Writer Incognito: Researching on the Road

That’s me, about the walk down the road to Fayette, the historic town site in Upper Michigan, and embark on some research. Fayette is a good six hours from my home in Milwaukee, so I had to wait until we went on vacation near enough to the site before I could steal away for the day and work. I packed a lunch, lathered on the sunblock, loaded up my writing utensils (notebook, pencil, camera) and mapped out my course.

With trees on either side of me and spotty cell service above, I spent the drive thinking through questions that lingered after my last visit too long ago, and I hoped I’d learn new information inspiring enough to push me through the remaining bit of my first draft. While at Fayette, I learned plenty: about the town in the late 19th century, about the depth of my self-doubt, and about researching in broad daylight under the hot sun in the middle of tourists.

Leave your sandwich in the car.

My timing was off a bit, as far as when I arrived in Fayette. It was too early to eat my lunch, but I knew I’d get hungry in the middle of walking around. The site isn’t so huge that I couldn’t hike back to the car and grab my lunch, but I was eager to get outside and move forward and not so eager to turn back in the middle of research. So, I opted to carry my sandwich with me, figuring I’d eat later when I couldn’t stand it any more.

What I couldn’t stand any more was my sandwich overheating and perspiring inside the plastic baggy. Nor could I bear to look at its sad state, wilting around the form of the rock I placed it on in order to snap another photo. Finally, even though I wasn’t starving, I sat down on a bench and gobbled it up, if only to rid myself of the weight and the guilt.

The lesson: eat before you exit the car, hungry or not. Nobody likes a sad sandwich.

Accept that tourists may view you as maybe important but mostly…odd.

I was the only person on site with a notebook that day, and all my scribbling got me some attention. In one building, I feverishly took notes on the iron smelting process, studying the placards with great intent. Someone approached me, then, and asked me a question about the process, because surely I knew. I stumbled through an answer and shrugged a few times. Then, in lieu of admitting outright that I was writing a novel, I blubbered, “It’s all so interesting, isn’t it?” Adding a maniacal laugh at the end. They responded in silence, turned around slowly, and walked away. As any good writer will, I immediately went into doubt mode, worrying that I’d just revealed myself as some sort of fake. That person will never read my book, I thought. Who am I to think I can manage this who novel business anyway? Then, I remembered: I’m not writing a book about the iron smelting process; I’m writing a book about the effects of an industry on the land and the people. And, maybe that person won’t be one of my readers. Perhaps he really did think me off kilter. What writer isn’t off kilter?

The lesson: don’t get too caught up in minute details. And, there’s nothing wrong with odd as long as it translates into a good story.

Pack an extra pencil in your pocket.

I put on some miles that day, and not just because I walked from building to building. I kept my pencil clipped to my notebook, but I still managed to drop my pencil twice. Once I had to high-step through grass and weeds to find it. Lucky for me, my pencil was bright blue and thus easy to spot. But, there’s nothing worse than backtracking when you see the sun moving toward the horizon. Unless you’re still walking around with a soggy sandwich. Yes. That’s worse.

The lesson: don’t trust your notebook to hold tight to your writing utensil.

Take photos of everything.

I must have turned my camera on and off a thousand times, foregoing any artistic eye and snap, snap, snapping away. I didn’t care, though. Some details do matter.

Like the peeling wallpaper in a kitchen, which was only spotted by standing on my tiptoes at the back of a boarded up house, peeking through one window left unblocked. I risked a close encounter with a mean looking spider for this shot. I don’t even know if it’s the original wallpaper, but I couldn’t resist.

My bulletin board soon will be full of photos of random shots, some with me shadowed in the background or mirrored in the glare of the window, record of a good day researching.

The lesson: talk nice to the spiders.

Even though my time in Fayette was short, I thought about the novel for every day after. Being surrounded by the landscape of the area was enough to feed my muse. I took notes during the small-town Fourth of July parade, on beach at Lake Superior, while riding a two-gauge train through the forest on our way to Tahquamenon Falls. I clicked the button on the camera any time we passed an interesting grove of trees or a patch of lumbered land. Now that I’m home, I’ll be pushing through to the end of this draft and using all those photos and notes for a serious rewrite.

Good times.

What do you do when you research on the road? How do you manage your sandwich?

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Spend Time with Your Story, No Matter What.

144/365 For the past week, I’ve been in the middle of a tiny war. My house, overrun by fevers and hacking coughs, stuffy noses and aches and pains, feels like a cesspool of germs. My kitchen counter is steeped in antibiotics and decorated with post-its listing reminders of when and how much.

