Q&A with Susanna Daniel, author of Sea Creatures

The Course of a life will shift–really shift–many times over the years. But rarely will there be a shift that you can feel gathering in the distance like a storm, rarely will you notice the pressure drop before the skies open.
~ from Sea Creatures


Change is inevitable.
 But even when you make way for it, you can’t possibly know how things will unfold.

SeaCreaturesNew_264x400In Susanna Daniel’s second novel, Sea Creatures, Georgia Quillian and her husband Graham, along with their young son, set out for new beginnings when they uproot themselves from Illinois and move into a dated  houseboat docked in the bay outside of Miami.

Daniel sets the tone for the novel in the first paragraph when Georgia says, “what worries us most–pedophiles, kidnappers, dog attacks–is least likely to happen, while what is most likely is some unimagined event.”  What follows is a quiet, yet powerful, story about relationships and parenting and the risks we take to save ourselves and those we love.

I’m honored to host Susanna Daniel today for a quick Q&A about her book and writing. Drop your name in the comments for a chance to win a copy of Sea Creatures. It’s an easy giveaway for an excellent read. Random.org will choose the winner on Tuesday, October 29th.

Now welcome, Susanna Daniel!

CC: In Sea Creatures, you return to the small community of stilt houses built off the shores of Miami that was also the setting of your first novel, the award-winning Stiltsville. What is it about this particular place that draws you back again?

sd_color_3_med-150x150SD: It’s funny, because I had in mind that I was not allowed, for some reason, to write again about Stiltsville — so for a time I didn’t. I wrote about people in South Florida, in similar circumstances as those in Sea Creatures, and I held Stiltsville underwater, so to speak, so it couldn’t distract me. But I kept veering to the place, checking in on it in my mind. And the book I was writing wasn’t coalescing.

So one day I told my husband, who is not a fiction writer, that I was frustrated because I couldn’t shake the desire to return to Stiltsvlle — and he was like, “Then why don’t you?” I told him my notion that I wasn’t allowed, and he told me this was–simply put–stupid.

Stiltsville is an island, essentially, and when you have characters placed on an island, something is bound to happen. I also wanted badly to return to Stiltsville to explore the storyline of a character who is introduced very briefly in my first novel, the Hermit. The Hermit lives at Stiltsville full-time — he is modeled after a real person — so his every interaction is fraught with the bit of danger and escapism of living in the middle of the bay.

CC: As I read Sea Creatures, and later wrote these questions, I couldn’t stop thinking about “recklessness,” the way the characters risk their own lives and those of the people they love. I’m speaking mostly of Graham and the danger poised at the edges of his sleeping disorder. But, in some ways, Georgia is reckless herself, ultimately putting her son in harm’s way. Throughout the novel, I sympathized with both Graham and Georgia and worried about their decisions just the same (meaning, readers can’t help but become invested in the characters!). What was your biggest challenge in writing Graham’s and Georgia’s stories?

SD: My biggest challenge was how to convey to readers that Georgia and Graham used to be happy and in love, like any other couple (except for the sleep disorders, of course), and so even as the story opens, there’s already an incredible loss. They are on shaky ground and making the best decisions they can under the circumstances.

Also, I think it’s amazing the risks people will take in a certain situation that they think they never would outside of that situation–Georgia is an anxious mother, but she’s also an adventurous person and wants her son to experience life. In her mind, it’s other people who are being reckless–until, of course, she’s forced to come to terms with her own questionable decisions.

CC: You recently founded the Madison Writers’ Studio with author, Michelle Wildgen, teaching creative writing classes in Madison, WI. You have some great course offerings, from Fiction I to a class called “Novel in a Year.” What inspired you to start the Studio, and what is your long-term vision?

SD: I’ve long wanted to return to teaching in a workshop setting–it’s a passion of mine. I had a hunch Michelle might be feeling the same way. Everywhere I go, people tell me they want to write–novels, stories, memoirs. My good friend Julia Fierro founded the terrific Sackett Street Writer’s Workshop in Brooklyn ten years ago, which inspired me. I looked around for similar offerings in the Madison area, and found nothing. So I thought, Why not? Michelle is the perfect partner. Our first workshops are almost finished, and I couldn’t be happier with how they’ve gone.

Long term, I’d like to open a work space for writers, with a membership program for people looking for a space outside the home to write without distraction.

CC: What are you reading these days?

SD: I’m reading NIGHT FILM and ENON — both exciting books, but in completely different ways.

