Author Douglas W. Jacobson on Research for Historical Novels

Douglas W. Jacobson is a fellow Wisconsinite who writes historical fiction. Both of his World War II novels, NIGHT OF FLAMES and THE KATYN ORDER, have received recognition and accolades from state organizations, and his website carries over thirty articles on World War II history (including this one, “The Story of Zegota” about Polish Christians who helped save Polish Jews during Nazi occupation).

As every writer knows, research plays a critical role in writing historical fiction, and Douglas Jacobson has done his fair share of digging into the past. Today, he talks about uncovering the best research.

Getting it Right
Doing Research for Historical Novels

As the old saying goes, “The devil is in the detail.” One of the reasons I have always loved historical fiction is that it is a truly marvelous way to learn a bit of history. Some authors of non-fiction (Stephen Ambrose comes to mind) have a flair and style of writing that make their work enjoyable and easy to read. But, in my humble opinion, there’s nothing quite like curling up with Herman Wouk’s War and Remembrance or Ken Follet’s Pillars of the Earth for the ultimate reading experience . . . and, a great way to learn history.

And that brings us to the issue at hand. Writing good historical fiction places a special burden on the author, the burden of getting it right. And getting it right doesn’t stop with the big stuff, the dates and locations, the battles and who won the war. It gets right down to the detail. For example, what would a serf in the thirteenth century be likely to eat for breakfast? What type of profanity would a soldier likely have used during the Napoleonic wars? Did the troopers of the Polish cavalry carry lances during World War Two?

It’s the detail that immerses the reader in the time and place of your story. It’s the scent of the kerosene lanterns and the smell of the boiling cabbage, the sticky mud of the footpaths and creaking of the yardarms that give a story its life and vitality. It’s what makes it real. But, making it real, of course, means doing the research.

When I set out to write my first novel, NIGHT OF FLAMES, I had been studying and reading about World War Two for most of my adult life. I knew a lot, but not nearly enough. For instance, I wanted to write about the Polish cavalry because the notion of horse-drawn armies in WW2 has been largely ignored even though almost all the armies in the first few years of the war—including those of Germany and Russia—relied heavily of horses for transportation. But how was a Polish cavalry brigade organized? What type of weapons did they carry? What did their uniforms look like? How far could they travel in a day? Where did they find food for the horses and who re-shod them when necessary? Did they really charge tanks?

Let’s stick with this issue for a moment to pursue the ways and means of research. You can learn a lot on the internet these days and, indeed, I found numerous websites filled with detail about WW2 era cavalry. I also found a marvelous book entitled, THE CALVARY OF WORLD WAR TWO, chock full of information about specific cavalry regiments from Poland, France, Germany and Russia, their organization and leadership, the types of horses and weapons, battles and anecdotal accounts. But the most fascinating of all was my experience at The Battle of the Bzura Museum in Kutno, Poland, which I visited during one of my trips to Poland. It was a treasure of maps, artifacts, displays of uniforms and weapons, canteens and knapsacks. And, even more fascinating, was an encounter the next day with an elderly gentleman in Walewice, Poland who happened to be sitting on the front porch of his home while we were wandering around the town square looking for some type of commemorative plaque. Through the translation offered by my friend and Polish history scholar, Slawomir Debski, the elderly gentleman confirmed that the Wielkopolska Cavalry Brigade did, indeed, cross the Bzura River and confront a German infantry battalion in that town on 14 September, 1939. He knew . . . because he was there. That’s the best kind of research.

And, that’s exactly the same discipline I used in researching for THE KATYN ORDER.

