Off Kilter and Out of Season

Every Wednesday, on Writing Under Pressure, you’ll find a post based on Today’s Word (from Wordsmith.org). Past essays, poems, or flash fiction pieces can be found under Wednesday’s Word on the sidebar to the right.

Today’s word:

El Niño. noun. A weather phenomenon characterized by unusually warm ocean temperatures in the Equatorial Pacific.

Check out Wordsmith.org’s theme this week – words related to weather. They each make for some challenging prompts!

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Off Kilter and Out of Season

Delores drove to the grocery store with her windows down.

“Mmm.” She shook her head. “In the middle of May.”

In her seventy-two years, she had never known such a hot day this time of year in Minnesota. The weather seemed to flip flop more often than not: hot when it was supposed to be cool and cool when it was supposed to be hot. Just last summer, the rose buds popped out too early and froze before they reached full bloom. The tomatoes didn’t plump up until late September, and they never turned red — at least not until she dropped them in a paper bag with a banana and rolled it up tight.

She showed the bag trick to Amanda next door, the young woman who moved here from the city early last year. Amanda was desperate to grow tomatoes, “so excited to be living out in the country, now!” she’d said. But, she didn’t know the first thing about gardening. She planted the seedlings on the north side of the house, in the shade. The plants still produced, to Delores’s amazement, but then Amanda pulled the fruit before it even had a chance to ripen.

Amanda stood at Delores’s front door one Sunday afternoon in early October – in tears – with a handful of hard tomatoes, sobbing and saying nothing was working out like it was supposed to. Delores wondered if Amanda was upset about more than just the tomatoes.

“Patience,” Delores had told Amanda over a cup of coffee and a box of Kleenex. “These things take time.” Delores patted Amanda’s hand. “You can’t expect everything to work out perfectly in the first season.”

Standing in the grocery store, though, Delores wondered if she were wrong. She gripped the cart as she rolled past mounds of vegetables and fruits picked before their prime, some bigger than her fist. She realized that neither patience nor the weather had anything do with cultivating and harvesting these days. She could buy what she wanted whenever she wanted. But, while the fruits all looked pretty, she wondered about the taste.

When her husband Ed was still alive, he grew his own vegetables out back. He weeded around the cantelope with a gentle hand, taking care not to damage the vines. The melon always felt rough and looked ugly, but it melted in her mouth. He grew cucumbers from seed, which wasn’t easy. There were plenty of seasons when too much rain ruined the first crop. But, Ed was patient and persistent. Even his kohlrabi grew in juicy and sweet.

Surrounded by all those fruits and vegetables, Delores missed Ed. After fifty-three years together, she had grown accustomed to his mood swings. She was fond of the curve in his back, as she nestled up to him in bed. It had taken a long time for her settle – completely – into their relationship.

Years, in fact.

Delores thought of Amanda. She hadn’t seen much of her in the last few months. Delores rolled her cart around the potatoes and onions and back out the door. She stopped off at a bakery and picked up a rhubarb pie: in season, just right. When she got home, she knocked on Amanda’s door and offered warm pie and a little conversation.
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Drumroll, Please….

Therese Walsh

Last Friday, I posted a Q&A interview with author, Therese Walsh on her novel, The Last Will of Moira Leahy, and on her writing process. She offered great insight on setting, research, and three keys to succeeding as a writer. If you missed the interview, you can still read it here.

Thank you to everyone who left comments. I hope, if you didn’t know of Walsh’s work already, you discovered another great author to watch. You can keep up to date with Therese Walsh by bookmarking her website and following her on Twitter. You’ll also find more great articles from her on Writer Unboxed.

Now, the moment you’ve been waiting for….

I asked my son this morning to help me choose a winner. He shuffled the pieces of paper with the names of all who wanted to be included in the contest, closed his eyes, and pulled from the pile: rr smythe.

Congratulations! You are the lucky recipient of a hardcover copy of The Last Will of Moira Leahy, a finalist in the RWA’s 2010 RITA Award for Best First Book. I hope you love the story as much as I did. An email requesting your address is headed your way. If you don’t hear from me within 24 hours, you can track me down at writeunderpressure(at)gmail(dot)com.

And, a special thanks to Therese Walsh for your generosity, kindness, and willingness to share your wisdom. We all look forward to your next novel!
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Welcome Author, Therese Walsh

Therese Walsh published her debut novel, The Last Will of Moira Leahy, in October 2009. Her novel was named a finalist for the Romance Writers of America’s 2010 RITA Award under the category of Best First Book.

