Grant Yourself Permission to Create

logo for Veritas Rustic Writing Retreat in Permission: typewriter with birds and dates and place for the retreat

In a fews days, I fly out to teach with Elin Stebbins Waldal at our first retreat, Veritas Rustic Writing Retreat for Women. This year, our theme is on Permission.

Early on in our preparations, Elin and I divvied up the days, brainstormed ideas surrounding permission and writing and what holds us back from our own creativity. I offered to present on granting ourselves permission to fail and to succeed.

For the last several months, I’ve dogeared pages in my books, researched articles, saved links to essays; I’ve gathered perspectives and explored the ideas of failure and success.


“The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.”

~ Mary Oliver


image about Permission to create: book open with CREATIVE spelled out on spread of two decorated pages, with keyboard, glasses, and manuscript nearby

In that time, I’ve also been taking a closer look at my own creative aspirations, figuring out what feeds my creativity or what flattens it. I’ve sent out submissions, filed away rejections, quietly celebrated a publication here and there. I have embarked, head-on, into new adventures and wondered (…worried) what it will look like if/when I fumble and fall.

Not surprising, all my prep work to teach at this retreat is giving me insight into my own experiences in failure and success and helping realign my perceptions on permission to embrace both. Every page in a book I mark with a tab is saved for the workshop and for myself; each video I discover to share during a writing activity becomes another message from the Universe to pay attention.

Moving toward the unknown–a new story, the first lines of a difficult essay, a creative pursuit of any kind–is never easy. The journey is filled with excitement and fear, sometimes (usually) a little pain. We make mistakes–we have to make mistakes. We have tiny successes. We experience days when every action seems moot. But all of it–every rise and fall–is necessary.


“Don’t be afraid of mistakes; they tell you what you are trying that you don’t have control over. They suggest that you are venturing into new territory where you’re not yet sure what you are doing. They’re a sign that you are stretching yourself.”

~ Paul Skenazy on Brevity


What stories do you long to pursue? What creative opportunities are you pushing aside because of time, fear of failure, or what your mother would say? What is the risk in letting it pass you by? What is the risk in diving in?

Grant yourself permission; you may be surprised where the journey will lead.


Looking for online writing opportunities?

Flash Nonfiction II: Write, critique. Rinse, repeat. April 7-May 18, 2019. We meet online for 6 weeks and engage with lessons on voice, memory vs. memoir, omissions on purpose, and more. We write, we critique, we don’t stop for the inner editor. While flash nonfiction may not be your main form of writing, working on your short game improves your long. Only a few seats remain & registration closes April 4th. Read student testimonials and sign up HERE.

Study Hall: #AmWriting. Next session: April 7th, 3:30-5pm CST. Once a month we gather online to talk craft, read essays, stories, or poems. And we write write write. By the end of one session, you’ll have tackled 5 different writing prompts–and had fun! Registration is required. For the April session, sign up HERE by Friday, April 5th.

drawing of pencil with words on it saying, "Let's Write." Give yourself permission!

Remington Roundup: #Listen, #Write, #Revise

1960's photo of woman at Remington typewriter

Snow, snow, and more snow means time indoors curled up with your next story. This month’s roundup features links to a local event where you can hear great authors read theirs, information on an upcoming online writing course so you can write yours, and details on in-person writing critique groups in order to revise.

#LISTEN. The Stories Behind the Stories

image: kim suhr

The Stories Behind the Stories is a panel of authors moderated by Kim Suhr (Nothing To Lose) at NO Studios, a new creative hub near downtown Milwaukee. The panel includes authors Jennifer Trethewey (Tying the Scot) and Jessie Garcia (My Life with the Green and Gold), and more.

From the Event Page: “Share an afternoon with some of Milwaukee’s literary illuminati…. Laugh, ask questions, listen to excerpts, and find out more about their different paths to publication.”

When: Sunday, April 14th, 3-6pm. Where: NO Studios, 1037 W. McKinley Avenue, Milwaukee, Wisconsin. NO Studios members attend for free; nonmembers pay $10. Proceeds from the event will help provide financial aid for youth of the Creative Writing Camps and for writers of Red Oak Writing. RSVP online.


