Flash Fiction: The Continental

Sometimes, Wednesday is all about using Wordsmith.org’s word of the day as a writing prompt and posting something by midnight. Past essays, poems, and flash fiction pieces can be found under the Wednesday’s Word category.

It’s Humpday, and it’s rainy, and I’m feeling kind of Flashy. I thought I might take on the word of the day – lancinate: to pierce or tear – but that sounded dangerous. Besides, the prompt I really wanted to tackle came from a listen to the radio a few weeks ago.

Through fortunate events, my husband and I wound up with free satellite radio for a whole month. Similar to satellite TV, there’s an overflow of options, most of which (like NASCAR radio) I could do without. One station, though, I quickly fell in love with: The Coffeehouse, a collection of acoustic songs that are really stories woven into musical threads. A writer’s dream. Well, this writer’s dream. Maybe you prefer the Liquid Metal station. Anyway….

The Coffeehouse is where I heard Suzanne Vega’s acapella version of “Tom’s Diner.” This song, like a good story, uses tempo to pull the listener along and incorporates pauses to allow the listener’s mind to wander. Just for a second. Just long enough.

Even if you don’t read the flash fiction piece below, listen to the song. I dare you not to write from it. You might even find a way to squeeze in the word of the day, too.

*****

The Continental

Nostalgia can be hazardous, Jenny thought, as she walked into The Continental. Just look at this place.

The original horseshoe counter had a tinge of antique color to it. The floor was sticky, probably caked in diner grease. A rotary phone hung next to the register. A rotary! And, the griddle sat off to the side, out in the open, where anyone could see the cook flip patties and wipe the spatula on his apron.

This place is neither efficient nor healthy, she figured, but it was the only place around. She grabbed the first open seat at the counter, a metal-rimmed stool with a vinyl cover that – of course – had a crack down its center. When she sat on it, the edges of the broken vinyl fell together and pinched her in a tender place on her thigh. She jumped and cried out. The waitress walked over.

“What can I get for you, honey?” The waitress cleaned the space in front of Jenny with a wet cloth and set a napkin down.

“Coffee,” Jenny said. She dried the counter with the napkin. “To go, please.”

“To go?” the waitress repeated.

“I’m waiting for a tow-truck,” Jenny said. “I won’t be long.”

The waitress shrugged and pulled out a white, ceramic cup. “Tastes better in a cup. And, I know that tow truck. He takes twice as long as he says.” She filled the cup to the very top and walked away. Jenny looked around, but no one else seemed unnerved by the waitress.

Jenny had blown a tire a few blocks down from the diner and ended up calling Information for a mechanic in town. She hated calling a mechanic, but while she knew how to change the tire, she didn’t have the strength. She dialed the number and was told forty-five minutes. She thought a slow walk to the diner and back would kill time. But, after hearing forty-five minutes would be more like an hour and a half, she regretted sitting down.

Next to Jenny, an old woman pulled up her purse and began rummaging. As she dug around, the aroma of Doublemint gum filled the air, and Jenny thought she smelled Aqua Net. She turned away, so she wouldn’t be tempted to peek at the contents of the old woman’s bag.

A bald man with a goatee sat at the end of the counter, next to the coffee burner. He refilled his own cup and worked a crossword puzzle with a gnawed pencil. “What it doesn’t hurt to do,” he said to the man next to him. “Fourteen down. Three letters. Should be easy, right?” The two men stared at each other for a minute.

“Ask,” said the woman with the purse. “A-S-K.” She turned to Jenny. “Men.” Then, she turned back to her rummaging.

Jenny snickered to herself and sipped her coffee, which was now cold. She waved at the waitress, who waved back. The waitress was busy, tapping her pen on her pad, while a young couple at the corner table giggled over the menu. The young man said something, Jenny couldn’t catch it, and held up two fingers. Then, he brushed a piece of hair behind the young girl’s ear.

Jenny’s body softened.

The woman next to her smiled.

The man with the goatee folded his paper and hit his pencil against it.

The phone rang, genuine, and the bus boy answered.

“More coffee?” the waitress asked. Jenny hadn’t noticed when she walked up.

“No. Well…yes. Thank you. I suppose you’re right. I should stay a while.” Jenny ordered a cup of clam chowder and a grilled turkey sandwich. The waitress winked, clicked her pen, and gave Jenny’s order to the cook.

 

The iPhone: It’s like having another brain.

That’s what my friend told me, when I said I was considering an upgrade from my old-school cell phone to an iPhone. “I keep going back and forth, though,” I sighed. “I mean, I don’t really need it.”

“Get it,” she insisted. “You’re a writer.”

My ears perked up, then. I love it when someone outside the circles of writing helps me acknowledge that I am, in fact, a writer. Some days, I still have trouble saying those words out loud. Plus, I was intrigued by how certain she was that an iPhone would complement my other writing tools. So, I bought one.

It is lovely. Even the box it came in is pretty, with its minimalist and sleek design.

(Taken with my iPhone and emailed to my laptop. Just call me Fancypants.)

I’ve already put the phone to good writerly use, too, downloading the Kindle app and buying a copy of Roz Morris’ Nail Your Novel. The other day, when I suddenly had a few hours to sit in a coffee shop, I whipped out my phone, my pen and paper, and read through the beginnings of Morris’ book. I scribbled down notes. I wrote out the first few tasks. I felt productive.

I also purchased an eBook novella by Cathryn Grant, a book only available for eReaders. That “Buy now with 1 click” button on the Kindle Store page is a little dangerous, but I’d be missing out on Cathryn’s novella without this iPhone and that Kindle app.

