Bread, Books, and Coffee

Fall has a way of throwing me off balance. The weather turns cool, the rain drizzles, and my laptop doesn’t look half as cozy as the comforter on my bed. Hibernate first, write later.

That’s how I felt all last week, and very little writing got done. My mind wasn’t completely on sleep mode, though. I was busy feeding my creative self with other projects. And, sometimes, I was just busy.

Bread

In an effort to warm up and watch something develop (especially with my writing at a standstill), I dove back into the world of baking with yeast. Yeast and I are old enemies, in a kind and loving way. Yeast teases me, hints at some level of greatness, then leaves me with some concoction that weighs on the heavy side. The loaf of bread I pulled out of the oven last week, dense as it was, lacked substance, if you know what I mean.

It smelled good. It even looked good. But, all that kneading and watching and hoping yielded a rock-solid lump of grain that took a strong arm to cut into slices. If there was a circle of bakers similar to my writing critique group, I’d had marched that sucker straight to the table and begged them to show me no mercy. What is the secret to raising a perfect loaf of bread? And, can that translate into a good story? Or, at least a good sandwich?

Books

Remember that comforter I mentioned? I wasn’t kidding when I said I went into hiding. Come 9pm most nights, I crawled into bed with a good book. I started and finished reading Hillary Jordan’s When She Woke, a story about what happens when religion and politics mix too closely and women’s rights are thrown to the wayside. If you like Margaret Atwood, you’ll love this book. If you swing to the right, you might not like it so much. I don’t want to push politics here, but, while Jordan’s book is futuristic, much of the story hits way too close to home.

On a lighter note, and to balance my reading experience, I’ve also been sifting through stories of the past. My daughter and I are knee-deep into the Little House on the Prairie series, currently reading The Long Winter (no wonder I’m in hibernation mode). My son and I are halfway through Blackwater Ben, a YA fiction about a boy working with his father in the cookhouse at a lumber camp. Both books are set around the 1800’s, around the same time as that novel I’m finishing up. So, while I’ve been reading with the kids, my brain has been absorbing nuances of the 19th century life and studying the techniques of writing historical fiction.

Coffee

I’ve been drinking decaf for months now, maybe even a year. I can’t exactly remember, which is perhaps a side effect of cutting the caffeine. At any rate, I poured myself a cup of half decaf half regular last Saturday, and um, wow.

I finally sat down to do some writing and was typing 100 words per minute. No, I didn’t count the words, but who can count when you’re zipping through a draft of something that reads really well on a caffeine high. I even managed to rake several piles of leaves from the back yard all the way down the driveway to the curb like there was no tomorrow and somebody get me a refill on that coffee, would you?

Lordy.

What’s your story? Hibernation, or heavy on the coffee?

Taking it all in on a Sunday.

From The Forest for the Trees:

“Everything you put on the page is a deliberate manipulation of what happened, written to keep the reader entertained, moved, sympathetic, horrified, scared, whatever. You are never writing what really happened. Instead, you are choosing words, building images, creating a rhythm, sense, and structure through which to move your characters and unfold your story. You are making a thousand minuscule choices that you hope will add up in such a way that your readers believe what they’re reading is real. And this is why, when the writer is successful, the best fiction reads like nonfiction and the best nonfiction like a novel.” ~ Betsy Lerner

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What did you take in this weekend?

Gearing Up for a 30 Day Workout

nano_09_red_participant_100x100_1“[W]riting is physical,” Natalie Goldberg says in her book, Writing Down the Bones (p.50). I, along with many of my other NaNoWriMo participant colleagues (I think), would agree.

Last year at this time, I dove – head on – into writing. I’d been talking about writing all summer. I registered for a writing class that would take place just after the new year. And, in a rare move contradictory to my no-risk personality, I signed up for NaNoWriMo. Even more surprising, I wrote a somewhat lucid story that inched passed the 50,000 word count. Up until the moment the purple NaNo word meter hit the 50,000 mark and flashed “you’re a winner,” I authored only short, undeveloped stories that barely registered 1000 words.

This year, I signed up for NaNoWriMo by accident. Really. I logged on to my account to check up on an old message in my inbox. When a window full of legalese popped up and asked if I would accept, I thought, sure, I’ve been here before. Click.

Wait. Accept? Accept what? Oh, boy.

I tabbed over to my author info page. Sure enough, that little purple line was back down to zero. It stared me in the face, like a digital taunt, daring me to try again.

I’ve had to remind myself, as the days inch toward November 1st, that NaNoWriMo is another exercise in writing. Natalie Goldberg emphasizes the importance of exercise when she says “[t]he rule for writing practice of “keeping your hand moving,” not stopping, actually is a way to physically break through your mental resistances and cut through the concept that writing is just about ideas and thinking” (p.50). She, of course, means pen-to-paper. But, I believe, in translating her philosophy to hand-to-keyboard, NaNoWriMo offers a 30-day plan to whip my writer’s mind in shape: “cut through” my tendency to think too hard about a story, pound out 2000 words a day (on a good day), and see what becomes of the characters and the work.

NaNoWriMo is initiation by fire for those writers who want to come out of hiding. It’s a test of tolerance and discipline. And, it’s an intervention with your mind’s editor, a reason to send her away for the next 30 days. If writing 50,000 words of one story makes you want to take a nap, if you’d rather dream up your story than put it down on “paper,” remember writing is an art to be learned and practiced. No good story comes out perfect the first time around. I’ve heard it over and over, but my stubborn (sometimes egotistical) mind refuses to listen.

To combat that stubbornness, I’ll take on another 30-day challenge of late nights, fast typing, sweat, and a maybe a few tears. Oh, and fun. NaNoWriMo is supposed to be fun!

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Natalie Goldberg, Writing Down the Bones (Boston, MA: Shambhala Publications, Inc, 1986), p. 50.