Book Review: The Salt God’s Daughter

“Perhaps the blueprint of a life remained the same even if the place and people were different.” ~ from The Salt God’s Daughter

I have to be honest, I’m not the best reviewer of books. There are many other bloggers out there who do this on a regular basis, who are faster readers than I am, who can whip out a review in one days’ time or less. I wish I were of their making.

I am a slow reader. Even slower to process my experiences after reading a book. I’m a writer, after all. I like to sit with the words awhile, go back into the story, search for the parts I missed or misunderstood. I worry I won’t do a book justice if I write about it in short order.

But, I immediately said yes to reviewing The Salt God’s Daughter when Booksparks contacted me. I read Ruby’s debut novel, The Language of Trees (my Q&A with her can be found here); I loved the story, the bits of poetic prose, the part that setting plays in the novel, and the mystery behind the characters.

My Review

The Salt God’s Daughter carries on the legacy of Ilie Ruby’s prose and amazing use of setting as character, telling the story of three generations of women – Diana, Ruthie, and Naida – who are caught in the magic of the moon and the ocean and in the complexities of mother-daughter relations. For Diana, the Farmer’s Almanac becomes her guide for living, looking to each full moon for direction. Later, the almanacs become her journals, as she records bits and pieces of their nomadic lives in the margins. For Ruthie and Naida, the ocean acts as enemy and savior, drawing them into danger and then giving them sanctity, and life. In all three women, unpredictability, abandonment, and a need for home tear them apart and bring them back together again.

As in her debut novel, certain characters in The Salt God’s Daughter pulled at me, like Graham, who appears in Ruthie’s life unexpectedly and leaves just as quickly. Again and again he comes to her under the light of a full moon. And, at each sudden departure, I wanted him to return to the page as much as Ruthie longed for him to return her. The mysticism and folklore running throughout The Salt God’s Daughter kept me wondering about the nature of the main characters, and the actions of characters on the periphery reminded me how quickly the world judges or oppresses those who are different from the norm.

My recommendation.

Do not read this book in bits and pieces. Certain stories can be read in small doses, but Ilie Ruby’s novel is written with a poetic style and deserves a concentrated attention. Because of a hectic schedule, I read the book in short spurts, and there were times when I became lost. When I finished the book, I turned back to the first page and skimmed through it again, discovering subtleties that I missed the first time.

Do read this book with a friend, or those lovely ladies in your book club. There are parts in the story you will want to discuss, like Graham, his comings and goings and his ties to the ocean. Some places, you will want to go back and re-read, such as the night when a storm erupts and Naida disappears. Hints and clues – to the mystery of these women (and men) and the power the ocean and the full moon wield over them – may reveal more if uncovered in a group.

My favorite quotes.

“Many times abandoned, I now spent my life trying to hold onto people.”

“Some places were so magnetic and full of energies that they drew the same people back, again and again.”

“You needed to keep one hand behind you touching the wall of your past, and one hand in front of you, open to the future.”

And, this passage:

“Once, in the gallows of our green stationwagon, my mother had spun an orange ribbon into my hair…to weave it in a braid. She rarely touched my hair. Hardly able to contain my excitement, I’d mad the mistake of a simple, “Ow,” which made her let go. She’d let the ribbon fall on my shoulder. I knew it had all been lost just then, by what I’d done. . . . I’d wept loudly at the edge of the forest near the campsite, standing in my blue Dr. Scholl sandals, the morning air billowing my purple sundress. I’d howled into the trees. I’d almost caught her, my mother.”

If you decide to read this book, Ilie Ruby provides discussion questions on her website. While perusing her website, click her events page to see if she’s coming to a bookstore near you. Also, read this great review and Q&A on The Huffington Post between Ilie Ruby and Leora Tanenbaum.

And, much thanks to BookSparks for the opportunity to read The Salt God’s Daughter.