Susanna Daniel’s debut novel, Stiltsville, was awarded the PEN/Bingham prize for best debut work published in 2010, and her second novel, Sea Creatures, was named an Amazon Editors’ Top Pick of the Best Books of August, 2013. Susanna is a co-founder, with author Michelle Wildgen, of the Madison Writers’ Studio. She is a graduate of Columbia University and the University of Iowa Writers’ Workshop, and was a Carl Djerassi Fiction Fellow at the University of Wisconsin Institute for Creative Writing. Her writing has been published in Newsweek, Slate, One Story, Epoch, and elsewhere. Visit her website or follow her on Facebook and Twitter.

Remember: drop your name in the comments for a chance to win Sea Creatures!

Q&A with Stevan Allred, A Simplified Map of the Real World

You cannot grieve for a puzzle, nor celebrate the death of a cipher. You have to make some sense out of the man first.
~ from “The Painted Man” in A Simplified Map of the Real World

Allred Simplified Map coverMaps guide us, direct us, show us the way through convoluted terrain. Stevan Allred’s collection of short stories, A Simplified Map of the Real World, does much of the same with characters who live in the imagined town of Renata, Oregon.

Anchored in the landscape of Renata, Allred’s characters seem straightforward in their “small-town” style. But as each story unfolds, more is revealed: in the nightstand of a pompous neighbor, in the complexity of Uncle Lenny, through conversations between fathers and sons and the resurgence of old high school relations.

A Simplified Map of the Real World was recently chose as one of Multnomah County Library’s Wordstock 2013 fiction picks. I’m honored to host Stevan for a Q&A on his book and thrilled to include book giveaway (courtesy of Forest Avenue Press). Drop your name in the comments at the end of the interview for a chance at your own copy of A Simplified Map of the Real World. Random.org will chose the winner on Tuesday, October 8th.

Now, welcome Stevan Allred!

CC: I know Renata, Oregon is a fictional town, but does it mirror any real place in which you’ve lived or travelled?

DSC01389SA: Renata is very much a place of my imagination.  Its geography overlays the geography of my home town, Estacada, Oregon, and would be recognizable to anyone who knows the place, but if you try to drive the real world Estacada by following the roads in A Simplified Map of the Real World, you’re likely to wind up, as one of my characters does, “in the ditch.”

Both my parents are from small towns in central Utah.  I used to spend part of my summers in a town called Emery, population 308.  There have been other small towns in my life too, and Renata feels like all of those places to me.  What strikes me as similar about all the small towns I’ve known is how they try to hold the outside world at bay.  Portland, Oregon, is only thirty miles away from Estacada, and yet there are plenty of Estacadans who haven’t been to the city in years.  For many, the small town where they live is, as Arnie Gossard says in the opening story, “a place small enough that I can keep track of everything that matters and big enough to hold everything I need.”

CC: This quote in “The Painted Man” is one of my favorites:

I felt, for a moment, as if I were inside a kaleidoscope, and all the complicated bits of my life…were shifting, aligning themselves into a new pattern.

I love this thread that runs throughout the story, of uncovering and piecing together the inner workings of character, a thread that pulls the book together as a whole. When it comes to writing such stories, do you find they unfold organically? Or, do you plan the reveal before you begin the first draft?

SA: It’s very much the former.  Someone, and I’ve long since forgotten whom, told me a long time ago that I would never surprise a reader if I didn’t first surprise myself.  I start with so little–a few bits of language, some vague notion of who might be saying those words, and often a random element from the real world.  It’s a process of discovery rather than one of planning.  When I started “His Ticky Little Mind,” the name Volpe was on the side of a pickup truck that passed by me just as I saw that one of my neighbors had cut down a tree in their front yard, leaving a twelve foot high stump still standing.  The story grew out of those two things, and some phrases that were knocking around inside my head.

CC: I continue to hear great things about the Oregon writing community, and your book is a collaboration of Oregon talents–from Forest Avenue Press’ own Laura Stanfill to Gigi Little, the cover artist. Aside from this particular partnership, what do you appreciate most about your local writing circles?

SA: We are a state of readers and writers.  The Portland library system has the highest rate of use per capita of any system in the country, and my local Estacada library hums with activity seven days a week.  The writing scene here is bigger than I can keep track of by quite a bit, and it’s lively and full of talent.  People are supportive of each other, and generous, and I’m constantly discovering new books and new writers who make me think ‘Wow, what a great story.’  There are lots and lots of reading series in bars and coffee shops and libraries.  There are many small to micro-sized presses, the zine scene here is world class, and Portland is a center for graphic novelists.  All that abundance is inspiring.

CC: What are you reading these days?

SA: I’ve recently finished Telegraph Avenue, by Michael Chabon, a writer whom I admire greatly.  Also two short story collections, both of which I recommend highly:  Natalie Serber’s Shout Her Lovely Name, and Lucia Perillo’s Happiness Is a Chemical in the Brain. I’m just starting Tracy Kidder’s Strength in What Remains.

CC: What advice would you offer for writers on the road to publication?