Recovery is slow. Currently, in order to breath through my nose, I must a) walk around in circles or b) lie down on my right side. It’s like a cruel joke, this little Spring time bug. All I want to do is stomp around, throw the kleenex, complain, and beg for mercy.

Times like these test a writer, especially a writer who is in the middle of cranking out a first draft of a novel. And, here’s one thing I know about first drafts: if I don’t spend time with my story (every-single-day), I will certainly get lost.

Lose steam.

Falter.

Because colds and bugs won’t be the only thing to get in the way of my push to The End,  I had to come up with other ways to keep the story alive and on track, even if the word count was stagnant.

1. Read through research.

I have a short pile of books about the setting and times of my story, and reading through them has been one thing I could do while buried under covers, conveniently turned towards the right. As I read through those books, I took notes on scene ideas that come to mind or on details I wanted to remember.

2. Put pen to paper.

I may not have been able to type on a laptop while I walked in circles, but I could – quick – hand write a scene or a stream of ideas or dialogue onto paper. That counted, as it kept the characters in the novel at the forefront of my mind.

3. Be satisfied with whatever hit the page.

If I made it to my laptop, between the time my sinuses opened up and clamped shut again, and I managed 100 or 300 or (on a good stretch) 500 words, I was perfectly happy. Every little bit moved me closer to my goal.

What do you do to keep your eye on the prize?

*photo credit: anna gutermuth on flickr.com

Plan the Story, Meet Your Characters.

I used to believe that my best writing happened while under pressure and without a plan. Pick a prompt, jump on a first line, go.That strategy still works for small projects, but when I approach a longer, more complex story – like a novel – I find some planning helps.

During the last several months, before I kicked off with the first paragraph of a novel I wanted to write, I tampered with outlines and notecards and concept maps, trying to wrap my head around the heart of a story (this particular novel requires research and a definite sense of direction). I also spent time with my characters.

In the past, I would begin a story with a fuzzy vision of a main character, his or her name, a hint at what they wanted. But this time around, I dug deeper. I gathered a pool of resources for character development and probed into the lives of a few people the novel would spotlight.

If you peruse Twitter or Facebook or your favorite author’s blog, you’ll find plenty of character worksheets. The questions on the worksheets vary, but they all read like an application. I’ll print off these sheets from time to time, especially when they come from an author whose work I appreciate, but no one sheet or exercise works well for me. Maybe they’re too rigid for this panster at heart. So, instead of relying on one specific form of character development, I pulled ideas from a few different places and gave myself a variety of prompts from which to draw.

1. The Character Sketch

From the presses of Writer’s Digest comes a great publication, Write Your Novel in 30 Days, complete with worksheets like the ones mentioned above. This simple form (one of many within the workbook) guides you through the basics, like name and birth date and physical descriptions. It also prompts you to consider character role and internal or external conflicts.

2. Characterization Exercises

Cathy Day (author of The Comeback Season and the blog, The Big Thing) spoke on a panel at the AWP Conference in Chicago this year. I couldn’t make it into the conference (though I got close), but I did find access to a document, compiled by Day and her group of panelists, on the best practices for teaching a novel workshop. I’d love to take one of these classes, but since I can’t, I’m especially grateful for the few writing exercises listed within:

  • Describe each of your primary characters in the novel…their psychology: likes/dislikes, hopes and fears, odd predilections, good and bad habits…friends and nemeses.”
  • Let’s hear them. Write representative speeches…for each of the primary characters.”

3. Character Visualization

From the files of Glimmer Train, Yelizaveta P. Renfro’s article about “Creating the Fictional Family” focuses on several directions writers can take, questions to ask or exercises in visualization:

  • Visit your characters at home. Family often have specific places that are important to them…. Spend some time mentally visiting the places that are important to your characters, and write down everything you can.”
  • Picture your characters. Having a physcial picture of your characters can help you get to know them. Find a photo or a painting of your fictional family. . . . Once you have your picture, put it at your side and write everything you observe in the image.”

Renfro suggests stopping into an antique store for pictures of real people. I’m suggesting another idea: the Library of Congress Prints & Photographs Online Catalog, where you can search for and find thousands of images. Little treasures, like this one:

Photos that make you want to tell a story.

Do you plan? And, how do you get to know your characters?

* photo credit: Alvimann @ morgueFile.com