’t make me rich, but as long as I could scrounge together enough money to buy some cardigan sweaters and a pipe, I was sure I could be happy. I could cultivate an aloof, eccentric nature, cover my clothing with coffee stains, and tousle my erratic hair on my own, for free. I would probably need to get a cat, too.

But most of all I would be, I imagined, very, very happy.

On the day my forthcoming book, Astonishing Tales!* (HenschelHAUS, 2018) became available for pre-order on Amazon Prime last week, I spent my time collecting warm cat urine in a little plastic test tube (because my cat got run over by a car and has a pelvis that is essentially now shrapnel) and driving my four-year-old daughter to the doctor (because she had a fever of 104) and freaking out.

Then I worried about the fact that the book needs a million more edits and perhaps the entire thing is embarrassingly prosaic and bad. Then I took a little break, a little “me time,” to worry about my weight, the increasing frequency with which I get up to pee in the middle of the night, and the fact that the president, whom I do not like, announces all his policy decisions and grievances on Twitter, which I also do not like.

black and white photo of crowded streetWhat was surprising to me that day, was the fact that the world did not come to a screeching halt to celebrate what was, for me, something important. It just kept chugging along, not endorsing or condemning me and my little book. The same thing happened when my daughter was born. I stepped outside the hospital to find a bunch of bleary-eyed, uninterested people going to work. “This isn’t just a normal day,” I thought. Don’t they know?”

When you write a book, you tend to feel special, like you’ve just walked on the moon or climbed Mount Everest. But of course, those of us who have spent much of our lives in bookstores know this isn’t true. This, we are well aware, has been done before, and by authors far better than us. Writing is one of the civilization’s oldest professions – perhaps the oldest profession you can do while fully clothed.

I write narrative nonfiction (true-ish stories) and something that people insist on calling “essays.” (I protest, because the word “essays” puts me to sleep after making me think of grade school.) My first book, released in 2016, contained 44 of these stories and (sigh) essays. A handful of people read the collection. It received some nice reviews, a couple not-so-nice ones (thanks again, Florida). It even won a couple of awards, which I carry with me everywhere and show to strangers each time the chance arises.

“Crazy weather we’re having, right?” someone says to me at the airport bar.

“Sure is,” I reply. “Which is why I wear this big winter coat. And you know what’s inside it? A Midwest Book Award, several melted cough drops, and a key whose matching door is currently not known to me.”

“Look at all the rain coming down!” sometime will mention in a coffee shop.

“Yeah, do you have a plastic bag? I don’t want my Indie Book Award to get wet when I run to my car.”

Sometimes, when I get really lucky, people ask my favorite question: “Where can I buy your books?”

“Well, at some bookstores,” I usually say. “Or online. You know, wherever you usually buy books.”

“So,” one friend replied thoughtfully in the frozen food aisle at the local supermarket, “can I buy it at the gas station? The gas station is right by my house.”

“I don’t think they sell books,” I responded. “I mean, I know they sell road maps, which are kind of like very messy books, but I don’t think they sell the kind of books I write.”

“Hhhmm,” he hummed, pondering laboriously. “Do they sell it here?”

“Here?”

“Yeah, here,” he continued. “At the grocery store. I mean, not right here with the popsicles. That would be crazy. But maybe over with paper towels and things?”

That aisle does have a lot of paper in it. He had a point. And what’s the difference, really, between my book first book (The Geiger Counter: Raised by Wolves & Other Stories, HenschelHAUS, 2016) and the napkins, except that the thing I made has pithy observations about fatherhood printed on it while items on these shelves say “Bounty” over and over again. They both have the same chance of winning a Nobel Prize in literature.

“No, I’m sorry but I don’t think they sell it here,” I said.

At this point in such conversations, people usually look at me like I’m really going out of my way to inconvenience them. Like they asked where to find my book, and I told them they must first locate the Golden Fleece and the Ark of the Covenant, and only then can they obtain a book of stories about a plump man-child and a cute baby.

Or like I told them it’s primarily sold in violent brothels, in Romania.

“Where do you normally buy books?” I ask. “They probably have it, or they could at least get it for you. If you don’t want to go to a physical book store, you can always get it from Amazon. That’s like a bookstore that also sells dish towels, batteries and diapers, and you don’t have to stand up, walk or drive a car, or even put on pants to get there.”

People congregating at a bookstoreThis is a departure from the way I grew up. When I was a kid and tagged along with my dad, he would carefully and precisely locate each city’s bookstores like they were an oasis in a savage desert. As if they were fire escapes from the tragic, burning fires of everyday mundanity and bourgeois commerce. We didn’t always know where to get food, water, or gasoline, but there was never any doubt about where to locate an out-of-print book.

And that has become one of my favorite aspects of being an author – the chance to meet other people who love books as much as I do. It’s like being a parent and meeting other parents.

“Oh, you have a baby?! So do we!” you’ll say. “You love your baby? You think your baby is cute and smart and special? What a coincidence; so do we! You are very tired and have no money? We have so much in common!”

It’s the same with books, which are extraordinarily wonderful things, even when they are not quite extraordinary.