Technology, be it wireless internet or free apps for a phone, makes a writer’s life a little easier. I’m finally getting that, in bits and pieces.

What about you? How are you using the technology you have on hand to move your writing along? Or, do you have a secret iPhone app I should know about? My son keeps pushing me to download the free Monster Truck game, but I’m not so sure I’m ready for virtual mud-bogging.

While you’re thinking, here are a few other posts on technology and iPhone apps for writers:

  1. Lisa Rivero talks here about all the fun things she’s doing with technology and writing these days, including this great video she created in conjunction with a current book project. The video, like a mini book trailer, is a great way to whet the appetites of readers and introduce her main character, Hattie, to the modern world.
  2. “Ultimate iPhone Apps for Writers: 30+ Productivity and Creativity Boosts,” from Jane Friedman, There Are No Rules. As always, Jane offers plenty of links and great information.
  3. “iPhone Apps for Writers,” from appadvice.com. This one includes information on Writer’s Studio, an app that mixes visual and audio components with writing.
  4. “12 applications for writers on my iPhone right now,” from Michael Alexander on The Editorial Engine. Listed here is iBlue Sky, an app that makes a map of your brainstorming ideas.

Interview with Caroline Leavitt, New York Times Bestselling Author of Pictures of You

“Squinting, she tries to see more than a few feet ahead of her, but the fog’s enveloping her, making her increasingly uneasy. She flicks the parking lights on and off to try to slice through the darkness and then the fog moves again and she sees, almost like pieces of a torn photo, patches of what’s there.”
~from Pictures of You

You know that feeling. The fog is so dense you think your windows are dirty. You flick the windshield wipers onto the highest speed. They cut across and back, again and again, but your vision is still blurred. You use your sleeve to wipe off the inside of the window. Nothing. Then, you panic.

Caroline Leavitt’s first chapter in her bestselling novel, Pictures of You, evokes that same frantic emotion in the reader, from the opening sentence to the last few words. The quote above suggests that fog can be blamed for changing the courses of two families’ lives. But, that moment described, just before the accident, also becomes a metaphor for the rest of the story: how does one recover and reassemble the pieces of a life broken by one event or another?

The book trailer for Pictures of You is haunting like the novel, and I could rave about several fantastic moments in the story. But instead, I’ve invited Caroline to share about her novel, and about writing, and I’m offering a free copy of Pictures of You. Just leave a comment below, and your name will be entered into the drawing.

~

CC: The first line of Chapter One (“There’s a hornet in the car.”) set me on edge immediately. By the end of the chapter, I was deep into that breathless moment when cars collide and lives change. You’ve written an amazing first chapter! Are you a writer who fine tunes chapter one before moving on to the rest of the story? Or, do you plow through a draft and then return to the beginning?

Caroline Leavitt

CL: I fine tune chapter one. It’s my lifeline.  If I have a good first chapter, then I know, when I get to the middle of the novel and I feel like chucking it all and going back to school to be a dentist, that that first chapter will call to me. It will say, “You can’t give up. What about me?” The first chapter is always proof to me that I can do this, that I have to push on. It’s like an act of faith to me. Plus, the first chapter really has the seeds of everything that follows.

CC: One of my favorite scenes in PICTURES OF YOU is when Luke returns home to care for Isabelle after the accident, despite her insistence that he leave her alone. You never once write about how either character feels, but the emotion presents itself through strong, natural dialogue and simple, yet powerful, descriptions. That scene cut right through me. Is there a certain scene or chapter in your novel that was your favorite to write?

CL: Ah, that comes from studying screenwriting, where everything is shown or expressed through dialogue, and not spelled out.  And thank you, so much. (It also comes through 16 drafts!) I loved writing the last chapter, that leap ahead in time. I was so relieved to get everyone out of that time period, and I was so curious to see what everyone would be like so many years in the future. Plus, it was something I’d never done before and I was really happy that it seemed to be working for me. As soon as I made Sam in his thirties, I stopped worrying so hard about him, too, which was quite a relief for me!

CC: On the Reading Group Choices blog, you talk with Heidi Durrow about audience and say, “…if I think about an audience at all, it smothers the work somehow. Readers respond when you’re able to show the dark or hidden places that maybe they have been afraid or unable or unwilling to.” PICTURES OF YOU touches on several core conflicts found in life and in relationships. Has your audience responded to or connected with your story in ways that you anticipated or were surprising to you?

CL: Another great question.It’s always surprising to hear what readers say.  I’ve found that people connect depending on what’s going on in their own lives.  There were a lot of people who were upset at the way the book ended. They had an idea in their mind of how it should go.  Some people were furious with April–I happened to love and understand her, though I certainly wouldn’t want her as a close friend.

CC: What are you reading these days?

CL: Everything I can get my hands on.  I really loved Tayari Jone’s Silver Sparrow. I review for People and the Boston Globe, so there are always books coming into the house and I’m always, always reading.

CC: Do you have any advice for writers on the rise?

CL: Yes.  Never give up.  Pictures of You is my 9th novel, and before this one, I never had any sales to speak of, and it was rejected by my old publisher as not being special enough. With Algonquin, it went on to become a NYT bestseller, a NAIBA bestseller, and it’s now in 4 printings and sold to six countries! You have to sit down and write everyday, and always help other writers. We’re all in this together!

Caroline Leavitt has a host of amazing credits to her name (including nine novels and essays or articles in places like New York Magazine and The Washington Post!), all of which you can learn about by perusing her website here. You can also follow her on Twitter or look her up on Facebook.

Don’t forget to leave a comment, so that you’re entered into the book giveaway. Random.org chooses the winner on Tuesday, June 14th.