Writing Prompt: I’ve let myself just run on like that.

“I’ve let myself just run on like that. I’ve decided that saying something is better than saying something perfectly. Maybe I’ll go back and make it better. Maybe I won’t.”

~ Jan Wilberg, “Addicted”

*Inspired by Jan Wilberg’s post, “Addicted” (read hers in full HERE),
I wanted to use the quote above as a writing prompt.

In letters. On the phone. Face to face. I ask too many questions. I want to know all the details, the trajectory, the plan of action. I’ve let myself just run on like that. Maybe I am predicting every possible scenario, maybe I am collecting story. Mark me anxious or curious or well-rounded in thought, but never mark me without words.


In conversation with my father after my grandmother–his mother–passes away, I sit across from him, the span of his desk and piles of her papers between us. I wonder aloud about her growing up, his growing up. I learn that she had another sibling who died very young, his name left off of the family tree until years later when my grandmother or her sister or…(a detail I have forgotten now) wanted to acknowledge a baby brother, a missing piece to the puzzle of family. I learn that my father played the steel guitar when he was young–in a band! I have never known him to be musical, other than being a fan of Willie Nelson and the old greats. Perhaps because the house was quiet, perhaps because a death makes us more willing, I’ve let myself just run on like that, asking questions, uncovering answers, and he has too.


My daughter goes without her phone one afternoon, and I panic. Well, first I get angry, sure that she is ignoring my text messages–I’m here. Where are you? Hello?, not taking my calls. THEN, my mind turns to the worst. I call another parent, circle the block several times. When answers finally come and she is just down the street, she gets into the car and I let loose with words. Questions. Assumptions. She is learning the art of communication. So am I. Still, I’ve let myself just run on like that, repeating myself for emphasis, falling into a lecture, hands in the air, until finally she stops me. I can see in her eyes she has had enough of my going on. And so have I. We drive in silence, through an intersection, we round a corner, we climb a hill. I lose sight of where I am. Fear got the best of me, I say. At home, we move to separate spaces. Later, I take her to dinner, knowing a change of scenery (and a change of topic) will bring us both back. I tell her about my yoga class that day, how the teacher talked about transitions between poses, how they are so hard but so important. We tend to rush through them, just wanting to get to the other side, and we miss so much. We don’t even think about the steps we must take to get from a warrior pose to a standing pose, tall and strong with arms out like a sunflower. Gaze lifted. Hearts open. Breathe in, breathe out.

I am in transition, I say.

And there is so much to learn.

Wood Violets and Rubies

tiny purple wood violets covering the forest floor, bare trees in the background

To burn off the weight of being inside for too long on a sunny day, I go for a walk, follow the wood violets into a park, into the smell of fresh wood chips and kids playing soccer. To avoid getting caught in conversation, I take to the perimeter, along a trail leading into the woods, past a painted turtle on a log in a shallow pond. Or at least his shell on a log in a shallow pond, no sign of his head, or feet. He, too, must have needed a break. I snap pictures on my phone–daisies, a kite, strange buds on a tree, and turn at the kitch-kitch sound of a ruby-crowned kinglet hopping through last year’s Fall and the bare branches of a shrub. I only know the name of that bird because I Google it right then and there–finch with red dot on head. I figure I’ll get a list of misdirected links but no, there it is, an image of the very same bird, red tuft of feathers right at its crown, with notes on its behavior, “forages almost frantically…seem nervous as they flit through the foliage.” Nervous, for sure, I can’t catch even one tiny photo of him. So I keep walking. On a bench at the top of the trail, I listen to the cars along the highway a short mile away and feel full of city with that noise in my ear and my cell at my hip, so I put the phone in my backpack, take out my pen and paper, write notes on my own behavior instead. Those notes stay in my journal, but here’s what I can reveal: the sun warm at my back, the way the wood violets push through, press forth along the forest floor, the vertical lines of tree trunks, limbs angled, branches fanned, hungry for the coming change.

Morning Coffee

morning coffee cup with scone, window and clock in background

Drip, pour over, french press. Bold, mild, “a little room for cream.” You order half decaf, “make it a medium,” and feel like the drunk who orders near-beer. Who are we kidding. You sit facing the window, and the clock (there is only so much time), pull out your journal, a new pen. You write the date and Wednesday and pause, words lodged in your throat. In the background, the espresso machine speaks in fits and starts, hot steam charging the milk. The barista asks, What can I get started for you? You have a list of plenty. The man sitting at the high table behind you says into his phone, “Surprise me.” He doesn’t sound convinced. The coffee has yet to kick in. Still, you jot something down on paper. Maybe just these morning observations. Every word counts. And in every detail, there is a story.