Douglas W. Jacobson is an engineer, business owner and World War Two history enthusiast who has traveled extensively in Europe researching stories of the courage of common people caught up in extraordinary circumstances. His debut novel, NIGHT OF FLAMES: A NOVEL OF WORLD WAR TWO, won the 2008 “Outstanding Achievement Award” from the Wisconsin Library Association. Doug’s second historical novel, THE KATYN ORDER, is a story of intrigue and danger, of love and human courage in the aftermath of one of history’s most notorious war crimes. THE KATYN ORDER received the 2011 “Honorable Mention Award” from the Council for Wisconsin Writers. Doug writes a monthly column on Poland’s experience during WW2, and has published articles on European resistance and escape organizations during the war. He lives in Elm grove, WI with his wife, Janie.

ABOUT THE KATYN ORDER:

The German War Machine is in retreat as the Russians advance. In Warsaw, Resistance fighters rise up against their Nazi occupiers, but the Germans retaliate, ruthlessly leveling the city. American Adam Nowak has been dropped into Poland by British intelligence as an assassin and Resistance fighter. During the Warsaw Rising he meets Natalia, a covert operative who has lost everything—just as he has.

Amid the Allied power struggle left by Germany’s defeat, Adam and Natalia join in a desperate hunt for the 1940 Soviet order authorizing the murders of 20,000 Polish army officers and civilians. If they can find the Katyn Order before the Russians do, they just might change the fate of Poland.

Caught up in the vortex of cataclysmic events, Adam and Natalia struggle to survive, fighting for freedom and clinging to an uncertain future in a world gone mad. The Katyn Order is a story of intrigue and danger, of human courage under extraordinary circumstances, a story of love and a quest for redemption.

Purchase your copy of THE KATYN ORDER here.

Deciding to Write a Memoir, Guest Post by Sandra Bornstein

I met Sandra Bornstein after posting an author interview with Erika Dreifus, as Sandra was the winner of Quiet Americans. Sandra came to the blog as a reader, but today she shares her experience as an author. She’s crafted a lovely post about the challenge in writing memoir, and she’s giving away a copy of her new book, May This Be the Best Year of Your Life. Read Sandra’s guest post below, and leave a comment for a chance to win a copy. Thanks, Sandra, for sharing your experience and your book!

“Each of us is a book waiting to be written, and that book,
if written, results in a person explained.”
~Thomas M. Cirignano, The Constant Outsider

My decision to write my memoir, MAY THIS BE THE BEST YEAR OF YOUR LIFE, reminds me of the story of Pandora’s box. For decades, I had kept most of my life’s story private and well-contained. Only a few friends and relatives were privy to my childhood and day-to-day happenings. I was content to live beneath my own personal radar screen.

However, after having the unique opportunity to live and teach in a Third World country, my opinion changed. I was not prepared for the culture shock that I experienced. Monkeys in my classroom were never anticipated. Despite these unusual disruptions, I was able to share my multicultural expertise and teaching experience in significant ways. I was the only American primary teacher on the campus.

I had an inspiring story to tell. Similar to Pandora, I did not believe that the contents should be confined for eternity. I was curious.

Could I write my compelling story and keep an audience engaged?

Would it be worth the price of revealing my life to the public?

The mere act of writing about my life unleashed a flurry of memories. Some of these memories brought a warm glow of happiness while others rekindled periods of sadness, unfairness, and despair.

By having to confront the negative aspects of my life, I clung to the belief that others would benefit from the lessons that I learned from my journey. Amidst all of the evil that was released from Pandora’s box, she was able to locate hope. Likewise, I waded through my challenging episodes and sought out the promising and encouraging moments.

Even though I was telling my story, I had to look at each chapter with a minimal amount of bias. Without the help of my developmental editor, Joe Kita, it would have been much more difficult to find an appropriate voice and locate the major threads to my story.

Part of the challenge of memoir writing is to maintain a balance between retelling a truthful story and keeping your audience engaged. Far too many authors in recent years have excessively embellished the truth in order to sell more books. Maintaining my integrity throughout was always my intended goal. Elie Wiesel was absolutely correct when he stated, “I will say, with memoir, you must be honest. You must be truthful.”