About the Book

cover image for Astonishing TalesIn his new collection of stories, acclaimed author and humorist Matt Geiger seeks to “de-familiarize” us from the world, from the smallest detail to the most cosmic mythology, in order to see it all as if for the first time. Turning his “philosopher’s vision” to his own abundant Neanderthal DNA, parenting, competitive axe throwing, old age, and much more, he sets out in search of comic profundity. With a nod to the limits of human knowledge and understanding, particularly his own, he draws from the wisdom of an 83-year-old pin-up legend, Anton Chekhov, Santa Claus, modern boxers, Medieval monks, and of course, small children. Blending whimsy and gravitas, he unveils beauty, joy, and symmetry in a seemingly broken world.

Astonishing Tales!* (Your Astonishment May Vary) will hit bookshelves, the internet – and perhaps even some gas stations and grocery stores – in December of 2018. You can pre-order a copy HERE.

You can also enter the giveaway for a chance to win a copy (US residents only). Deadline to drop your name into the mix is Tuesday, August 21st.

About the Author

Matt GeigerMatt Geiger’s debut book, The Geiger Counter: Raised by Wolves & Other Stories was published in 2016. It won First Prize in the Midwest Book Awards and was named as a Finalist in the Next Generation Indie Book Awards and the American Book Fest. He is also the winner of numerous journalism awards. He lives in Wisconsin with his wife, his daughter, ten animals, and several metaphysical questions. Learn more about the author at geigerbooks.com.

*Photo credits: Headshot of Matt Geiger by Matthew Jefko; “once upon a time” from Visual Hunt; people congregating in bookstore by PHOTOPHANATIC1 on VisualHunt / CC BY-NC-SA.

#Writing from a Prompt, a new Tiny Essay:
My Mother is Waiting

Once a month, I run a writers’ meet-up for two hours. I love leading the workshop, but you should know it is also self-serving. Every time I give a prompt and the writers grow quiet as they put pen to paper, I do the same. We are all accountable that way.

crumpled pieces of paper next to a blank notebook, the art of writing from a prompt--don't give up!

Last time we met, we read from Judith Kitchen’s “The Art of Digression” (from the Rose Metal Press Field Guide to Writing Flash Nonfiction). Sometimes in writing, we approach the page hard-headed and get stuck on one idea, one image, one prompt, refusing to wander.

Kitchen suggests that digressing from our original starting point serves more purpose than we imagine:

To digress: to stray from the subject, to turn aside, to move away from.

The concept of moving away, turning aside, is an important one. This is not quite the same thing as changing the subject, or moving toward something else. Instead it is a natural outflow of association, an aside that grows directly out of the material and builds until it has a life of its own—it is getting a bit lost on the way out in order to make discoveries on the way back.

My advice is to court digression. To court those places in the mind that we usually shut out because they would appear to lead us astray. Let your conversation get away from you; let a new story take over; follow a mental argument to where it begins to eddy in the current of its confusion. If something creeps in unnoticed or else pops instantly into your mind, don’t put it aside in favor of where you already sense you are going. No, follow it up by—to use an expression common to those who work with horses—giving it its head. Something may happen along the way, something to alert you to its relevance. And then trust yourself to find the connective tissue….

After we read the essay, we had two prompts to choose from–The water is rising and My mother’s voice. We wrote one story and then we wrote another, each veering off from the same opening paragraph of our making. Or, if you were me, you wrote two different stories that veered from the same opening sentence….

My Mother is Waiting

My mother is waiting. She sits beside me on a bench in a hospital hallway outside a room marked X-Ray. My legs are swinging below me; her hands are in her lap; she is very quiet. I am four years old, have repeat stomach aches, and am constantly underweight. You’ll have to drink all the medicine, she says finally. You won’t like it but drink it all. She’s right, I don’t like it. They lied when they said it tasted like bubble gum. But I take in as much as I can and she pats my knee. We wait for a while longer. In that next stretch, her voice is soothing and suddenly I ask her what it means to be saved. We are avid church goers, but she is not the one who prays in tongues or dances in the aisles. Still, she is the person I ask. She’s surprised, wonders what made me think of such a thing now. I shrug. She calls me an old soul. But who can really understand the workings of a four-year-old mind? Keeping her voice low, she tells me it’s simple; you just ask and there you are. So I did, and there we were: her standing off to the side in the X-Ray room and me under the light.

. . . .

My mother is waiting. She stands behind me, one hand on my shoulder and the other on my arm. When the pastor nods, she presses me forward. I am seven years old and nervous, though this was my idea. First you get saved, then you get baptized. The rest was still unknown to me. The steps are tall and the water is rising and when I look back she says she will meet me on the other side. As I move down into the water, I lose my balance, fall into the pastor’s arms. The water is frigid. Immediately, I shake and shiver and am glad the baptism seems short: a few words, a dip under water, my long hair wet and dripping down the back of my soaked clothes. And there she is, her hand out, grasping mine and pulling me up, wrapping me in a towel. We skip the rest of church that night, sit together in the dressing room, me warming in fresh clothes, her combing my hair in gentle sweeps. Her voice washing over me in just the same way.

Stories unfold as they will in the beginning: scratchy and messy and flat at times. But even if you digress, if you let your mind wander, no writing is wasted. Discoveries are made. Trust the process.

Or as Kitchen says:

Trust me, the brain struggles to make sense of whatever is put in front of it. So how could you doubt that your brain will find ways to connect what you’re thinking about now with what you were thinking about just a few minutes ago? Your brain will find some connection. Or, if not your brain, then your heart. There may be an emotional connection that defies logic.

Join us next month for Study Hall: #AmWriting on Sunday, August 12th, 3-5pm CST. We meet in person or online.

drawing of person pumping out page after page of writing from a prompt