Walsh’s novel does include romantic elements. But, what hooked me is Walsh’s focus on strong human bonds, which may be broken but are never severed.

For reasons I won’t mention here (you’ll have to read the story to find out), twin sisters – Moira and Maeve Leahy – are torn apart. The loss of that relationship haunts Maeve and paralyzes her so that healing can only take place through a mysterious object. An antique keris lands in Maeve’s hands and pulls her on a journey back to her sister and to herself.

The story takes place in Castine, Maine and in Italy. I love how Walsh brings the setting to life through the use of subtle yet powerful language. One of my favorite lines (of many) in the book comes after Maeve returns to Castine and peers out into the ocean. Walsh’s brief detail about that moment reveals the powerful connection of memory to place:

I sat on a boulder the color of elephant skin and looked out at the great blue-gray and beyond.

Along with setting, Walsh weaves details about the keris throughout the narrative seamlessly: the keris prepares the path for Maeve but never eclipses her character.

Impressed by Walsh’s writing techniques, I asked for an interview and was thrilled when she agreed. I’m honored to post her responses here.

As well, I’m hosting a book giveaway. Please leave a comment below (even just your name). On Tuesday, I will choose a winner to receive a free copy of The Last Will of Moira Leahy.

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CC: The settings of Castine, Maine and Italy both come to life in your novel with such strong imagery and characterization. Was it the story of Moira and Maeve that drew you to those two places? Or, did the setting come first and give way to the story?

TW: Thank you. The characters did come first in this case. When I sat down to write Last Will, I didn’t intend to visit Castine or Rome—though I decided early on that Maeve was originally from a coastal town in Maine. Once I realized Maeve’s life as a child would have to be explored, I learned more about Castine; and when I realized an expansion of boundaries would help to open that character up on several levels, I decided on Rome.

CC: Along with setting, other details in your novel must have required extensive research, like the keris, foreign languages, and the dynamics between twins. How much time did you devote to research, and was there ever a point during the writing process when the research overwhelmed you?

TW: I’m a researcher at heart. My post-college career began when I was hired by Prevention Magazine to become a feature’s researcher. So I honestly love research. In fact, I often have to pull back from the research process so as not to let it de-rail me from writing.

Sometimes I’ll spend days on research, and other times I’ll let myself become diverted for mere fifteen minutes to an hour when exploring a new possibility. One thing I’ve learned though is that, for me, research can lead to new discoveries that inform story in intriguing and unexpected ways. Case in point: The keris wasn’t something I originally intended to include in this story. It was only through research that I learned of the rich mythology of that artifact and decided to use it as an unconventional device in Maeve’s rediscovery of herself.

CC: Under Author Bio on your website, you list a link to “The Story of the Story” where you explain your own journey of self-discovery as you followed the signs – one by one, wrote this novel, and became a published author. Has that experience influenced your writing style? Do you outline your stories before hand? Or, do you write more organically and let the story unfold as it may?

TW: I wish I could tell you that I’ve grown much wiser following my protracted experience writing Last Will (a journey that started in 2002 and ended with a sale in 2008), but not so much. I’m still a seat-of-the-pants writer. That said, I do have some necessary points outlined in my work-in-progress, and I usually know what needs to happen several scenes ahead, so maybe I’m evolving. Still, I’m often frustrated by my own near-sightedness when it comes to my wip’s twists and turns. “Trust the muse” is definitely my mantra.

CC: What are you reading these days?

TW: I just finished a wonderful book by Randy Susan Meyers entitled The Murderer’s Daughters. I’ve also just purchased a few new books, including one I can’t wait to dive into— Of Bees and Mist: A Novel by Erick Setiawan.

CC: Do you have any final thoughts or advice for writers on the rise?

TW: I’ve thought about this a lot, and I feel the three keys to taking it to the next level are these:

  • perseverance
  • continuing to hone your craft through books, classes and the like
  • a willingness to truly hear critique, and make bold changes to a manuscript if that critique passes the “gut test”

The common thread here is evolution. Evolve the manuscript, evolve the self. If you do those things, you are on the road to publication.

Thanks again, Christi!

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You can read more about the novel and about Therese Walsh on her website, and you can follow her on Twitter.

She is also the cofounder of Writer Unboxed (named one of Writer’s Digest’s 101 Best Websites for three years in a row). Writer Unboxed hosts several authors who publish great articles on the craft of writing fiction and the business of publishing. In fact, Therese Walsh’s recent post is one you don’t want to miss: “Be Extraordinary” and reach the “realm of publishability.”

To purchase The Last Will of Moira Leahy, click here.
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