Book Recommendation: Wired for Story, by Lisa Cron

“It is only by stopping to analyze what we’re unconsciously responding to when we read a story…that we can then write a story that will grab the [reader]. This is true whether you’re writing a literary novel, hard-boiled mystery, or supernatural teen romance.” ~from Wired for Story

What makes for a good story, or a bad one for that matter? As a reader, I’ve flipped through pages of a novel with beautiful prose, confounded as to why I can’t stand the story. Was it plot? Subject? Character? Too, I’ve wondered why books with flat prose kept me up at night, turning pages.

There’s a secret to this writing business, and Lisa Cron takes a look at that secret from the inside out in her new book, Wired for Story: the Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence.

Brain science, think of that, applied to writing.

I received an ARC of this book a few months ago, and since then I’ve underlined passages on several pages and earmarked the rest (thank goodness we don’t have to return ARCs). I love Lisa’s fresh look at storytelling and structure. Using research in neuroscience, Lisa doesn’t just focus on what makes a story work but explains why a story works. At the same time, she lists questions at the end of each chapter to help writers gauge when and where their stories need more attention.

I’m not kidding when I say I’ve left pencil tracks on 80% of this book. While I don’t have the space to share everything that I love about it with you, I want to highlight one thing that stuck out for me.

“The story is in the specifics.”

Story ideas, when viewed in a general way, are not unique. Nor are they very exciting. As Lisa says, the story comes alive in the specifics. Throughout her book, Lisa gives writers tips, tools, and strategies to take back to their drafts, to make their characters their own, to add depth to their stories and turn them into ones readers won’t want to put down. Wired for Story is a great resource to keep close at hand while working through that first, second, and tenth draft.

You can read an excerpt of Lisa’s book on Jane Friedman’s blog or check out her Q&A with John Magnet Bell on Start Your Novel. For more information about Lisa Cron and Wired for Story, check out her website: wiredforstory.com.

Pass it on.

Book Review: Here, Home, Hope

“I believe the saying that people come into your life for a reason. And things happen, like cancer scares, to keep us moving forward. Trying new things.” ~from Here, Home, Hope
~

There comes a point in our lives, sometimes more than once, when we reach a crossroads or a dead end, complacency or crisis, and we realize that change is inevitable, even necessary. Some of us pack up and move, others get married or have a baby, a brave few branch out into new careers or hobbies.

In Kaira Rouda’s debut novel, Here, Home, Hope, we are introduced to Kelly Johnson — a mother of two, a domestic engineer, and a woman in flux. Coming off of a recent breast cancer scare, and beginning to understand (and accept) that her sons no longer need every minute of her attention, Kelly Johnson sets out to find a new purpose for herself.

As it says in “About the Book” on Kaira Rouda’s website, “Kelly takes charge of her life, devising a midlife makeover plan.”

In her quest, Kelly discovers a passion and a hidden talent for a new career, as well as an appreciation for old friends, young teenagers, her life and her home.

Here’s a sneak peek at the book:

Kaira Rouda, herself, is a woman redefined, moving from Author of women’s business books to Novelist. She aims to translate her real life goals, of enlightening and empowering women, into the fictional tale of Kelly Johnson. There’s much to appreciate in Here, Home, Hope (and some to envy), like the value of risk-taking, the importance of genuine friendships, and of the support of a loving husband — who’s devotion goes unnoticed by Kelly at first. However, as a reader, I would have liked to see the story spend a little more time on some of the bigger issues broached in this novel, like eating disorders and depression.

On the other hand, many readers prefer books that don’t perseverate on the darker side of life, and, as Jenna Blum says in her book blurb, Kaira Rouda’s novel is definitely “upbeat” and “hopeful,” a light read. So, if you’re looking for a story with a taste of real life and a feel-good ending, you’ll enjoy Here, Home, Hope.

And, tomorrow just might be your lucky day. I’ll be hosting Kaira Rouda here for an interview, where she’ll talk about the move from writing nonfiction to novels and the one thing that so many of us strive for in life: balance. Stop by tomorrow’s post as well, get to know a little more about Kaira and her novel from her perspective, and enter the giveaway: one free copy of Here, Home, Hope.