SA: Write what you love to read.  You’re going to spend a lot of time alone with your writing-you might as well make it something you really enjoy.

Also this, from Ellen Gilchrist:  F*** doubt.  The dishes can wait.  Serve the whole.

~

Stevan Allred lives and writes in a house in the woods halfway between Fisher’s Mill and Viola, in rural Clackamas County, outside of Portland, Oregon. He is the editor of Dixon Ticonderoga, a zine that explores the intimate relationship between divorce and pencils. He teaches writing at The Pinewood Table and has been widely published in literary magazines. Stevan is also available to attend book clubs in the Portland metro area or by phone or Skype. Contact Forest Avenue Press for more information.

Purchase your own copy of A Simplified Map of the Real World  from Powell’s or on Amazon, or drop your name in the comments for a chance to win a copy!

 

Q&A with Amy Sue Nathan, Author of The Glass Wives

“Evie had not cornered the market on loss, and she knew it. There were many ways for a life to be rerouted.”  ~ From The Glass Wives

We make plans. We have routines. We know exactly how life is supposed to unfold. But, in an instant, those plans crumble or shift under some unpredictable force.

Glass Wives_final coverSuch is the case for Evie Glass in Amy Sue Nathan’s debut novel, The Glass Wives. When Evie’s ex-husband dies suddenly, she sets out to do whatever it takes to walk her kids through grief and get their lives back to some sort of normal.

But, normal is relative, and every opportunity Evie sees as a chance to settle back into life is interrupted by the sudden arrival of Nicole, her ex-husband’s young wife and the reason Evie’s marriage fell apart in the first place. Nicole and her young baby show up at Evie’s doorstep, sending Evie on a journey through her own grief and shaking up every idea she had of family.

I’m honored to host Amy Sue Nathan today for an author Q&A. At the end of the interview, leave your name in the comments for a chance to win a copy of The Glass Wives. Random.org will choose the winner on Tuesday, September 17th.

Welcome, Amy!

CC: In the Glass Wives, no one expects Nicole, the widow of Evie’s ex-husband, and her baby to show up on Evie’s door step looking for help. But when she does, Evie is forced to confront her prescribed ideas of “normal” and “family.” We, as humans, are so resistant to change. Was it difficult to buck any set notions of family you might have had as you began writing this story? Or, did you find, as the characters’ lives unfolded, that the story itself helped soften those perceptions?

ASN: I struggled with my own perception of family when I divorced. No matter what anyone said, actions spoke louder than words and I was treated differently by friends. So in a way, I wrote The Glass Wives as a reminder to myself, and perhaps a P.S. to others, that there are many ways to be a family and one way is not better than any other. And that single moms like being included.

CC: In the essay at the end of your book, “What Doesn’t Kill You Makes You Stronger (and Will Certainly Make Its Way into Your Novel),” you admit that the seed for The Glass Wives has roots in real life experience. Did you worry about backlash from friends or family or question loss of privacy as you got closer to publication?

ASN: A little bit. Then my daughter read the novel and was so aware of how it was fiction, that I stopped caring what anyone else thought.  She obviously realized where the idea sparked, and she playfully called me on a few things I snagged from real life.  Obviously she knew there was no one living in our basement, so the whole “this is your life” was kind of off the table.

CC: Your penned work ranges from blogs, like Writer Unboxed and Beyond the Margins, to short stories to your column on parenting, The View from Here. How did this myriad of literary direction ultimately guide you towards the publication of your debut novel?

ASN: I always wrote non-fiction until I started writing The Glass Wives. I think that everything before the novel just bolstered my confidence in my ability to get it done, no matter the outcome. I started writing again in 2006 after a long hiatus, so the fact that I was able to freelance and get published in non-fiction paved the way for the moxie it took to believe I could write a novel, find an agent, and get published. Had it not happened, my plan was to write another novel and start again. I wanted the traditional route.

CC: What are you reading these days? 

ASN: Right now I’m reading The Widow Waltz by Sally Koslow.

CC: What advice would you offer for other writers on the road to publication?

ASN: Have confidence. Seek guidance. Be humble. Have confidence. Also, give yourself a break if (and when) you need it. Of course, don’t give up. Did I mention, have confidence?

AmyNathanMediumFileAmy Sue Nathan lives and writes near Chicago, where she hosts the popular blog Women’s Fiction Writers. She has published articles in The Huffington Post, the Chicago Tribune, and The New York Times Online, among many others. Amy is the proud mom of a son and a daughter in college, and a willing servant to two rambunctious rescued dogs. Visit her website, follow her on Twitter, or subscribe to her author page on Facebook

Don’t forget to drop your name in the comments for a chance to win your own copy of The Glass Wives. Random.org will choose the winner on Tuesday, September 17th.