If I was not going to be true to the facts, I might as well have written a novel. However, by adhering to the truth, I ran the risk of peeling back too many protective layers that had kept my life behind closed doors for decades.

But then again, isn’t that what makes a memoir compelling? It is those tender moments when the author reveals her inner feelings and connects emotionally with the reader. In so doing, the reader walks hand-in-hand with the memoirist and relates to the real life message of the story. The author’s life becomes fully illuminated.

Sandra Bornstein, an educator with four sons, was living her version of the American dream in Colorado when her peaceful and predictable life was jolted after her husband accepted a job requiring extensive international travel. Following a series of events, Sandra ended up living by herself in a 300 square foot dorm room while teaching at a world renowned international K-12 boarding school in Bangalore, India. She adapted to an unfamiliar environment, embraced her Jewish identity, and endured deteriorating health. In her memoir, May This Be the Best Year of Your Life, Sandra shares what she has learned about perseverance, travel, education, faith, and family.

Remember: leave your name in the comments. The winner of Sandra’s memoir will be chosen on Tuesday, January 22nd.

From Writing Prompts to Props: Introducing Toshio Ninomiya

Great writers will always surprise you and leave you thinking of their stories long after you’ve reached the end. This is true of my friends at the Retirement Living Center, who came to our monthly writing class last Saturday with not only stories, but props in tow.

We wrote on cloth and memory, a prompt which drove them to search attics and storage rooms and the backs of closets. Each story they read was rich, absolutely. They filled the room with laughter and an amazing energy. I wish you could have been there.

As a “next best thing” to sitting at the table with me, I asked one of the readers if I could post his story. Toshio Ninomiya agreed. During his turn, Tosh prefaced his piece by saying, “In order to read my story, I have to put on this hat.” His eyes lit up then, and he cracked a mischievous smile. And, I thought, Oh my, this is gonna be good. Enjoy!

Old Hat

by Toshio Ninomiya

It’s a real old hat. I bought it for $2.50 about 70 years ago in San Francisco, just before I took a trip to Japan. Most men at that time wore hats and ties whenever they ventured into public areas, just as ladies wore hats and gloves. San Francisco was a very conservative and formal city at that time, unlike what it is today. I expected Japan to be even more rigid in the way its people dressed in western style.

I was sure it had hat stores in large cities, but I doubted most of them had English-speaking employees. I, on the other hand, didn’t know how to say hat in Japanese. I was glad I had the foresight to buy one beforehand.

I discovered in an English newspaper where I found a job, that everyone from the type setter to the managing editor wore a suit, tie and a hat. It was de rigueur, especially for a cub reporter who had to go out interviewing people, mostly foreigners to Japan.

That was just the beginning of the hat’s life history. The three years in Japan were nothing as far as it was concerned. It was the following decades of sitting on my head that took its toll, accompanying me from frigid Alaska to tropic Equador.

Eventually, it not longer had the sharp crease and the snappy brim that once provided a subtle touch of masculinity, male libido you might say, to its wearer.

The question then became what to do with it. It wasn’t like a pair of worn out shoes. It was my companion of many years, my alter ego. Consigning it to a garbage dump was unthinkable.

I made a decision to use it as my hat during fly fishing. Not only would it protect me from the elements, it would label me as a gentleman fisherman, unlike those who wear baseball type caps, that is, people of lower caste.

That too, came to past and the last four years it lay dormant in the storage room of Harwood Place, until yesterday. But from here on, it shall stay in my bedroom closet where I can take it out and put it on my head every once in a while, just for old time’s sake.

Tosh is a long-time member of the group and a published author, having had one of his pieces appear in Glimmer Train. I’m so grateful to him for sharing his work here and his stories with us at the table every month.

~

Next month’s prompt comes from Midge Raymond’s Everyday Writer:
Write about a time when something small – a chocolate bar, a smile from the right person at the right time, a martini – made you happy.