#WRITE. Flash Nonfiction II: Write, critique. Rinse, repeat.

The next session of Flash Nonfiction II: Write, critique. Rinse, repeat is open for registration!

image: typewriter with blank page in it and words below: flash nonfiction II: write, critique. rinse, repeat.

This 6-week writing-intensive course dives deeper into elements of flash nonfiction, such as voice and details, and specific elements of critique. We move through lessons and prompts quickly, so there’s no time to listen to that pesky inner editor.

If you love writing short and are looking for inspiration, community, and critique, join us! Information on the course and registration can be found HERE.

When: April 7-May 18th. Where: online. Registration closes on April 4th. Seats are filling up. Sign up soon!


#REVISE. Writers’ Roundtables at Red Oak Writing

Two people pouring over story with highlights and notes.

You’ve listened to stories, you’ve signed up to write your own stories, you’re looking for a place to polish those stories for submissions. Red Oak Writing has a new batch of Roundtables perfect for gathering feedback from peers.

From Red Oak’s website: “Our experienced leaders are published writers who are also actively pursuing their own writing goals. They are committed to helping you reach your writing dreams — big project or small — fiction, nonfiction, plays or poetry.”

You can participate in-person or online. In person sessions run from March to April and May to June, Online schedule varies. Seats are limited here as well, so sign up soon!

When: Begins March 3rd. Where: In person at 11709 W. Cleveland Avenue, West Allis, Wisconsin or ONLINE. Sign up for two in-person sessions at once for a discounted fee!

Now, no excuses….

Remington Roundup: #AmReading (& more #reading)

1960's photo of woman at Remington typewriter

This month I’ve rounded up links to books and an article for your reading pleasure, whether you’re looking to write more or simply settle in with a good story.


The Books

A while back, I interviewed Julia Stoops about her debut novel, Parts Per Million (Forest Avenue Press). At the same time, I wrote a review of her book. As in all things writing, publication can move slowly, whether you’re crafting your first novel, searching for a home for an essay, or submitting reviews.

I’m grateful to the editors at Necessary Fiction for posting my review of Stoops’ book, in part because it’s nice to get your work out there but also because, while this book was published back in April 2018, the story remains relevant today.

  1. Take a look at the review on Necessary Fiction.
  2. Go back to the Q&A with Julia Stoops here.
  3. Browse over to Omnimundi.org for more on the book’s artwork and artist Gabriel Liston.

“…every novel carries significance for readers in either speaking to our past understanding or forcing us to consider our current state of mind.”


A more recent discovery in books is Beth Kephart‘s new work, Strike the Empty: Notes for Readers, Writers, and Teachers of Memoir. I’m barely into this one, but already I can tell I’ll be marking it up, tabbing pages, and referring back to it time and again. Kephart writes on the importance of story, on “refuge in true stories,” shares essays by authors of your favorite memoirs and calls to action for those of us doing our best to bring our own true stories to light.

Establish agency, generate urgency, prize vulnerability, remain raw. Know the question. Don’t force the answer. . . . strike the empty–that meaningless phrase, that excessive detail, that tired trope, that obvious epiphany, that unmurdered little darling.

Read more about Kephart’s book on her website or purchase your own copy from your favorite bookstore.


The Article

Speaking of writing memoir and writing tight, I also re-read an essay by Barbara Hurd that I never tire of, “The Mind in Winter.”

“I keep my hat pulled low and my imagination on alert for what I’ll likely never hear again nor ever forget: mewing in mid-winter, deep in the den before there was any sign of life on the surface, any hint of thaw or—back on topic now—any start of a next sentence or line of a poem.  What would it take, in other words, to dwell for a while in winter’s stillness and trust that down there, below the sometimes blank surfaces of our stymied minds, an idea or story could be stirring?”

Feeling stuck in any way? Go to Hurd’s essay, bookmark it. Winter, she says, can be “refuge, snow as insulation, silence as opportunity.”


What are you reading these days?