Writer Incognito: Researching on the Road

That’s me, about the walk down the road to Fayette, the historic town site in Upper Michigan, and embark on some research. Fayette is a good six hours from my home in Milwaukee, so I had to wait until we went on vacation near enough to the site before I could steal away for the day and work. I packed a lunch, lathered on the sunblock, loaded up my writing utensils (notebook, pencil, camera) and mapped out my course.

With trees on either side of me and spotty cell service above, I spent the drive thinking through questions that lingered after my last visit too long ago, and I hoped I’d learn new information inspiring enough to push me through the remaining bit of my first draft. While at Fayette, I learned plenty: about the town in the late 19th century, about the depth of my self-doubt, and about researching in broad daylight under the hot sun in the middle of tourists.

Leave your sandwich in the car.

My timing was off a bit, as far as when I arrived in Fayette. It was too early to eat my lunch, but I knew I’d get hungry in the middle of walking around. The site isn’t so huge that I couldn’t hike back to the car and grab my lunch, but I was eager to get outside and move forward and not so eager to turn back in the middle of research. So, I opted to carry my sandwich with me, figuring I’d eat later when I couldn’t stand it any more.

What I couldn’t stand any more was my sandwich overheating and perspiring inside the plastic baggy. Nor could I bear to look at its sad state, wilting around the form of the rock I placed it on in order to snap another photo. Finally, even though I wasn’t starving, I sat down on a bench and gobbled it up, if only to rid myself of the weight and the guilt.

The lesson: eat before you exit the car, hungry or not. Nobody likes a sad sandwich.

Accept that tourists may view you as maybe important but mostly…odd.

I was the only person on site with a notebook that day, and all my scribbling got me some attention. In one building, I feverishly took notes on the iron smelting process, studying the placards with great intent. Someone approached me, then, and asked me a question about the process, because surely I knew. I stumbled through an answer and shrugged a few times. Then, in lieu of admitting outright that I was writing a novel, I blubbered, “It’s all so interesting, isn’t it?” Adding a maniacal laugh at the end. They responded in silence, turned around slowly, and walked away. As any good writer will, I immediately went into doubt mode, worrying that I’d just revealed myself as some sort of fake. That person will never read my book, I thought. Who am I to think I can manage this who novel business anyway? Then, I remembered: I’m not writing a book about the iron smelting process; I’m writing a book about the effects of an industry on the land and the people. And, maybe that person won’t be one of my readers. Perhaps he really did think me off kilter. What writer isn’t off kilter?

The lesson: don’t get too caught up in minute details. And, there’s nothing wrong with odd as long as it translates into a good story.

Pack an extra pencil in your pocket.

I put on some miles that day, and not just because I walked from building to building. I kept my pencil clipped to my notebook, but I still managed to drop my pencil twice. Once I had to high-step through grass and weeds to find it. Lucky for me, my pencil was bright blue and thus easy to spot. But, there’s nothing worse than backtracking when you see the sun moving toward the horizon. Unless you’re still walking around with a soggy sandwich. Yes. That’s worse.

The lesson: don’t trust your notebook to hold tight to your writing utensil.

Take photos of everything.

I must have turned my camera on and off a thousand times, foregoing any artistic eye and snap, snap, snapping away. I didn’t care, though. Some details do matter.

Like the peeling wallpaper in a kitchen, which was only spotted by standing on my tiptoes at the back of a boarded up house, peeking through one window left unblocked. I risked a close encounter with a mean looking spider for this shot. I don’t even know if it’s the original wallpaper, but I couldn’t resist.

My bulletin board soon will be full of photos of random shots, some with me shadowed in the background or mirrored in the glare of the window, record of a good day researching.

The lesson: talk nice to the spiders.

Even though my time in Fayette was short, I thought about the novel for every day after. Being surrounded by the landscape of the area was enough to feed my muse. I took notes during the small-town Fourth of July parade, on beach at Lake Superior, while riding a two-gauge train through the forest on our way to Tahquamenon Falls. I clicked the button on the camera any time we passed an interesting grove of trees or a patch of lumbered land. Now that I’m home, I’ll be pushing through to the end of this draft and using all those photos and notes for a serious rewrite.

Good times.

What do you do when you research on the road? How do you manage your sandwich?

