Quotables: The Path to Success…Showing Up for Your Work

success >> cover image of Lisa Congdon's new book, Finding Your Artistic Voice: drawing of tiger with mouth open and roaring.

…showing up to work at my own drawing table was an equally valuable ingredient in the formula for artistic growth and success. If I spent most of my time looking at the work of other artists and hanging out at gallery openings, but not consistently making my own work, I might be inspired and make friends, but I’d never make progress in my own creative path. . . . Your voice develops as a result of showing up and making stuff, not once or twice, but over and over and over again.

~ Lisa Congdon in Find Your Artistic Voice


Congdon may be talking about art and drawing, but the same can be said for writing.

If commitment and camaraderie helps you show up for your own creativity, here are two fun opportunities to put #PenToPaper, learn about craft, create or find-tune your work, and build your community of writers:

Principles & Prompts:

success >> photo of red fall leaf on pile of leaves

A 6-week online course on creativity and story, a low-stakes fun course with weekly inspiration and prompts. November 2-December 14, 2019. Registration is open and seats are filling up!

Read more about the course and sign up HERE.


VERITAS Writing Retreat for Women

success >> photo of Milwaukee skyline from the south shore of Lake Michigan

Join me and Margaret Noodin for 4 days in Bay View, Wisconsin to study Place, Permission, and Productivity. Immerse yourself in the mix of other writers, enjoy a taste of the Milwaukee Literary Community, and take advantage of plenty of time to write. July 23-27, 2020. Registration is open but lodging is limited!

Read more about the retreat and sign up HERE.


Your story matters. I hope to see you online or in person!

Story in Photos: How You View Your World

Lately, I’ve been thinking a lot about details, perspective, and the filters through which we view our world. The way these three concepts work together are never more apparent than when I study photos, mine or someone else’s.

photo of hand holding tiny portrait photo from the early 1900sI found this tiny portrait in an old empty bank building somewhere in Waxahachie, TX. I was twelve. My mother and I were extras in Places in the Heart (a story in itself).

One particular night, they were filming a carnival scene right outside the bank. It was cold out, I’d been stuck up at the top of a Ferris wheel with another “extra” friend for what seemed like hours. We were in between shoots, and somebody mentioned hot chocolate being served inside the bank. So my friend and I hid out in the building long enough to warm up, drink too much, and discover the tiny photo wedged between two strips of floorboard. I’m sure I was supposed to leave the photo there, not touch anything but the cocoa. But I picked it up anyway and slipped it into my overalls pocket, took it home and tucked it away.

I love this photo for its size, for the look of the woman in it–her expression, her posture, the way the ribbon at her collar falls flat. In this image, I can imagine her view of the world and even her emotion: bored, a little tired, maybe a hint of nervousness disguised as indifference toward the photographer.

Fast forward plenty of years when I uncovered more tiny portraits, this time digital pictures and I knew the photographer: my daughter at four years old who snuck off with my camera and captured her view from 36 inches. The photos she snapped showed the silly moments I missed in my everyday busy-ness and revealed a vision of truth.

The baby.

photos: Special Baby with her friends

The blur.

photos: woman in motion

The brother.

young boy peeks in from behind a door

And me.

image of woman working at laptop surrounded by coffee, checkbook, journal

Each photo as a whole reveals so much about her at that age, but also about those around her, and it’s in the details where she captures that time and space: Special Baby in the spotlight; Mom in motion (that’s me in that blurry shot); her mischievous brother; and me again–this time at my laptop, clickety-clacking away, writing a blog post, journal close by, checkbook just beyond my fingertips, coffee.  (By the way, very little has changed in the last seven years, except that Special Baby has been carefully tucked away and I’m drinking decaf these days.)

My daughter’s photo collage and the portrait of the unknown woman perfectly illustrate the act of storytelling. In a snapshot, we share our framed view of the world and invite others to see life through our lens–a different, often new point of view (literally and figuratively). The story we capture, though, isn’t revealed only in the object at the center, but in the details that fill the frame, in the timestamp of when it was taken (or when it was found), and in the perspective from which we shoot–in focus or not.

I bet you have a favorite photo or two. How does that image reveal your world or the world of the person who took it?

Better yet, how does your writing reveal your world? Because really, when we incorporate the same kind of study in our stories and essays, our words–and our worlds–become that much stronger.


Don’t forget, Principles & Prompts is open for registration.
Join me online for 6 weeks of lessons on storytelling and creativity
and plenty of writing prompts.

Quotables on Story & an Online Course to take you there.

“Stories are light. Light is precious in a world so dark. Begin at the beginning. Tell Gregory a story. Make some light.”  ~ Kate DiCamillo, The Tale of Despereaux


man with pen and paper and working on laptopYou’ve got a story. You’ve got that urge to write. But where do you begin?

Join me online from November 4th-December 15th for Principles & Prompts, where we’ll discuss creativity and story and put pen to paper every week ($90 for new students; $80 for returning students).

This isn’t just a course for beginners, though. Principles & Prompts is a low-stakes course for writers looking to get back into the swing of regular practice, who are searching for community, who enjoy reading the works of others and finding inspiration in the discussions that follow. It’s one of my favorite courses to teach!

Read more about the course and SIGN UP HERE–make some light!
Seats are limited and registration closes on November 1st!


“We tell our stories in order to live.” ~ Joan Didion