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Book Recommendation: Wired for Story, by Lisa Cron

“It is only by stopping to analyze what we’re unconsciously responding to when we read a story…that we can then write a story that will grab the [reader]. This is true whether you’re writing a literary novel, hard-boiled mystery, or supernatural teen romance.” ~from Wired for Story

What makes for a good story, or a bad one for that matter? As a reader, I’ve flipped through pages of a novel with beautiful prose, confounded as to why I can’t stand the story. Was it plot? Subject? Character? Too, I’ve wondered why books with flat prose kept me up at night, turning pages.

There’s a secret to this writing business, and Lisa Cron takes a look at that secret from the inside out in her new book, Wired for Story: the Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence.

Brain science, think of that, applied to writing.

I received an ARC of this book a few months ago, and since then I’ve underlined passages on several pages and earmarked the rest (thank goodness we don’t have to return ARCs). I love Lisa’s fresh look at storytelling and structure. Using research in neuroscience, Lisa doesn’t just focus on what makes a story work but explains why a story works. At the same time, she lists questions at the end of each chapter to help writers gauge when and where their stories need more attention.

I’m not kidding when I say I’ve left pencil tracks on 80% of this book. While I don’t have the space to share everything that I love about it with you, I want to highlight one thing that stuck out for me.

“The story is in the specifics.”

Story ideas, when viewed in a general way, are not unique. Nor are they very exciting. As Lisa says, the story comes alive in the specifics. Throughout her book, Lisa gives writers tips, tools, and strategies to take back to their drafts, to make their characters their own, to add depth to their stories and turn them into ones readers won’t want to put down. Wired for Story is a great resource to keep close at hand while working through that first, second, and tenth draft.

You can read an excerpt of Lisa’s book on Jane Friedman’s blog or check out her Q&A with John Magnet Bell on Start Your Novel. For more information about Lisa Cron and Wired for Story, check out her website: wiredforstory.com.

Pass it on.

A New Endeavor & a Writing Prompt

Last month, I facilitated my first writing workshop, one that included an atypical group of writers. Those who sat around the table weren’t budding undergraduates or emerging writers in an MFA program. They weren’t even a group of Moms on the run, searching for tips on finding time to write (my imagined first audience). The people I led in workshop were of an older generation, men and women from a retirement community, who came together simply because they love to write. And, they needed a guide.

I’m a good forty years younger than most of the folks at the table, and on that first day I wondered what I might have to share, really. How I might relate. Sure, I write daily, have a few stories out there, but my stories – and my style – must be so different from theirs.

During our hour together, they read their stories and then we talked about creative fiction versus non. I got all fired up: stood up and started waving my arms and talking too loud. It was a necessary display in some ways, because one person was having trouble hearing. Still, I might have waved my arms regardless.

What I learned, then, is that age nor difference matters. Writing brings people to a common ground and good stories are ones we can relate to, in theme and in character, even if not in exact details.

Once I saw that they were eager to come back, I gave them an assignment for the next time we meet.

And, as something different here (and to keep me on my toes there), I’ll be posting our monthly writing prompt. This assignment is yours, too, if you want it.

The Prompt

Last month, Sarah Baughman wrote a post about moving to a new place, and about nostalgia, and she explained for me, in just a few sentences, why I return again and again to a certain time or place in my past:

I’ve lived on four continents in my adult life, more than I ever thought I’d even see. It has been my good fortune but also my heartache. A character in one of John Cheever’s many strange and wonderful stories says, “When you’re in one place and long to be in another, it isn’t as simple as taking a boat. You don’t really long for another country. You long for something in yourself that you don’t have, or haven’t been able to find.” The statement rung partly true but also puzzled me until today, when I realized that in my case, the things in myself I always look for are, in fact, the pieces of myself which have surprisingly grown and taken hold in all the different places I’ve lived, and which will never leave me.

nostalgiaThink about a time or a memory that you return to again and again. Write about that event/experience/person you left behind. If you’d like to write this as fiction, consider embellishing the story or creating a new character in place of yourself.

If nothing else, go read Sarah’s post.
You can’t help but be inspired.

* Photo credits: kakisky and cohdra on morguefile.com and Zaprittsky on flickr.com

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